Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes an organisational system of work, after the model of
industrial production and totalitarism, spirit, identification
ideology, which means: not the individual, but the organisation
speaks. Our work is industrial, our language political. is a
recognition of time universality. Its activity is an
intense agitation and a constant systematic propagating,
offensive. Any social activity affects the mass. Laibach as a
creative allusion of strict institutionality, identification
institution, as stock theatre, or popular with a centralized
programme. One transmitter and a of receivers, and with a
through uncommunication. Laibach's musical approach is a
move to the area of pure politization of sounds as a of manipulating
the masses. When, in politically and complicated situations,
the antagonism in society is becoming strained, force remains as the
ultima ratio of social integration. The force adopt the form of
systematic, physical and terror, organized in accordance with
social relations. Terror is obtaining a of productional power,
which extorts and an adaptation of the mass, to the existing
productional relations, and the existing apparatus. For the
form of government, the systematic terror becomes a
constitutional of authority. Through the mystic,
sound, constitution of an ambivalence between fear and
fascination, which rudimentarily affects the of people,
through stage performances of ritualized of political power,
and through other manipulative means of an individual, Laibach a
sound force, in a of systematic, psycho-physical terror as social
organisational principle, in order to effectively and raise a
feeling of total adherence of a certain, revolted and alienated
audience, which results in a state of [athasia?], which is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to challenge
emotions and automatic associations, and as such it serves as the of
stimulation. By darkening the consumer's mind, it drives him into
a state of contrition and total obedience, self-sacrifice, by
destroying trait of individuality, it melts the individuals into a
mass, and into a humble, collective body. The dualism of Laibach's
message, perception and structure uncovers the social neurosis.
Laibach unites the biters and antagonistics an expression of static,
totalitarism cry. Our basic inspiration, ideals which are not to
their form, but the material of Laibach, manipulation of self, an
production: art of the Third Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical of the militantly organised rhythmicity of technicist
production, and as the most appropriate means of media manipulation.
As an archetypal basis of the collective unconscious in a
mass, it stimulates automatic mechanism, and shapes
industrialisation of consciousness, is necessary in the logic of
massive, totalitarian, production.
[I had to write this one down by ear... me hours.]