Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach over an organisational system of work, after the model of
industrial production and totalitarism, spirit, identification
ideology, which means: not the individual, but the organisation
speaks. Our work is industrial, our political. Laibach is a
recognition of universality. Its organisational activity is an
intense agitation and a constant propagating, ideological
offensive. Any social activity affects the mass. Laibach as a
creative allusion of institutionality, identification with
institution, as stock theatre, or popular culture with a
programme. One and a multitude of receivers, and with a
communication uncommunication. Laibach's musical approach is a
move to the area of pure politization of sounds as a of manipulating
the masses. When, in politically and complicated situations,
the antagonism in is becoming strained, only force remains as the
ultima ratio of social integration. The force adopt the form of
systematic, physical and psychic terror, organized in accordance
relations. Terror is obtaining a function of productional power,
which extorts discipline and an of the mass, to the existing
productional relations, and the existing apparatus. For the
totalitarian form of government, the terror becomes a
constitutional instrument of authority. the mystic,
erotic-mythological sound, of an ambivalence between fear and
fascination, which rudimentarily the consciousness of people,
through performances of ritualized demonstration of political power,
and through manipulative means of an individual, Laibach practises a
sound force, in a form of systematic, psycho-physical terror as
principle, in order to effectively discipline and raise a
feeling of total adherence bond of a certain, and alienated
audience, which results in a state of [athasia?], which is the
of social organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to collective
emotions and associations, and as such it serves as the means of
working stimulation. By darkening the consumer's mind, it drives him
a of humble contrition and total obedience, self-sacrifice, by
destroying every of individuality, it melts the individuals into a
mass, and mass into a humble, collective body. The of Laibach's
message, perception and receiver's structure uncovers the neurosis.
Laibach unites the biters and antagonistics into an of static,
totalitarism cry. Our inspiration, ideals which are not ideals to
their form, but the material of Laibach, of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical form of the militantly organised of technicist
production, and as such the appropriate means of media manipulation.
As an archetypal structural of the collective unconscious in a
worker mass, it automatic mechanism, and shapes
industrialisation of consciousness, is necessary in the logic of
massive, totalitarian, production.
[I had to this one down by ear... Took me hours.]