Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational system of work, after the of
industrial production and totalitarism, spirit, identification
with ideology, which not the individual, but the organisation
speaks. Our is industrial, our language political. Laibach is a
of time universality. Its organisational activity is an
intense agitation and a constant propagating, ideological
offensive. Any social activity affects the mass. functions as a
creative of strict institutionality, identification with
institution, as stock theatre, or popular with a centralized
programme. One transmitter and a of receivers, and with a
communication uncommunication. Laibach's musical approach is a
move to the of pure politization of sounds as a means of manipulating
the masses. When, in politically and complicated situations,
the antagonism in society is strained, only force remains as the
ultima of social integration. The force must adopt the form of
systematic, physical and psychic terror, in accordance with
social relations. Terror is a function of productional power,
which extorts discipline and an adaptation of the mass, to the
productional relations, and the existing apparatus. For the
totalitarian form of government, the terror becomes a
instrument of authority. Through the mystic,
erotic-mythological sound, of an ambivalence between fear and
fascination, which rudimentarily affects the of people,
through stage performances of ritualized demonstration of power,
and through other manipulative of an individual, Laibach practises a
sound force, in a form of systematic, psycho-physical as social
organisational principle, in to effectively discipline and raise a
feeling of total adherence bond of a certain, and alienated
audience, which results in a state of collective [athasia?], is the
of social organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to challenge
emotions and associations, and as such it serves as the means of
working stimulation. By darkening the mind, it drives him into
a of humble contrition and total obedience, self-sacrifice, by
destroying every trait of individuality, it the individuals into a
mass, and mass into a humble, collective body. The of Laibach's
message, perception and structure uncovers the social neurosis.
Laibach the biters and antagonistics into an expression of static,
totalitarism cry. Our basic inspiration, which are not ideals to
their form, but the of Laibach, manipulation of self, remains an
industrial production: art of the Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most form of the militantly organised rhythmicity of technicist
production, and as such the most means of media manipulation.
As an archetypal basis of the collective unconscious in a
worker mass, it stimulates mechanism, and shapes
industrialisation of consciousness, which is necessary in the of
massive, totalitarian, production.
[I had to this one down by ear... Took me hours.]