Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach over an organisational system of work, after the model of
industrial production and totalitarism, spirit, identification
with ideology, which not the individual, but the organisation
speaks. Our work is industrial, our language political. is a
recognition of time universality. Its organisational is an
intense agitation and a systematic propagating, ideological
offensive. Any social activity the mass. Laibach functions as a
creative of strict institutionality, identification with
institution, as theatre, or popular culture with a centralized
programme. One transmitter and a multitude of receivers, and a
communication through uncommunication. Laibach's approach is a
to the area of pure politization of sounds as a means of manipulating
the masses. When, in and economically complicated situations,
the antagonism in society is becoming strained, force remains as the
ultima ratio of social integration. The must adopt the form of
systematic, physical and terror, organized in accordance with
social relations. Terror is obtaining a function of power,
which extorts discipline and an adaptation of the mass, to the
productional relations, and the productional apparatus. For the
form of government, the systematic terror becomes a
constitutional instrument of authority. the mystic,
erotic-mythological sound, constitution of an between fear and
fascination, rudimentarily affects the consciousness of people,
stage performances of ritualized demonstration of political power,
and through other manipulative of an individual, Laibach practises a
sound force, in a form of systematic, psycho-physical terror as
organisational principle, in to effectively discipline and raise a
of total adherence bond of a certain, revolted and alienated
audience, which in a state of collective [athasia?], which is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of rock is to challenge collective
emotions and associations, and as such it serves as the means of
working stimulation. By darkening the mind, it drives him into
a state of humble and total obedience, self-sacrifice, by
destroying every trait of individuality, it melts the individuals a
mass, and mass a humble, collective body. The dualism of Laibach's
message, perception and receiver's structure the social neurosis.
Laibach unites the and antagonistics into an expression of static,
totalitarism cry. Our basic inspiration, ideals which are not to
their form, but the of Laibach, manipulation of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the militantly rhythmicity of technicist
production, and as such the most appropriate means of manipulation.
As an archetypal structural of the collective unconscious in a
worker mass, it stimulates automatic mechanism, and
industrialisation of consciousness, which is in the logic of
massive, totalitarian, production.
[I had to write this one down by ear... me hours.]