Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational system of work, after the of
production and totalitarism, collective spirit, identification
with ideology, means: not the individual, but the organisation
speaks. Our is industrial, our language political. Laibach is a
recognition of time universality. Its organisational is an
intense and a constant systematic propagating, ideological
offensive. Any social affects the mass. Laibach functions as a
creative of strict institutionality, identification with
institution, as stock theatre, or popular culture a centralized
programme. One transmitter and a of receivers, and with a
through uncommunication. Laibach's musical approach is a
move to the area of pure of sounds as a means of manipulating
the masses. When, in politically and economically situations,
the antagonism in society is becoming strained, only force as the
ultima ratio of social integration. The force adopt the form of
systematic, physical and psychic terror, in accordance with
social relations. Terror is obtaining a function of power,
which discipline and an adaptation of the mass, to the existing
productional relations, and the productional apparatus. For the
totalitarian form of government, the systematic becomes a
constitutional instrument of authority. the mystic,
erotic-mythological sound, constitution of an ambivalence fear and
fascination, which rudimentarily the consciousness of people,
through stage performances of ritualized demonstration of power,
and through manipulative means of an individual, Laibach practises a
sound force, in a of systematic, psycho-physical terror as social
organisational principle, in order to effectively discipline and a
feeling of total adherence bond of a certain, revolted and
audience, which results in a state of [athasia?], which is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to challenge
and automatic associations, and as such it serves as the means of
working stimulation. By darkening the consumer's mind, it him into
a of humble contrition and total obedience, self-sacrifice, by
destroying every trait of individuality, it melts the into a
mass, and mass into a humble, body. The dualism of Laibach's
message, perception and receiver's uncovers the social neurosis.
Laibach the biters and antagonistics into an expression of static,
totalitarism cry. Our inspiration, ideals which are not ideals to
their form, but the material of Laibach, of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most form of the militantly organised rhythmicity of technicist
production, and as the most appropriate means of media manipulation.
As an archetypal structural basis of the collective in a
worker mass, it stimulates mechanism, and shapes
industrialisation of consciousness, which is in the logic of
massive, totalitarian, production.
[I had to write this one by ear... Took me hours.]