Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach over an organisational system of work, after the model of
production and totalitarism, collective spirit, identification
with ideology, means: not the individual, but the organisation
speaks. Our work is industrial, our language political. is a
of time universality. Its organisational activity is an
intense agitation and a systematic propagating, ideological
offensive. Any social activity affects the mass. functions as a
creative allusion of strict institutionality, identification
institution, as stock theatre, or popular culture a centralized
programme. One transmitter and a multitude of receivers, and a
communication through uncommunication. Laibach's musical is a
move to the area of pure politization of sounds as a means of
the masses. When, in and economically complicated situations,
the antagonism in society is becoming strained, force remains as the
ultima ratio of social integration. The force must the form of
systematic, physical and psychic terror, in accordance with
social relations. is obtaining a function of productional power,
which extorts discipline and an of the mass, to the existing
relations, and the existing productional apparatus. For the
totalitarian of government, the systematic terror becomes a
constitutional instrument of authority. the mystic,
erotic-mythological sound, of an ambivalence between fear and
fascination, which rudimentarily the consciousness of people,
through stage performances of ritualized of political power,
and through other means of an individual, Laibach practises a
sound force, in a of systematic, psycho-physical terror as social
principle, in order to effectively discipline and raise a
feeling of total bond of a certain, revolted and alienated
audience, results in a state of collective [athasia?], which is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to challenge
emotions and automatic associations, and as such it as the means of
working stimulation. By the consumer's mind, it drives him into
a of humble contrition and total obedience, self-sacrifice, by
every trait of individuality, it melts the individuals into a
mass, and mass into a humble, collective body. The dualism of
message, perception and receiver's uncovers the social neurosis.
Laibach unites the biters and antagonistics an expression of static,
cry. Our basic inspiration, ideals which are not ideals to
their form, but the material of Laibach, of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
radical form of the militantly organised rhythmicity of technicist
production, and as such the appropriate means of media manipulation.
As an structural basis of the collective unconscious in a
mass, it stimulates automatic mechanism, and shapes
industrialisation of consciousness, which is in the logic of
massive, totalitarian, production.
[I had to write this one down by ear... me hours.]