Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
Napoleon murphy (tenor saxophone, flute, lead vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
which is not a very popular anymore,
was at one reputed to be a dance of unbridled passion.
in the old days when it wasn't so easy to get you
Ks off, when it was to make contact with a member of the
camp and you had to resort to
things like dancing close together and hey...

Those the days.
well those days are gone forever, I don't know,
unless nixon is to bring them back a little bit later.
but we have very special highly evolved permutated
O.
it's actually a tango.
by the time...
yes, so perverted!
this is the tango,
a special event that includes
choreography a bit later, so watch out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now I wanna get
the notes on the tape 'n' this, this
O be the one.
has to be the one with all the right notes on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a of unbridled passion, ladies and gentlemen.

Now, as you might noticed,
bruce fowler has completed some sort of trombone
solo, based on the-ah, of an evolved tango-event.
bruce has also for you a demonstration of a
That he hopes will the ocean right after the mud shark did.
is now warming up the important
of the body, in preparation...
in preparation for the real live tango which
E demonstrate.
napoleon will him.
napoleon just put your down,
relax, put your head back, here comes the drill.
okay, heh heh heh, you what I'm talkin' about?
okay.

This is sort of jazz in it's own peculiar way.
is not dead, it just smells funny!
okay, go!
man, jazz man, you know what I mean?
this is be-bop, though you think it doe
like that.
be-bop!
now, as you have noticed,
some of you with a musical education can tell the notes that
george just sang when he "this is be-bop, even though you th
T doesn't like that",
is actually a sort of a form of the theme of the tango
which will get even more depraved as the number goes on.
george will now attempt to
At melody, play it and sing it at the same while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers from the to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some people never tried it bef
Ore, who've even thought of trying it before.
a boy, a girl, who like each other,
who would like to come up and
attempt to dance to what sings.
do we have wh
one.

Okay, what's your

Carl.

Your name is
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is there in the, in the back?
where...
oh-oh, hey!
your name?

Rick.

Rick,

Jane.

and jane and carl!
alright, here's how it
there's a beat going on like this; that's a beat.
you don't to that beat, you dance to what george sings, okay?
the

the little ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're wonderful but just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll you what:
go back to your seats and bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now that's more it.
du-dup-dee-dup...
lana, you're so good we to
bring up other people to assist you.
brenda, imported edward's air force base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she got finished stripping
for a of guys at edward's air force base,
and she it down here in time for the show.
tw
Rs of it off for the boys in the car, really good.
okay.
heh.
brenda, brenda has a assistant
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably in your
chairs, saying to yourselves: I do that.
and of you can!
and now is big chance!
all you h
O do, the step is easy, all you gotta do is stand up.
go ahead, stand up.
there you go, you are up.
yes, some of you are not up
but you won't have as fun as the
Who are up.
okay, turn on the big lights so can see what's going on.
yes, very of you are standing up.
okay, link your mind with the of george duke!
and when...

Du-dup...
it!
when he those funny fast little notes,
twitch and have a good time
with the be-bop tango, try it!
anything you do is alright.
you gotta do
do, it's alright.
yes you got to know you to the right
place, tonight. (give me some of wine now).
as you have guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
thank you very much for coming.
hope you had a time.
bruce on trombone,
napoleon murphy brock on sax and
vocals, ruth underwood on percussion
Ph humphrey on drums, chester on drums,
tom fowler on bass and duke on the keyboards.
thank you much.
alright, alright...