Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
simmons (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
Walt (trumpet)
Napoleon murphy brock (tenor saxophone, flute, vocals)
humphrey (drums)
thompson (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
is not a very popular dance anymore,
was at one time to be a dance of unbridled passion.
in the old days when it wasn't so easy to get you
Ks off, when it was hard to make with a member of the
opposite and you had to resort to
like dancing close together and going hey...

Those the days.
well those days are probably forever, I don't know,
unless nixon is going to bring them a little bit later.
but we have very special highly evolved permutated
O.
actually a perverted tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special entertainment event includes
choreography a bit later, so watch out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too now 'cause I wanna get
the right notes on the 'n' this, this
O be the one.
this has to be the one with all the notes on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a of unbridled passion, ladies and gentlemen.

Now, as you have noticed,
bruce fowler has just completed some sort of
solo, on the-ah, idea of an evolved tango-event.
bruce has also for you a demonstration of a
That he hopes sweep the ocean right after the mud shark did.
bruce is now warming up the
of the body, in preparation...
in preparation for the real live tango which
E demonstrate.
napoleon assist him.
napoleon just put horn down,
just relax, put your back, here comes the drill.
okay, heh heh heh, you what I'm talkin' about?
okay.

is sort of like jazz in it's own peculiar way.
jazz is not dead, it just funny!
okay, go!
yeah man, jazz man, you what I mean?
this is be-bop, though you think it doe
like that.
be-bop!
now, as you might noticed,
some of you with a education can tell that the notes that
george just when he went: "this is be-bop, even though you th
T doesn't like that",
is actually a sort of a form of the theme of the tango
itself which get even more depraved as the number goes on.
george will now attempt to
At melody, play it and it at the same time while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at point is get some volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E people who've never tried it bef
Ore, who've even thought of trying it before.
a boy, a girl, preferably who each other,
who would to come up here and
to dance to what george sings.
do we have wh
one.

Okay, what's your

Carl.

name is carl?
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is anybody in the, in the back?
where...
oh-oh, hey!
what's your

Rick.

Rick,

Jane.

and jane and carl!
alright, here's how it
there's a beat on like this; that's a pedestrian beat.
you don't dance to that beat, you dance to what sings, okay?
the

the little quick ones,

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's study phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go to your seats and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now that's more it.
du-dup-dee-dup...
lana, so good we have to
up some other people to assist you.
brenda, imported edward's air force base, where she...
Es and gentlemen, brenda...
brenda is a harlot and she just got finished stripping
for a bunch of guys at edward's air base,
and she made it down in time for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, has a lovely assistant
named carl, or robert james if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're sitting in your
chairs, saying to yourselves: I do that.
and of you can!
and now is big chance!
all you h
O do, the first step is easy, all you do is stand up.
go ahead, just up.
there you go, you are up.
yes, of you are not standing up
but you won't have as fun as the
Who are up.
okay, on the big lights so everybody can see what's going on.
yes, very many of you are up.
okay, link your with the mind of george duke!
and when...

Du-dup...
it!
when he plays those fast little notes,
around and have a good time
with the tango, let's try it!
you wanna do is alright.
you gotta do
do, it's alright.
yes you got to you came to the right
place, tonight. (give me some of that now).
as you have guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
thank you very much for coming.
hope you had a time.
fowler on trombone,
napoleon murphy on tenor sax and
vocals, ruth underwood on percussion
Ph humphrey on drums, chester on drums,
tom fowler on bass and george on the keyboards.
you very much.
alright, alright...