Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
fowler (trumpet)
Napoleon murphy brock (tenor saxophone, flute, vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
which is not a popular dance anymore,
was at one time reputed to be a of unbridled passion.
back in the old days it wasn't so easy to get you
Ks off, when it was to make contact with a member of the
opposite and you had to resort to
things like dancing close together and hey...

were the days.
well those days are probably forever, I don't know,
unless nixon is going to bring back a little bit later.
but we have this special highly evolved permutated
O.
it's actually a tango.
by the time...
yes, so perverted!
this is the tango,
a special entertainment that includes
choreography a little bit later, so out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too now 'cause I wanna get
the notes on the tape 'n' this, this
O be the one.
this has to be the one with all the notes on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you have noticed,
fowler has just completed some sort of trombone
solo, based on the-ah, of an evolved tango-event.
bruce has also for you a demonstration of a
That he will sweep the ocean right after the mud shark did.
is now warming up the important
of the body, in preparation...
in preparation for the real live tango which
E demonstrate.
will assist him.
napoleon just put horn down,
just relax, put your head back, here the drill.
okay, heh heh heh, you know what I'm about?
okay.

This is sort of like in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
yeah man, man, you know what I mean?
this is be-bop, though you think it doe
like that.
be-bop!
now, as you might noticed,
of you with a musical education can tell that the notes that
george just when he went: "this is be-bop, even though you th
T sound like that",
is actually a sort of a twisted form of the of the tango
itself which get even more depraved as the number goes on.
george will now attempt to
At melody, play it and sing it at the time while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E people who've never tried it bef
Ore, never even thought of trying it before.
a boy, a girl, who like each other,
who would like to come up and
attempt to to what george sings.
do we have wh
one.

Okay, what's name?

Carl.

Your is carl?
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is there in the, in the back?
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

and jane and carl!
alright, how it works:
there's a beat going on like this; a pedestrian beat.
you don't dance to that beat, you to what george sings, okay?
the

the quick ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
study this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're wonderful but just too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go back to your and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, you're so good we to
bring up some other people to you.
brenda, imported from air force base, where she...
Es and gentlemen, brenda...
brenda is a professional and she just got finished stripping
for a bunch of guys at edward's air base,
and she it down here in time for the show.
tw
Rs of taking it off for the in the car, really good.
okay.
heh.
brenda, has a lovely assistant
named carl, or robert james if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably in your
chairs, saying to yourselves: I do that.
and of you can!
and now is big chance!
all you h
O do, the first is easy, all you gotta do is stand up.
go ahead, stand up.
you go, you are standing up.
yes, of you are not standing up
but you have as much fun as the
Who are up.
okay, on the big lights so everybody can see what's going on.
yes, many of you are standing up.
okay, link mind with the mind of george duke!
and when...

Du-dup...
it!
when he plays those fast little notes,
twitch around and a good time
the be-bop tango, let's try it!
anything you do is alright.
you do anything
Anna do, alright.
yes you got to know you to the right
place, tonight. (give me of that wine now).
as you might guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna thank you much for coming.
hope you had a time.
fowler on trombone,
napoleon murphy brock on sax and
lead vocals, ruth underwood on
Ph humphrey on drums, thompson on drums,
tom on bass and george duke on the keyboards.
you very much.
alright, alright...