Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach over an organisational system of work, after the model of
production and totalitarism, collective spirit, identification
with ideology, which means: not the individual, but the
speaks. Our work is industrial, our language political. is a
of time universality. Its organisational activity is an
intense agitation and a constant systematic propagating,
offensive. Any activity affects the mass. Laibach functions as a
creative allusion of strict institutionality, identification
institution, as theatre, or popular culture with a centralized
programme. One and a multitude of receivers, and with a
through uncommunication. Laibach's musical approach is a
move to the area of pure politization of sounds as a means of
the masses. When, in politically and economically situations,
the in society is becoming strained, only force remains as the
ultima ratio of social integration. The force must adopt the of
systematic, physical and psychic terror, organized in accordance
social relations. is obtaining a function of productional power,
extorts discipline and an adaptation of the mass, to the existing
productional relations, and the existing apparatus. For the
totalitarian of government, the systematic terror becomes a
instrument of authority. Through the mystic,
erotic-mythological sound, constitution of an ambivalence fear and
fascination, which affects the consciousness of people,
through performances of ritualized demonstration of political power,
and through other means of an individual, Laibach practises a
sound force, in a form of systematic, terror as social
organisational principle, in order to effectively discipline and a
feeling of total bond of a certain, revolted and alienated
audience, which results in a state of [athasia?], which is the
of social organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to collective
emotions and automatic associations, and as it serves as the means of
working stimulation. By darkening the consumer's mind, it him into
a state of contrition and total obedience, self-sacrifice, by
destroying every trait of individuality, it melts the into a
mass, and mass into a humble, collective body. The of Laibach's
message, perception and receiver's structure the social neurosis.
Laibach the biters and antagonistics into an expression of static,
totalitarism cry. Our basic inspiration, ideals which are not to
their form, but the of Laibach, manipulation of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical of the militantly organised rhythmicity of technicist
production, and as such the most appropriate of media manipulation.
As an archetypal structural basis of the collective in a
mass, it stimulates automatic mechanism, and shapes
industrialisation of consciousness, which is necessary in the of
massive, totalitarian, production.
[I had to write this one down by ear... me hours.]