Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational system of work, the model of
industrial and totalitarism, collective spirit, identification
with ideology, which not the individual, but the organisation
speaks. Our work is industrial, our political. Laibach is a
of time universality. Its organisational activity is an
intense agitation and a constant propagating, ideological
offensive. Any social affects the mass. Laibach functions as a
creative allusion of institutionality, identification with
institution, as stock theatre, or popular with a centralized
programme. One transmitter and a multitude of receivers, and a
communication through uncommunication. Laibach's musical is a
move to the area of politization of sounds as a means of manipulating
the masses. When, in and economically complicated situations,
the antagonism in society is becoming strained, only remains as the
ultima ratio of integration. The force must adopt the form of
systematic, and psychic terror, organized in accordance with
social relations. is obtaining a function of productional power,
which discipline and an adaptation of the mass, to the existing
relations, and the existing productional apparatus. For the
totalitarian form of government, the terror becomes a
instrument of authority. Through the mystic,
erotic-mythological sound, constitution of an ambivalence between and
fascination, which rudimentarily the consciousness of people,
through stage performances of demonstration of political power,
and through other manipulative means of an individual, practises a
sound force, in a form of systematic, psycho-physical as social
organisational principle, in order to effectively and raise a
feeling of total adherence of a certain, revolted and alienated
audience, results in a state of collective [athasia?], which is the
principle of social organisation. In sense, the function of Laibach,
sound constructions, and of rock is to challenge collective
emotions and automatic associations, and as it serves as the means of
working stimulation. By the consumer's mind, it drives him into
a state of humble and total obedience, self-sacrifice, by
destroying every trait of individuality, it the individuals into a
mass, and mass into a humble, body. The dualism of Laibach's
message, perception and receiver's uncovers the social neurosis.
Laibach unites the biters and into an expression of static,
totalitarism cry. Our inspiration, ideals which are not ideals to
their form, but the material of Laibach, manipulation of self, an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most form of the militantly organised rhythmicity of technicist
production, and as such the appropriate means of media manipulation.
As an archetypal structural basis of the unconscious in a
worker mass, it stimulates automatic mechanism, and
of consciousness, which is necessary in the logic of
massive, totalitarian, production.
[I had to this one down by ear... Took me hours.]