Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
simmons (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
Napoleon murphy brock (tenor saxophone, flute, vocals)
Ralph (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may know the tango,
which is not a very popular anymore,
was at one time reputed to be a of unbridled passion.
back in the old days when it wasn't so to get you
Ks off, when it was hard to make contact with a of the
opposite and you had to resort to
things dancing close together and going hey...

were the days.
well those are probably gone forever, I don't know,
unless nixon is to bring them back a little bit later.
but we this very special highly evolved permutated
O.
it's a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a special entertainment that includes
choreography a little bit later, so out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too now 'cause I wanna get
the notes on the tape 'n' this, this
O be the one.
has to be the one with all the right notes on it.
okay, 're you
is a hard one to play.
one two four...

The as a symbol of unbridled passion, ladies and gentlemen.

Now, as you have noticed,
bruce has just completed some sort of trombone
solo, based on the-ah, of an evolved tango-event.
bruce has also prepared for you a of a
That he will sweep the ocean right after the mud shark did.
is now warming up the important
of the body, in preparation...
in for the real live be-bop tango which
E demonstrate.
will assist him.
napoleon put your horn down,
just relax, put head back, here comes the drill.
okay, heh heh heh, you what I'm talkin' about?
okay.

This is sort of jazz in it's own peculiar way.
jazz is not dead, it just funny!
okay, go!
man, jazz man, you know what I mean?
this is be-bop, even though you it doe
like that.
be-bop!
now, as you might noticed,
some of you with a education can tell that the notes that
george just sang when he went: "this is be-bop, though you th
T doesn't sound that",
is actually a sort of a twisted form of the theme of the
which will get even more depraved as the number goes on.
george will now to dismemb
At melody, it and sing it at the same time while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at point is get some volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E people who've never tried it bef
Ore, who've never thought of trying it before.
a boy, a girl, preferably who each other,
who would like to up here and
to dance to what george sings.
do we anybody wh
one.

Okay, what's your

Carl.

Your name is
please carl on to the stage.
to meet you carl.
alright.

let's see-ah, is there in the, in the back?
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

and jane and carl!
alright, here's how it
there's a beat on like this; that's a pedestrian beat.
you don't dance to that beat, you dance to what sings, okay?
the

the little quick ones,

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's study phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're wonderful but you're too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go to your seats and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, name is lana, right?
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, you're so good we to
bring up some people to assist you.
brenda, imported from edward's air base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she got finished stripping
for a bunch of guys at edward's air base,
and she made it here in time for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, brenda has a assistant
named carl, or james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're sitting in your
chairs, to yourselves: I could do that.
and of you can!
and now is big chance!
all you h
O do, the step is easy, all you gotta do is stand up.
go ahead, stand up.
you go, you are standing up.
yes, of you are not standing up
but you have as much fun as the
Who are up.
okay, turn on the big lights so everybody can see what's on.
yes, very of you are standing up.
okay, link your with the mind of george duke!
and when...

Du-dup...
it!
when he plays those funny fast notes,
twitch around and have a good
the be-bop tango, let's try it!
anything you do is alright.
you do anything
do, it's alright.
yes you got to know you to the right
place, tonight. (give me some of that now).
as you might guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna thank you much for coming.
hope you had a time.
bruce on trombone,
murphy brock on tenor sax and
lead vocals, ruth underwood on
Ph on drums, chester thompson on drums,
tom fowler on bass and george on the keyboards.
thank you much.
alright, alright...