Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational of work, after the model of
industrial production and totalitarism, collective spirit,
with ideology, means: not the individual, but the organisation
speaks. Our work is industrial, our language political. is a
of time universality. Its organisational activity is an
intense agitation and a constant systematic propagating,
offensive. Any social activity affects the mass. Laibach as a
allusion of strict institutionality, identification with
institution, as stock theatre, or popular culture with a
programme. One transmitter and a of receivers, and with a
through uncommunication. Laibach's musical approach is a
move to the area of pure of sounds as a means of manipulating
the masses. When, in politically and complicated situations,
the antagonism in society is strained, only force remains as the
ratio of social integration. The force must adopt the form of
systematic, physical and psychic terror, in accordance with
relations. Terror is obtaining a function of productional power,
which discipline and an adaptation of the mass, to the existing
relations, and the existing productional apparatus. For the
totalitarian form of government, the terror becomes a
instrument of authority. Through the mystic,
erotic-mythological sound, constitution of an ambivalence fear and
fascination, which rudimentarily the consciousness of people,
through performances of ritualized demonstration of political power,
and other manipulative means of an individual, Laibach practises a
sound force, in a of systematic, psycho-physical terror as social
organisational principle, in order to effectively discipline and a
feeling of adherence bond of a certain, revolted and alienated
audience, which results in a state of collective [athasia?], is the
principle of social organisation. In sense, the function of Laibach,
sound constructions, and of concerts is to challenge collective
and automatic associations, and as such it serves as the means of
working stimulation. By darkening the consumer's mind, it him into
a state of contrition and total obedience, self-sacrifice, by
every trait of individuality, it melts the individuals into a
mass, and mass a humble, collective body. The dualism of Laibach's
message, and receiver's structure uncovers the social neurosis.
Laibach unites the and antagonistics into an expression of static,
totalitarism cry. Our basic inspiration, which are not ideals to
their form, but the material of Laibach, of self, remains an
industrial production: art of the Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the militantly organised rhythmicity of
production, and as such the appropriate means of media manipulation.
As an archetypal structural of the collective unconscious in a
worker mass, it automatic mechanism, and shapes
industrialisation of consciousness, which is in the logic of
massive, totalitarian, production.
[I had to this one down by ear... Took me hours.]