Luyện nghe bài hát The Point Of No Return

DON (PHANTOM - behind the curtain)
- Go away!
For the is set and waits for its prey . . .
(PASSARINO leaves. (AMINTA) enters. She
takes off her and sits down. Looks about her. No-
one. She on an apple. The PHANTOM, disguised as
DON pretending to
be PASSARINO, emerges. He now PASSARINO's
robe, the cowl of which hides his face. His first
her)
DON (PHANTOM)
You have come here in of
your deepest urge, in of
wish, which till now
has silent, silent . . .

I brought you, that our passions
may fuse and merge, in mind
you've succumbed to me
dropped all defences completely succumbed to me, now you are with me:
no second thoughts, decided,
. . .

Past the point of no -
no backward
the games of believe
are at an end . . .

the point of "if" or "when" -
no use
thought,
and let the descend . . .

What raging fire flood the soul?
What rich desire its door?
sweet seduction lies before us . . .?
Past the of no return,
the final threshold, warm,
secrets will we learn?
Beyond the
of no . . .

(CHRISTINE)
You have brought me to that
where words run dry, to moment
where speech into silence,
. . .

I have come here, knowing
the why . . .
In my mind, I've
imagined our entwining
defenseless and -
and now I am with you:
no second thoughts, decided,
. . .

Past the point of no
no going back
our has now, at last,
. . .

Past all thought of or wrong -
one final
how should we two wait, before
one . . .?

When will the blood begin to
the sleeping bud burst into
When the flames, at last, consume
us . . .?

Past the of no return
the final threshold, the
is crossed, so stand and it burn . . .

We've the point of no return . . .
(By now the audience and the POLICE have realized SIGNOR PIANGI is dead behind the curtain, and it is
the PHANTOM who sings in his place. knows it too. As final confirmation, the PHANTOM sings):

Say you'll share me one
love, one . . .
Lead me, save me my solitude . . .
(He takes from his finger a ring and it out to her.
Slowly she takes it and it on her finger.)
Say you me with you,
beside you . . .
you go let me go too,
Christine all I ask of . . .
(We reach the word 'you', for CHRISTINE quite calmly reveals the PHANTOM'S face to the audience. As
the FORCES OF LAW close in on the skull,
the PHANTOM sweeps his around her and vanishes. MEG pulls the curtain upstage, revealing PIANGI'S
body garotted, propped against the bed, his gruesomely tilted to one side. She screams.)