Mark (vocals) Howard (vocals) Ian (keyboards, woodwinds) dunbar (drums) George (keyboards, trombone) lickert (bass) Ruth (orchestra drum set) Jim (vocals)
Theodor This, as you might have guessed, is the end of the movie. the entire cast is assembled here at the centerville recreational facility to bid farewell to you, and to express for your attend At this theatre. this might seem old fashioned to of you, but I'd like to join in on this song. it's the kind of a sentimental song that you get at the end of a movie. it's the kind of a so At people might sing to let you in the audience know that we really like you and care you. we uh, understand how hard it is to laugh these days, with all the terrible problems in the world
Lord, have mercy on the in england, For the terrible these people must eat. ( errrr, me ) And may the have mercy on the fate of this movie And God bless the of the man in the street.
Help all the rednecks and the flatfoot Through the functions they all must perform. God the winos, the junkies, and the weirdos,
soprano: And poor soul who's adrift in the storm.
Help everybody, so all get some action, love on the weekend, some real satisfaction.
Female A room and a And a garbage A and a hose'll Be genteel.
Mark volman & kaylan: Reach out your to the girl in the dog book, The girl in the pig book, and the one the horse. sure they keep all those businessmen happy And the purple-lipped censors and the of course.
Help everybody, so they all get action, love on the weekend, some real satisfaction.
Mark volman & kaylan: A swedish apparatus with a and a bludgeon a microwave oven. "honey, how do it feel? "
Mark volman & kaylan: Lord, mercy on the hippies and faggots And the and the weird little children they grow.
the black man. Help the man. the milk man. Help the man. Help the lonely, neglected old farts I know.
Theodore It's been swell you with us tonight folks.
volman: But, don't leave the theatre yet, 'cause there's more to come, but before we go on, I want to introduce to you my friend and musical associate, howard kaylan, who's going to give us all a benediction.
Howard They're to clear out the studio... going to tear down all the... They're going to whip all the... They're to sweep out all the... They're to pay off all the...
volman: (oh, yeah!)
Mark volman & kaylan: And then... and then... and then... and then...
Hey hey hey, everybody in the orchestra and the Aww now, every one of our and talented dancers The light men, camera men, make-up men
volman: (the men)
volman & howard kaylan: And, the men.
Jimmy black: (especially cohen, yeahoooo...)
Mark & howard kaylan: They're all to rise up. going to jump up! I said jump up! Talkin' 'bout right up on off the floor. Jump up and hit the door!
Mark They're all to rise up, and jump off.
volman & howard kaylan: They're going to on home. going to ride on home. They're to ride on home. They're going to on home.
kaylan: And once again take seriously. Yeah, two, three, four, seriously.
volman: They're all to go home,
Mark & howard kaylan: Through the driving sleet and
volman: They're all to go home,
Mark volman & kaylan: the fog, through the dust. Through the fever and the blistering frost.
volman: They're all to go home.
kaylan: And get out of it as can be.
Jimmy carl And the goes for me.
Mark volman & kaylan: Oh, yeah! oh, yeah! oh, yeah! oh, yeah!
Howard And each and member of this rock oriented comedy group In his own way is going to get out of it as he can be.
volman & howard kaylan: They're all to get wasted. all going to get twisted. They're all to get wasted. all going to get twisted.
Howard And I am going to get ....
Mark & howard kaylan:
Howard 'cause I'm such a lonely.. I'm a lonely.. A lonely, lonely, talkin' a lonely guy.
Oh, and I tonight, I am definitely... I am positively... I have to get...
volman & howard kaylan: Bent, and wasted.
carl black: A disaster area the size of city, new jersey.
Howard He's making me do this, ladies and gentlemen. I wouldn't do it if it weren't for this. you noticed, all through this material, I've been over toward my left? well, I'll tell you the rea Or ladies and gentlemen. he is over there. he is over on the left. he is the guy that is making me do all this shit. right over there. now all through this movie, every time we've been on s I've had to over in that direction, right? you saw it... you know! well that's 'cause he's over there. I've got to watch him for signs. he jumps up and down like a jackass. I can't even be The guy sometimes. but we gotta watch him. "after all," we said, "it's frank's movie." now, the mothers, but it's still frank's movie. he rented the studio, had all th Heesy sets built...it's so moche!. he's everybody, right now, right over there to...(text obscured by disaster area, fades out)