Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational of work, after the model of
industrial production and totalitarism, collective spirit,
with ideology, which means: not the individual, but the
speaks. Our work is industrial, our political. Laibach is a
recognition of time universality. Its organisational is an
intense agitation and a constant propagating, ideological
offensive. Any social activity the mass. Laibach functions as a
creative of strict institutionality, identification with
institution, as stock theatre, or popular culture with a
programme. One transmitter and a multitude of receivers, and a
through uncommunication. Laibach's musical approach is a
move to the area of politization of sounds as a means of manipulating
the masses. When, in politically and economically situations,
the in society is becoming strained, only force remains as the
ultima ratio of social integration. The force must adopt the of
systematic, physical and psychic terror, in accordance with
relations. Terror is obtaining a function of productional power,
which extorts discipline and an of the mass, to the existing
productional relations, and the existing apparatus. For the
totalitarian of government, the systematic terror becomes a
constitutional of authority. Through the mystic,
sound, constitution of an ambivalence between fear and
fascination, which rudimentarily affects the of people,
through performances of ritualized demonstration of political power,
and through other manipulative means of an individual, practises a
sound force, in a form of systematic, psycho-physical terror as
organisational principle, in order to discipline and raise a
feeling of total bond of a certain, revolted and alienated
audience, which results in a state of [athasia?], which is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of rock is to challenge collective
emotions and associations, and as such it serves as the means of
working stimulation. By the consumer's mind, it drives him into
a state of humble contrition and obedience, self-sacrifice, by
every trait of individuality, it melts the individuals into a
mass, and mass into a humble, body. The dualism of Laibach's
message, and receiver's structure uncovers the social neurosis.
Laibach unites the biters and antagonistics into an of static,
totalitarism cry. Our basic inspiration, which are not ideals to
their form, but the material of Laibach, manipulation of self, an
industrial production: art of the Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical of the militantly organised rhythmicity of technicist
production, and as such the appropriate means of media manipulation.
As an archetypal structural basis of the collective in a
mass, it stimulates automatic mechanism, and shapes
industrialisation of consciousness, which is necessary in the of
massive, totalitarian, production.
[I had to this one down by ear... Took me hours.]