Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational of work, after the model of
industrial production and totalitarism, collective spirit,
ideology, which means: not the individual, but the organisation
speaks. Our work is industrial, our language political. is a
of time universality. Its organisational activity is an
intense agitation and a systematic propagating, ideological
offensive. Any social activity affects the mass. functions as a
creative allusion of institutionality, identification with
institution, as stock theatre, or popular culture a centralized
programme. One transmitter and a of receivers, and with a
communication through uncommunication. musical approach is a
move to the of pure politization of sounds as a means of manipulating
the masses. When, in and economically complicated situations,
the antagonism in society is becoming strained, force remains as the
ultima ratio of social integration. The force must the form of
systematic, physical and terror, organized in accordance with
relations. Terror is obtaining a function of productional power,
which extorts discipline and an adaptation of the mass, to the
productional relations, and the existing apparatus. For the
totalitarian form of government, the terror becomes a
instrument of authority. Through the mystic,
erotic-mythological sound, constitution of an between fear and
fascination, which rudimentarily affects the of people,
through stage of ritualized demonstration of political power,
and through other manipulative of an individual, Laibach practises a
sound force, in a form of systematic, terror as social
organisational principle, in order to discipline and raise a
feeling of total adherence of a certain, revolted and alienated
audience, which results in a state of collective [athasia?], is the
of social organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to challenge
and automatic associations, and as such it serves as the means of
working stimulation. By darkening the consumer's mind, it him into
a state of humble and total obedience, self-sacrifice, by
destroying every trait of individuality, it melts the into a
mass, and mass into a humble, body. The dualism of Laibach's
message, perception and structure uncovers the social neurosis.
Laibach unites the biters and antagonistics into an of static,
totalitarism cry. Our basic inspiration, ideals which are not to
their form, but the material of Laibach, manipulation of self, an
industrial production: art of the Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the militantly rhythmicity of technicist
production, and as such the most appropriate of media manipulation.
As an archetypal structural basis of the collective in a
worker mass, it stimulates mechanism, and shapes
industrialisation of consciousness, which is in the logic of
massive, totalitarian, production.
[I had to write this one by ear... Took me hours.]