Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational of work, after the model of
production and totalitarism, collective spirit, identification
with ideology, means: not the individual, but the organisation
speaks. Our work is industrial, our language political. is a
of time universality. Its organisational activity is an
intense agitation and a constant systematic propagating,
offensive. Any social activity the mass. Laibach functions as a
creative allusion of strict institutionality, identification
institution, as stock theatre, or popular with a centralized
programme. One transmitter and a multitude of receivers, and a
through uncommunication. Laibach's musical approach is a
move to the area of pure politization of sounds as a means of
the masses. When, in politically and economically situations,
the antagonism in is becoming strained, only force remains as the
ultima ratio of social integration. The force adopt the form of
systematic, physical and psychic terror, organized in with
relations. Terror is obtaining a function of productional power,
which extorts discipline and an of the mass, to the existing
productional relations, and the productional apparatus. For the
totalitarian form of government, the systematic becomes a
constitutional instrument of authority. the mystic,
sound, constitution of an ambivalence between fear and
fascination, which affects the consciousness of people,
stage performances of ritualized demonstration of political power,
and other manipulative means of an individual, Laibach practises a
force, in a form of systematic, psycho-physical terror as social
organisational principle, in order to effectively and raise a
feeling of total adherence bond of a certain, and alienated
audience, which in a state of collective [athasia?], which is the
of social organisation. In this sense, the function of Laibach,
sound constructions, and of rock is to challenge collective
and automatic associations, and as such it serves as the means of
working stimulation. By darkening the consumer's mind, it him into
a state of contrition and total obedience, self-sacrifice, by
every trait of individuality, it melts the individuals into a
mass, and mass into a humble, body. The dualism of Laibach's
message, perception and receiver's structure the social neurosis.
Laibach unites the biters and antagonistics into an of static,
cry. Our basic inspiration, ideals which are not ideals to
their form, but the material of Laibach, manipulation of self, an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the organised rhythmicity of technicist
production, and as the most appropriate means of media manipulation.
As an archetypal structural basis of the unconscious in a
mass, it stimulates automatic mechanism, and shapes
industrialisation of consciousness, which is in the logic of
massive, totalitarian, production.
[I had to write this one down by ear... me hours.]