Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational system of work, after the of
production and totalitarism, collective spirit, identification
with ideology, which not the individual, but the organisation
speaks. Our work is industrial, our language political. is a
of time universality. Its organisational activity is an
intense agitation and a constant systematic propagating,
offensive. Any social affects the mass. Laibach functions as a
allusion of strict institutionality, identification with
institution, as stock theatre, or popular culture with a
programme. One transmitter and a multitude of receivers, and a
communication through uncommunication. Laibach's musical is a
move to the area of pure politization of sounds as a means of
the masses. When, in politically and economically situations,
the antagonism in society is becoming strained, force remains as the
ultima ratio of social integration. The force must the form of
systematic, and psychic terror, organized in accordance with
social relations. Terror is a function of productional power,
which extorts discipline and an of the mass, to the existing
productional relations, and the existing apparatus. For the
totalitarian form of government, the systematic terror a
constitutional instrument of authority. the mystic,
erotic-mythological sound, constitution of an ambivalence fear and
fascination, rudimentarily affects the consciousness of people,
through stage performances of ritualized demonstration of power,
and through other manipulative means of an individual, practises a
sound force, in a form of systematic, terror as social
organisational principle, in order to effectively discipline and a
of total adherence bond of a certain, revolted and alienated
audience, which results in a state of collective [athasia?], is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to collective
emotions and automatic associations, and as such it serves as the of
working stimulation. By the consumer's mind, it drives him into
a of humble contrition and total obedience, self-sacrifice, by
destroying every trait of individuality, it melts the into a
mass, and mass into a humble, body. The dualism of Laibach's
message, perception and structure uncovers the social neurosis.
unites the biters and antagonistics into an expression of static,
totalitarism cry. Our basic inspiration, ideals which are not to
their form, but the material of Laibach, of self, remains an
production: art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the militantly organised rhythmicity of
production, and as the most appropriate means of media manipulation.
As an archetypal structural basis of the unconscious in a
worker mass, it automatic mechanism, and shapes
industrialisation of consciousness, which is necessary in the of
massive, totalitarian, production.
[I had to write this one by ear... Took me hours.]