Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
fowler (trumpet)
Napoleon murphy brock (tenor saxophone, flute, vocals)
Ralph (drums)
thompson (drums)
(background vocals)
(background vocals)
Robert (background vocals)

of you may know that the tango,
which is not a very popular anymore,
was at one time reputed to be a dance of passion.
in the old days when it wasn't so easy to get you
Ks off, when it was hard to make with a member of the
camp and you had to resort to
things like dancing close and going hey...

were the days.
well those days are probably forever, I don't know,
unless nixon is going to bring them back a bit later.
but we have this very special highly evolved
O.
actually a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a special entertainment that includes
choreography a bit later, so watch out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the right on the tape 'n' this, this
O be the one.
this has to be the one all the right notes on it.
okay, 're you
this is a one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you have noticed,
bruce fowler has just completed some sort of
solo, based on the-ah, of an evolved tango-event.
bruce has also prepared for you a of a
That he hopes sweep the ocean right after the mud shark did.
bruce is now warming up the
of the body, in preparation...
in preparation for the real live tango which
E demonstrate.
napoleon will him.
napoleon put your horn down,
just relax, put your head back, here the drill.
okay, heh heh heh, you what I'm talkin' about?
okay.

This is sort of like jazz in own peculiar way.
is not dead, it just smells funny!
okay, go!
yeah man, jazz man, you know what I
this is be-bop, even you think it doe
like that.
be-bop!
now, as you have noticed,
some of you with a musical education can tell that the notes
george just sang when he went: "this is be-bop, though you th
T doesn't like that",
is actually a sort of a twisted form of the theme of the
itself which will get even more depraved as the goes on.
george will now to dismemb
At melody, play it and sing it at the same while...
tu-dup.
hey, the way!
while we of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this is get some volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some people who've tried it bef
Ore, who've never even of trying it before.
a boy, a girl, who like each other,
who would like to up here and
attempt to dance to what sings.
do we anybody wh
one.

Okay, what's name?

Carl.

Your is carl?
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is there in the, in the back?
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, here's how it
there's a beat going on like this; that's a beat.
you don't dance to that beat, you dance to what sings, okay?
the

the quick ones, okay?

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're wonderful but just too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go back to your and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now that's more it.
du-dup-dee-dup...
lana, so good we have to
bring up some people to assist you.
brenda, imported from edward's air force base, she...
Es and gentlemen, brenda...
brenda is a professional harlot and she just got finished
for a bunch of guys at edward's air base,
and she made it down in time for the show.
tw
Rs of taking it off for the in the car, really good.
okay.
heh.
brenda, has a lovely assistant
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably in your
chairs, to yourselves: I could do that.
and of you can!
and now is big chance!
all you h
O do, the first is easy, all you gotta do is stand up.
go ahead, just up.
you go, you are standing up.
yes, of you are not standing up
but you won't as much fun as the
Who are up.
okay, turn on the big lights so everybody can see what's on.
yes, many of you are standing up.
okay, link your mind the mind of george duke!
and when...

Du-dup...
it!
when he plays those funny fast notes,
twitch around and a good time
the be-bop tango, let's try it!
anything you do is alright.
you do anything
do, it's alright.
yes you got to know you came to the
place, tonight. (give me of that wine now).
as you have guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
thank you very much for coming.
hope you had a time.
bruce on trombone,
napoleon brock on tenor sax and
lead vocals, underwood on percussion
Ph humphrey on drums, chester on drums,
tom fowler on bass and george on the keyboards.
you very much.
alright, alright...