Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach over an organisational system of work, after the model of
production and totalitarism, collective spirit, identification
with ideology, which not the individual, but the organisation
speaks. Our is industrial, our language political. Laibach is a
recognition of time universality. Its organisational is an
intense agitation and a systematic propagating, ideological
offensive. Any social affects the mass. Laibach functions as a
creative of strict institutionality, identification with
institution, as theatre, or popular culture with a centralized
programme. One transmitter and a of receivers, and with a
communication through uncommunication. musical approach is a
move to the area of pure politization of as a means of manipulating
the masses. When, in politically and complicated situations,
the antagonism in society is becoming strained, force remains as the
ultima ratio of social integration. The force adopt the form of
systematic, and psychic terror, organized in accordance with
social relations. Terror is obtaining a of productional power,
which discipline and an adaptation of the mass, to the existing
productional relations, and the existing apparatus. For the
totalitarian form of government, the systematic terror a
instrument of authority. Through the mystic,
erotic-mythological sound, constitution of an ambivalence between and
fascination, which affects the consciousness of people,
through stage performances of ritualized demonstration of power,
and other manipulative means of an individual, Laibach practises a
sound force, in a of systematic, psycho-physical terror as social
organisational principle, in to effectively discipline and raise a
feeling of adherence bond of a certain, revolted and alienated
audience, which results in a of collective [athasia?], which is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of concerts is to challenge collective
emotions and automatic associations, and as such it as the means of
working stimulation. By the consumer's mind, it drives him into
a state of contrition and total obedience, self-sacrifice, by
destroying every trait of individuality, it melts the individuals a
mass, and into a humble, collective body. The dualism of Laibach's
message, perception and structure uncovers the social neurosis.
unites the biters and antagonistics into an expression of static,
totalitarism cry. Our basic inspiration, ideals are not ideals to
their form, but the of Laibach, manipulation of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the militantly organised of technicist
production, and as such the most appropriate means of manipulation.
As an archetypal basis of the collective unconscious in a
worker mass, it stimulates automatic mechanism, and
industrialisation of consciousness, which is in the logic of
massive, totalitarian, production.
[I had to write this one by ear... Took me hours.]