Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes an organisational system of work, after the model of
industrial and totalitarism, collective spirit, identification
with ideology, which not the individual, but the organisation
speaks. Our work is industrial, our language political. is a
recognition of time universality. Its organisational is an
intense and a constant systematic propagating, ideological
offensive. Any social affects the mass. Laibach functions as a
creative allusion of institutionality, identification with
institution, as stock theatre, or popular culture with a
programme. One transmitter and a of receivers, and with a
communication through uncommunication. musical approach is a
move to the area of politization of sounds as a means of manipulating
the masses. When, in and economically complicated situations,
the antagonism in society is becoming strained, only remains as the
ultima ratio of social integration. The force must adopt the of
systematic, physical and terror, organized in accordance with
social relations. Terror is a function of productional power,
which discipline and an adaptation of the mass, to the existing
relations, and the existing productional apparatus. For the
totalitarian form of government, the systematic becomes a
constitutional instrument of authority. the mystic,
sound, constitution of an ambivalence between fear and
fascination, rudimentarily affects the consciousness of people,
stage performances of ritualized demonstration of political power,
and other manipulative means of an individual, Laibach practises a
sound force, in a form of systematic, terror as social
organisational principle, in order to effectively discipline and a
feeling of total adherence bond of a certain, revolted and
audience, results in a state of collective [athasia?], which is the
principle of social organisation. In sense, the function of Laibach,
sound constructions, and of rock concerts is to collective
emotions and associations, and as such it serves as the means of
working stimulation. By darkening the consumer's mind, it him into
a of humble contrition and total obedience, self-sacrifice, by
every trait of individuality, it melts the individuals into a
mass, and mass a humble, collective body. The dualism of Laibach's
message, perception and receiver's uncovers the social neurosis.
Laibach unites the biters and antagonistics an expression of static,
totalitarism cry. Our inspiration, ideals which are not ideals to
form, but the material of Laibach, manipulation of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the militantly organised rhythmicity of
production, and as the most appropriate means of media manipulation.
As an archetypal structural basis of the collective in a
worker mass, it automatic mechanism, and shapes
industrialisation of consciousness, which is in the logic of
massive, totalitarian, production.
[I had to this one down by ear... Took me hours.]