Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational system of work, after the of
industrial production and totalitarism, collective spirit,
with ideology, which means: not the individual, but the
speaks. Our is industrial, our language political. Laibach is a
recognition of time universality. Its activity is an
agitation and a constant systematic propagating, ideological
offensive. Any social affects the mass. Laibach functions as a
creative allusion of strict institutionality, identification
institution, as stock theatre, or popular culture with a
programme. One transmitter and a of receivers, and with a
communication through uncommunication. Laibach's musical is a
move to the of pure politization of sounds as a means of manipulating
the masses. When, in politically and complicated situations,
the antagonism in society is strained, only force remains as the
ratio of social integration. The force must adopt the form of
systematic, physical and psychic terror, organized in with
social relations. Terror is obtaining a function of power,
which extorts discipline and an of the mass, to the existing
productional relations, and the existing apparatus. For the
form of government, the systematic terror becomes a
constitutional of authority. Through the mystic,
erotic-mythological sound, of an ambivalence between fear and
fascination, rudimentarily affects the consciousness of people,
through stage performances of demonstration of political power,
and through other manipulative of an individual, Laibach practises a
force, in a form of systematic, psycho-physical terror as social
organisational principle, in to effectively discipline and raise a
feeling of total adherence bond of a certain, and alienated
audience, which results in a state of collective [athasia?], is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to collective
emotions and associations, and as such it serves as the means of
working stimulation. By darkening the consumer's mind, it him into
a state of humble and total obedience, self-sacrifice, by
destroying every trait of individuality, it the individuals into a
mass, and mass into a humble, collective body. The dualism of
message, perception and receiver's uncovers the social neurosis.
Laibach unites the biters and into an expression of static,
totalitarism cry. Our basic inspiration, ideals are not ideals to
their form, but the material of Laibach, of self, remains an
production: art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the militantly organised rhythmicity of
production, and as such the most appropriate of media manipulation.
As an structural basis of the collective unconscious in a
worker mass, it stimulates mechanism, and shapes
of consciousness, which is necessary in the logic of
massive, totalitarian, production.
[I had to write one down by ear... Took me hours.]