Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach over an organisational system of work, after the model of
industrial production and totalitarism, spirit, identification
with ideology, which not the individual, but the organisation
speaks. Our work is industrial, our political. Laibach is a
recognition of universality. Its organisational activity is an
intense agitation and a constant systematic propagating,
offensive. Any social activity affects the mass. functions as a
creative allusion of strict institutionality, identification
institution, as stock theatre, or culture with a centralized
programme. One transmitter and a of receivers, and with a
communication through uncommunication. musical approach is a
to the area of pure politization of sounds as a means of manipulating
the masses. When, in and economically complicated situations,
the antagonism in society is strained, only force remains as the
ratio of social integration. The force must adopt the form of
systematic, physical and psychic terror, organized in with
relations. Terror is obtaining a function of productional power,
which discipline and an adaptation of the mass, to the existing
productional relations, and the productional apparatus. For the
totalitarian form of government, the terror becomes a
constitutional instrument of authority. the mystic,
sound, constitution of an ambivalence between fear and
fascination, which rudimentarily affects the of people,
through performances of ritualized demonstration of political power,
and other manipulative means of an individual, Laibach practises a
sound force, in a form of systematic, psycho-physical terror as
principle, in order to effectively discipline and raise a
feeling of total adherence of a certain, revolted and alienated
audience, which in a state of collective [athasia?], which is the
of social organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to challenge
emotions and automatic associations, and as such it as the means of
working stimulation. By the consumer's mind, it drives him into
a of humble contrition and total obedience, self-sacrifice, by
destroying every of individuality, it melts the individuals into a
mass, and mass into a humble, collective body. The dualism of
message, perception and receiver's structure uncovers the neurosis.
Laibach the biters and antagonistics into an expression of static,
totalitarism cry. Our inspiration, ideals which are not ideals to
their form, but the material of Laibach, manipulation of self, an
industrial production: art of the Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical form of the militantly organised rhythmicity of
production, and as such the appropriate means of media manipulation.
As an archetypal structural of the collective unconscious in a
worker mass, it stimulates automatic mechanism, and
of consciousness, which is necessary in the logic of
massive, totalitarian, production.
[I had to write this one by ear... Took me hours.]