Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes an organisational system of work, after the model of
production and totalitarism, collective spirit, identification
with ideology, means: not the individual, but the organisation
speaks. Our work is industrial, our political. Laibach is a
recognition of time universality. Its organisational is an
intense agitation and a constant systematic propagating,
offensive. Any social activity affects the mass. Laibach as a
creative allusion of strict institutionality, with
institution, as theatre, or popular culture with a centralized
programme. One transmitter and a of receivers, and with a
communication through uncommunication. Laibach's musical is a
move to the area of pure politization of as a means of manipulating
the masses. When, in politically and complicated situations,
the antagonism in is becoming strained, only force remains as the
ratio of social integration. The force must adopt the form of
systematic, and psychic terror, organized in accordance with
social relations. Terror is a function of productional power,
which extorts discipline and an of the mass, to the existing
relations, and the existing productional apparatus. For the
totalitarian of government, the systematic terror becomes a
constitutional instrument of authority. the mystic,
erotic-mythological sound, of an ambivalence between fear and
fascination, which rudimentarily the consciousness of people,
through stage performances of ritualized demonstration of power,
and through other manipulative means of an individual, practises a
sound force, in a form of systematic, psycho-physical terror as
organisational principle, in to effectively discipline and raise a
feeling of total adherence of a certain, revolted and alienated
audience, which results in a state of collective [athasia?], is the
principle of organisation. In this sense, the function of Laibach,
constructions, and of rock concerts is to challenge collective
emotions and automatic associations, and as such it as the means of
working stimulation. By darkening the mind, it drives him into
a of humble contrition and total obedience, self-sacrifice, by
destroying every trait of individuality, it the individuals into a
mass, and mass into a humble, body. The dualism of Laibach's
message, perception and receiver's uncovers the social neurosis.
Laibach unites the biters and antagonistics into an of static,
totalitarism cry. Our basic inspiration, ideals are not ideals to
their form, but the material of Laibach, of self, remains an
industrial production: art of the Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical form of the organised rhythmicity of technicist
production, and as such the most means of media manipulation.
As an archetypal basis of the collective unconscious in a
worker mass, it stimulates automatic mechanism, and
industrialisation of consciousness, is necessary in the logic of
massive, totalitarian, production.
[I had to write this one by ear... Took me hours.]