Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes an organisational system of work, after the model of
production and totalitarism, collective spirit, identification
with ideology, which means: not the individual, but the
speaks. Our is industrial, our language political. Laibach is a
of time universality. Its organisational activity is an
intense agitation and a constant systematic propagating,
offensive. Any social activity affects the mass. functions as a
allusion of strict institutionality, identification with
institution, as theatre, or popular culture with a centralized
programme. One and a multitude of receivers, and with a
communication uncommunication. Laibach's musical approach is a
move to the area of pure of sounds as a means of manipulating
the masses. When, in politically and complicated situations,
the antagonism in society is becoming strained, only remains as the
ultima ratio of integration. The force must adopt the form of
systematic, and psychic terror, organized in accordance with
social relations. Terror is obtaining a function of power,
which extorts discipline and an adaptation of the mass, to the
relations, and the existing productional apparatus. For the
totalitarian form of government, the systematic becomes a
instrument of authority. Through the mystic,
erotic-mythological sound, constitution of an ambivalence fear and
fascination, which rudimentarily the consciousness of people,
through performances of ritualized demonstration of political power,
and through manipulative means of an individual, Laibach practises a
sound force, in a form of systematic, psycho-physical as social
organisational principle, in order to effectively discipline and a
feeling of total adherence of a certain, revolted and alienated
audience, which results in a state of [athasia?], which is the
principle of social organisation. In this sense, the of Laibach,
constructions, and of rock concerts is to challenge collective
emotions and automatic associations, and as such it as the means of
working stimulation. By darkening the mind, it drives him into
a state of humble contrition and obedience, self-sacrifice, by
destroying every trait of individuality, it melts the into a
mass, and into a humble, collective body. The dualism of Laibach's
message, perception and receiver's structure the social neurosis.
unites the biters and antagonistics into an expression of static,
totalitarism cry. Our basic inspiration, ideals which are not to
their form, but the material of Laibach, manipulation of self, an
production: art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most form of the militantly organised rhythmicity of technicist
production, and as such the appropriate means of media manipulation.
As an archetypal structural basis of the collective in a
worker mass, it automatic mechanism, and shapes
industrialisation of consciousness, is necessary in the logic of
massive, totalitarian, production.
[I had to write this one by ear... Took me hours.]