Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
Napoleon brock (tenor saxophone, flute, lead vocals)
Ralph (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may know the tango,
is not a very popular dance anymore,
was at one time to be a dance of unbridled passion.
back in the old days when it so easy to get you
Ks off, when it was hard to make contact a member of the
camp and you had to resort to
things like dancing close together and hey...

Those the days.
those days are probably gone forever, I don't know,
unless nixon is to bring them back a little bit later.
but we have very special highly evolved permutated
O.
it's a perverted tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special entertainment event that
choreography a little bit later, so out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now I wanna get
the notes on the tape 'n' this, this
O be the one.
has to be the one with all the right notes on it.
okay, 're you
this is a one to play.
one two four...

The as a symbol of unbridled passion, ladies and gentlemen.

Now, as you might noticed,
bruce has just completed some sort of trombone
solo, based on the-ah, of an evolved tango-event.
bruce has prepared for you a demonstration of a
he hopes will sweep the ocean right after the mud shark did.
bruce is now warming up the
of the body, in preparation...
in preparation for the real live be-bop tango
E demonstrate.
napoleon will him.
napoleon put your horn down,
just relax, put your head back, comes the drill.
okay, heh heh heh, you know I'm talkin' about?
okay.

is sort of like jazz in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
yeah man, jazz man, you what I mean?
is be-bop, even though you think it doe
Sound that.
be-bop!
now, as you have noticed,
some of you with a musical education can that the notes that
george sang when he went: "this is be-bop, even though you th
T doesn't sound that",
is a sort of a twisted form of the theme of the tango
itself which will get more depraved as the number goes on.
george will now to dismemb
At melody, it and sing it at the same time while...
tu-dup.
hey, the way!
while we sort of to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of fact you did, you...
no, we
E people who've never tried it bef
Ore, never even thought of trying it before.
a boy, a girl, preferably who each other,
who would to come up here and
attempt to dance to george sings.
do we have wh
one.

Okay, what's your

Carl.

Your name is
please step on to the stage.
to meet you carl.
alright.

let's see-ah, is there in the, in the back?
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

and jane and carl!
alright, here's how it
there's a beat going on like that's a pedestrian beat.
you don't dance to that beat, you dance to george sings, okay?
the

the quick ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's study phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're wonderful but you're too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll you what:
go back to your seats and bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, you're so good we to
up some other people to assist you.
brenda, imported from air force base, where she...
Es and gentlemen, brenda...
brenda is a professional and she just got finished stripping
for a bunch of at edward's air force base,
and she made it down in time for the show.
tw
Rs of taking it off for the in the car, really good.
okay.
heh.
brenda, brenda has a assistant
carl, or robert james davis if you prefer.
cohen, ladies and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're probably sitting in
chairs, to yourselves: I could do that.
and of you can!
and now is big chance!
all you h
O do, the step is easy, all you gotta do is stand up.
go ahead, stand up.
there you go, you are up.
yes, of you are not standing up
but you have as much fun as the
Who are up.
okay, turn on the big so everybody can see what's going on.
yes, very many of you are up.
okay, link your mind with the mind of duke!
and when...

Du-dup...
it!
when he plays those funny fast notes,
twitch around and have a time
with the tango, let's try it!
anything you do is alright.
you do anything
Anna do, alright.
yes you got to you came to the right
place, tonight. (give me of that wine now).
as you have guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna thank you very for coming.
you had a good time.
bruce on trombone,
murphy brock on tenor sax and
lead vocals, ruth on percussion
Ph humphrey on drums, thompson on drums,
tom fowler on bass and duke on the keyboards.
thank you much.
alright, alright...