Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an system of work, after the model of
production and totalitarism, collective spirit, identification
with ideology, which means: not the individual, but the
speaks. Our work is industrial, our language political. is a
recognition of universality. Its organisational activity is an
intense agitation and a systematic propagating, ideological
offensive. Any social activity affects the mass. functions as a
creative of strict institutionality, identification with
institution, as stock theatre, or popular culture a centralized
programme. One transmitter and a multitude of receivers, and a
communication through uncommunication. musical approach is a
move to the of pure politization of sounds as a means of manipulating
the masses. When, in politically and economically situations,
the antagonism in society is strained, only force remains as the
ultima ratio of social integration. The force must adopt the of
systematic, and psychic terror, organized in accordance with
social relations. Terror is obtaining a of productional power,
which extorts discipline and an adaptation of the mass, to the
productional relations, and the existing apparatus. For the
totalitarian form of government, the terror becomes a
instrument of authority. Through the mystic,
erotic-mythological sound, constitution of an ambivalence fear and
fascination, which rudimentarily affects the of people,
through performances of ritualized demonstration of political power,
and through other manipulative means of an individual, Laibach a
sound force, in a form of systematic, psycho-physical terror as
organisational principle, in to effectively discipline and raise a
feeling of total adherence bond of a certain, and alienated
audience, results in a state of collective [athasia?], which is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to challenge
and automatic associations, and as such it serves as the means of
working stimulation. By darkening the consumer's mind, it him into
a state of humble and total obedience, self-sacrifice, by
every trait of individuality, it melts the individuals into a
mass, and mass into a humble, collective body. The dualism of
message, perception and receiver's uncovers the social neurosis.
Laibach the biters and antagonistics into an expression of static,
totalitarism cry. Our basic inspiration, ideals which are not to
their form, but the material of Laibach, manipulation of self, an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the militantly rhythmicity of technicist
production, and as such the most appropriate means of manipulation.
As an structural basis of the collective unconscious in a
worker mass, it stimulates mechanism, and shapes
of consciousness, which is necessary in the logic of
massive, totalitarian, production.
[I had to write one down by ear... Took me hours.]