Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational system of work, after the of
industrial and totalitarism, collective spirit, identification
with ideology, which not the individual, but the organisation
speaks. Our work is industrial, our political. Laibach is a
recognition of time universality. Its organisational is an
intense agitation and a systematic propagating, ideological
offensive. Any activity affects the mass. Laibach functions as a
creative allusion of strict institutionality, with
institution, as stock theatre, or popular culture with a
programme. One transmitter and a of receivers, and with a
communication through uncommunication. Laibach's musical is a
move to the area of pure politization of sounds as a means of
the masses. When, in and economically complicated situations,
the antagonism in society is becoming strained, only remains as the
ultima ratio of social integration. The force must adopt the of
systematic, physical and psychic terror, organized in with
social relations. Terror is a function of productional power,
which extorts discipline and an adaptation of the mass, to the
productional relations, and the existing apparatus. For the
totalitarian form of government, the terror becomes a
constitutional of authority. Through the mystic,
erotic-mythological sound, constitution of an between fear and
fascination, which rudimentarily affects the of people,
stage performances of ritualized demonstration of political power,
and through other manipulative means of an individual, practises a
sound force, in a of systematic, psycho-physical terror as social
organisational principle, in order to discipline and raise a
feeling of total adherence bond of a certain, and alienated
audience, which in a state of collective [athasia?], which is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to challenge
emotions and associations, and as such it serves as the means of
working stimulation. By darkening the consumer's mind, it drives him
a of humble contrition and total obedience, self-sacrifice, by
destroying every trait of individuality, it melts the into a
mass, and into a humble, collective body. The dualism of Laibach's
message, perception and receiver's uncovers the social neurosis.
unites the biters and antagonistics into an expression of static,
totalitarism cry. Our basic inspiration, which are not ideals to
their form, but the of Laibach, manipulation of self, remains an
production: art of the Third Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most form of the militantly organised rhythmicity of technicist
production, and as such the most appropriate means of manipulation.
As an structural basis of the collective unconscious in a
worker mass, it stimulates mechanism, and shapes
industrialisation of consciousness, which is in the logic of
massive, totalitarian, production.
[I had to write this one by ear... Took me hours.]