Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational of work, after the model of
industrial and totalitarism, collective spirit, identification
with ideology, which means: not the individual, but the
speaks. Our work is industrial, our language political. is a
recognition of time universality. Its organisational is an
agitation and a constant systematic propagating, ideological
offensive. Any social activity affects the mass. functions as a
allusion of strict institutionality, identification with
institution, as stock theatre, or culture with a centralized
programme. One transmitter and a multitude of receivers, and a
through uncommunication. Laibach's musical approach is a
move to the area of pure politization of as a means of manipulating
the masses. When, in politically and complicated situations,
the in society is becoming strained, only force remains as the
ultima ratio of integration. The force must adopt the form of
systematic, and psychic terror, organized in accordance with
social relations. Terror is a function of productional power,
which discipline and an adaptation of the mass, to the existing
productional relations, and the productional apparatus. For the
form of government, the systematic terror becomes a
constitutional of authority. Through the mystic,
erotic-mythological sound, constitution of an ambivalence between and
fascination, which rudimentarily the consciousness of people,
stage performances of ritualized demonstration of political power,
and through other manipulative means of an individual, practises a
force, in a form of systematic, psycho-physical terror as social
organisational principle, in to effectively discipline and raise a
feeling of total adherence bond of a certain, revolted and
audience, which in a state of collective [athasia?], which is the
of social organisation. In this sense, the function of Laibach,
sound constructions, and of concerts is to challenge collective
emotions and automatic associations, and as it serves as the means of
stimulation. By darkening the consumer's mind, it drives him into
a state of humble contrition and obedience, self-sacrifice, by
destroying every trait of individuality, it melts the individuals a
mass, and mass a humble, collective body. The dualism of Laibach's
message, perception and receiver's uncovers the social neurosis.
Laibach unites the and antagonistics into an expression of static,
totalitarism cry. Our basic inspiration, ideals which are not to
form, but the material of Laibach, manipulation of self, remains an
industrial production: art of the Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical form of the militantly organised of technicist
production, and as such the appropriate means of media manipulation.
As an archetypal structural basis of the collective in a
worker mass, it automatic mechanism, and shapes
industrialisation of consciousness, which is necessary in the of
massive, totalitarian, production.
[I had to this one down by ear... Took me hours.]