Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational system of work, after the of
production and totalitarism, collective spirit, identification
with ideology, means: not the individual, but the organisation
speaks. Our work is industrial, our political. Laibach is a
recognition of universality. Its organisational activity is an
intense agitation and a constant propagating, ideological
offensive. Any social activity affects the mass. Laibach as a
creative allusion of institutionality, identification with
institution, as theatre, or popular culture with a centralized
programme. One transmitter and a of receivers, and with a
communication through uncommunication. musical approach is a
move to the area of pure politization of sounds as a means of
the masses. When, in and economically complicated situations,
the antagonism in society is becoming strained, only force as the
ultima ratio of integration. The force must adopt the form of
systematic, physical and psychic terror, organized in accordance
social relations. Terror is obtaining a of productional power,
which extorts discipline and an of the mass, to the existing
productional relations, and the existing apparatus. For the
form of government, the systematic terror becomes a
constitutional instrument of authority. the mystic,
erotic-mythological sound, of an ambivalence between fear and
fascination, rudimentarily affects the consciousness of people,
through stage performances of ritualized of political power,
and through manipulative means of an individual, Laibach practises a
sound force, in a form of systematic, terror as social
principle, in order to effectively discipline and raise a
feeling of total adherence of a certain, revolted and alienated
audience, which results in a state of collective [athasia?], is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of rock is to challenge collective
emotions and automatic associations, and as such it serves as the of
working stimulation. By darkening the consumer's mind, it drives him
a state of humble and total obedience, self-sacrifice, by
destroying every trait of individuality, it the individuals into a
mass, and mass into a humble, body. The dualism of Laibach's
message, perception and structure uncovers the social neurosis.
unites the biters and antagonistics into an expression of static,
totalitarism cry. Our inspiration, ideals which are not ideals to
their form, but the of Laibach, manipulation of self, remains an
production: art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
radical form of the militantly organised rhythmicity of technicist
production, and as such the most appropriate of media manipulation.
As an structural basis of the collective unconscious in a
worker mass, it stimulates automatic mechanism, and
of consciousness, which is necessary in the logic of
massive, totalitarian, production.
[I had to write this one by ear... Took me hours.]