Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
fowler (trumpet)
Napoleon murphy (tenor saxophone, flute, lead vocals)
Ralph (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

of you may know that the tango,
which is not a very dance anymore,
was at one time to be a dance of unbridled passion.
back in the old days when it so easy to get you
Ks off, when it was hard to make contact with a of the
opposite camp and you had to to
things like dancing together and going hey...

Those the days.
well those are probably gone forever, I don't know,
unless nixon is going to bring them a little bit later.
but we this very special highly evolved permutated
O.
it's a perverted tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special event that includes
choreography a bit later, so watch out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too now 'cause I wanna get
the notes on the tape 'n' this, this
O be the one.
this has to be the one all the right notes on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you have noticed,
bruce fowler has just some sort of trombone
solo, based on the-ah, idea of an tango-event.
bruce has also prepared for you a of a
That he hopes will sweep the right after the mud shark did.
bruce is now up the important
of the body, in preparation...
in preparation for the real be-bop tango which
E demonstrate.
napoleon will him.
just put your horn down,
just relax, put your back, here comes the drill.
okay, heh heh heh, you what I'm talkin' about?
okay.

This is sort of like jazz in it's own way.
jazz is not dead, it smells funny!
okay, go!
yeah man, jazz man, you know I mean?
this is be-bop, even though you it doe
like that.
be-bop!
now, as you have noticed,
some of you with a education can tell that the notes that
george just sang when he went: "this is be-bop, though you th
T sound like that",
is a sort of a twisted form of the theme of the tango
itself which will get even depraved as the number goes on.
george will now to dismemb
At melody, play it and sing it at the time while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this is get some volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some people never tried it bef
Ore, who've even thought of trying it before.
a boy, a girl, who like each other,
who like to come up here and
attempt to dance to george sings.
do we anybody wh
one.

Okay, your name?

Carl.

Your is carl?
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

and jane and carl!
alright, here's how it
there's a beat on like this; that's a pedestrian beat.
you don't dance to that beat, you dance to what sings, okay?
the

the little quick ones,

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're wonderful but you're too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go back to your and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, so good we have to
bring up some other to assist you.
brenda, imported from air force base, where she...
Es and gentlemen, brenda...
brenda is a professional and she just got finished stripping
for a bunch of guys at edward's air base,
and she it down here in time for the show.
tw
Rs of taking it off for the in the car, really good.
okay.
heh.
brenda, has a lovely assistant
named carl, or james davis if you prefer.
cohen, ladies and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're sitting in your
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the first step is easy, all you do is stand up.
go ahead, stand up.
you go, you are standing up.
yes, of you are not standing up
but you have as much fun as the
Who are up.
okay, on the big lights so everybody can see what's going on.
yes, many of you are standing up.
okay, link your with the mind of george duke!
and when...

Du-dup...
it!
when he plays those funny fast notes,
twitch around and a good time
the be-bop tango, let's try it!
anything you do is alright.
you do anything
Anna do, alright.
yes you got to know you to the right
place, tonight. (give me of that wine now).
as you have guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna you very much for coming.
you had a good time.
bruce on trombone,
napoleon murphy on tenor sax and
lead vocals, underwood on percussion
Ph humphrey on drums, thompson on drums,
tom fowler on and george duke on the keyboards.
you very much.
alright, alright...