Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
simmons (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
fowler (trumpet)
Napoleon murphy (tenor saxophone, flute, lead vocals)
Ralph (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
which is not a popular dance anymore,
was at one reputed to be a dance of unbridled passion.
back in the old days it wasn't so easy to get you
Ks off, it was hard to make contact with a member of the
opposite camp and you had to to
like dancing close together and going hey...

Those the days.
well those days are probably forever, I don't know,
unless nixon is going to bring them a little bit later.
but we have this very special evolved permutated
O.
it's actually a tango.
by the time...
yes, so perverted!
is the be-bop tango,
a entertainment event that includes
choreography a bit later, so watch out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the notes on the tape 'n' this, this
O be the one.
has to be the one with all the right notes on it.
okay, 're you
this is a one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you have noticed,
bruce fowler has just some sort of trombone
solo, based on the-ah, idea of an tango-event.
bruce has prepared for you a demonstration of a
That he hopes will sweep the ocean right the mud shark did.
bruce is now up the important
of the body, in preparation...
in preparation for the real live be-bop tango
E demonstrate.
will assist him.
napoleon just put your down,
relax, put your head back, here comes the drill.
okay, heh heh heh, you know what I'm about?
okay.

This is sort of like in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
man, jazz man, you know what I mean?
this is be-bop, though you think it doe
Sound that.
be-bop!
now, as you might noticed,
of you with a musical education can tell that the notes that
george just sang he went: "this is be-bop, even though you th
T doesn't sound that",
is actually a sort of a twisted of the theme of the tango
itself which will get even more depraved as the goes on.
george will now attempt to
At melody, play it and sing it at the same while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this is get some volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some people never tried it bef
Ore, who've never thought of trying it before.
a boy, a girl, who like each other,
who like to come up here and
attempt to to what george sings.
do we anybody wh
one.

Okay, what's your

Carl.

Your is carl?
please carl on to the stage.
to meet you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
your name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, here's how it
a beat going on like this; that's a pedestrian beat.
you don't dance to that beat, you dance to what george sings,
the

the quick ones, okay?

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
wonderful but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go back to your seats and bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now that's more it.
du-dup-dee-dup...
lana, you're so good we to
bring up some other to assist you.
brenda, imported edward's air force base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she just got finished
for a bunch of at edward's air force base,
and she made it down here in for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, brenda has a assistant
named carl, or robert james if you prefer.
cohen, ladies and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably sitting in
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the first is easy, all you gotta do is stand up.
go ahead, just up.
you go, you are standing up.
yes, of you are not standing up
but you won't as much fun as the
Who are up.
okay, turn on the big lights so everybody can see what's on.
yes, very of you are standing up.
okay, link your mind with the of george duke!
and when...

Du-dup...
it!
when he plays those funny fast notes,
twitch and have a good time
with the tango, let's try it!
anything you do is alright.
you gotta do
do, it's alright.
yes you got to you came to the right
place, tonight. (give me of that wine now).
as you have guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna you very much for coming.
hope you had a time.
bruce on trombone,
napoleon brock on tenor sax and
vocals, ruth underwood on percussion
Ph on drums, chester thompson on drums,
tom fowler on bass and duke on the keyboards.
thank you much.
alright, alright...