Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational system of work, after the of
industrial and totalitarism, collective spirit, identification
ideology, which means: not the individual, but the organisation
speaks. Our is industrial, our language political. Laibach is a
recognition of time universality. Its activity is an
intense agitation and a constant propagating, ideological
offensive. Any activity affects the mass. Laibach functions as a
creative of strict institutionality, identification with
institution, as stock theatre, or culture with a centralized
programme. One transmitter and a of receivers, and with a
communication through uncommunication. musical approach is a
move to the area of politization of sounds as a means of manipulating
the masses. When, in politically and complicated situations,
the antagonism in is becoming strained, only force remains as the
ultima ratio of social integration. The must adopt the form of
systematic, physical and psychic terror, in accordance with
social relations. is obtaining a function of productional power,
which discipline and an adaptation of the mass, to the existing
relations, and the existing productional apparatus. For the
totalitarian form of government, the systematic becomes a
instrument of authority. Through the mystic,
erotic-mythological sound, of an ambivalence between fear and
fascination, which rudimentarily affects the of people,
through stage performances of ritualized of political power,
and other manipulative means of an individual, Laibach practises a
sound force, in a form of systematic, terror as social
organisational principle, in order to effectively and raise a
feeling of total adherence bond of a certain, revolted and
audience, which results in a state of collective [athasia?], is the
principle of social organisation. In this sense, the of Laibach,
constructions, and of rock concerts is to challenge collective
emotions and automatic associations, and as such it serves as the of
working stimulation. By darkening the mind, it drives him into
a of humble contrition and total obedience, self-sacrifice, by
destroying every trait of individuality, it the individuals into a
mass, and mass a humble, collective body. The dualism of Laibach's
message, perception and receiver's structure uncovers the neurosis.
Laibach unites the biters and antagonistics into an of static,
cry. Our basic inspiration, ideals which are not ideals to
their form, but the of Laibach, manipulation of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical of the militantly organised rhythmicity of technicist
production, and as such the most appropriate of media manipulation.
As an archetypal structural basis of the collective in a
worker mass, it stimulates mechanism, and shapes
of consciousness, which is necessary in the logic of
massive, totalitarian, production.
[I had to this one down by ear... Took me hours.]