Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an system of work, after the model of
industrial production and totalitarism, collective spirit,
ideology, which means: not the individual, but the organisation
speaks. Our work is industrial, our political. Laibach is a
recognition of universality. Its organisational activity is an
intense agitation and a systematic propagating, ideological
offensive. Any activity affects the mass. Laibach functions as a
creative of strict institutionality, identification with
institution, as stock theatre, or culture with a centralized
programme. One transmitter and a multitude of receivers, and a
communication through uncommunication. musical approach is a
move to the area of pure politization of sounds as a means of
the masses. When, in politically and economically situations,
the in society is becoming strained, only force remains as the
ultima of social integration. The force must adopt the form of
systematic, and psychic terror, organized in accordance with
social relations. Terror is obtaining a of productional power,
which discipline and an adaptation of the mass, to the existing
relations, and the existing productional apparatus. For the
totalitarian of government, the systematic terror becomes a
constitutional instrument of authority. the mystic,
erotic-mythological sound, constitution of an ambivalence fear and
fascination, which rudimentarily the consciousness of people,
through performances of ritualized demonstration of political power,
and other manipulative means of an individual, Laibach practises a
sound force, in a form of systematic, psycho-physical terror as
organisational principle, in to effectively discipline and raise a
feeling of adherence bond of a certain, revolted and alienated
audience, which results in a of collective [athasia?], which is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of concerts is to challenge collective
emotions and automatic associations, and as such it as the means of
stimulation. By darkening the consumer's mind, it drives him into
a state of humble contrition and obedience, self-sacrifice, by
destroying every trait of individuality, it melts the individuals a
mass, and mass into a humble, collective body. The dualism of
message, perception and receiver's structure the social neurosis.
Laibach unites the biters and antagonistics an expression of static,
totalitarism cry. Our basic inspiration, which are not ideals to
form, but the material of Laibach, manipulation of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the militantly organised rhythmicity of
production, and as such the most means of media manipulation.
As an structural basis of the collective unconscious in a
worker mass, it stimulates mechanism, and shapes
of consciousness, which is necessary in the logic of
massive, totalitarian, production.
[I had to this one down by ear... Took me hours.]