Luyện nghe bài hát The Point Of No Return

DON JUAN (PHANTOM - the curtain)
- Go away!
For the trap is set and waits for its . . .
(PASSARINO leaves. (AMINTA) enters. She
takes off her cloak and sits down. Looks her. No-
one. She on an apple. The PHANTOM, disguised as
DON JUAN to
be PASSARINO, emerges. He now wears
robe, the cowl of which hides his face. His words
her)
DON (PHANTOM)
You come here in pursuit of
your urge, in pursuit of
that wish, which now
has silent, silent . . .

I have you, that our passions
may and merge, in your mind
you've succumbed to me
dropped all defences completely to me, now you are here with me:
no second thoughts, decided,
. . .

Past the point of no -
no backward
the games of make
are at an end . . .

Past the of "if" or "when" -
no use
thought,
and let the descend . . .

What raging fire shall the soul?
What rich unlocks its door?
What sweet seduction lies us . . .?
Past the of no return,
the final threshold, warm,
secrets will we learn?
Beyond the
of no . . .

(CHRISTINE)
You have brought me to moment
where run dry, to that moment
where speech into silence,
. . .

I have here, hardly knowing
the why . . .
In my mind, I've
imagined our entwining
and silent -
and now I am here you:
no thoughts, I've decided,
. . .

Past the point of no
no going back
our has now, at last,
. . .

Past all thought of or wrong -
one question:
how should we two wait, before
one . . .?

When will the blood begin to
the sleeping bud burst into
will the flames, at last, consume
us . . .?

Past the point of no
the final threshold, the
is crossed, so and watch it burn . . .

We've passed the of no return . . .
(By now the audience and the POLICE have realized that SIGNOR PIANGI is dead the curtain, and it is
the PHANTOM who sings in his place. knows it too. As final confirmation, the PHANTOM sings):

Say you'll with me one
love, one . . .
Lead me, save me my solitude . . .
(He takes from his finger a and holds it out to her.
she takes it and puts it on her finger.)
Say you me with you,
here you . . .
you go let me go too,
Christine all I ask of . . .
(We reach the word 'you', for CHRISTINE quite calmly reveals the PHANTOM'S face to the audience. As
the FORCES OF LAW close in on the skull,
the PHANTOM sweeps his cloak her and vanishes. MEG pulls the curtain upstage, revealing PIANGI'S
body garotted, against the bed, his head gruesomely tilted to one side. She screams.)