Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
simmons (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
Walt (trumpet)
Napoleon murphy (tenor saxophone, flute, lead vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

of you may know that the tango,
which is not a popular dance anymore,
was at one time reputed to be a of unbridled passion.
back in the old when it wasn't so easy to get you
Ks off, when it was hard to make contact a member of the
opposite and you had to resort to
things like close together and going hey...

Those the days.
well those days are probably gone forever, I know,
unless nixon is to bring them back a little bit later.
but we have this very special evolved permutated
O.
it's a perverted tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special event that includes
choreography a bit later, so watch out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the right on the tape 'n' this, this
O be the one.
has to be the one with all the right notes on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you might noticed,
bruce fowler has just completed some of trombone
solo, based on the-ah, idea of an tango-event.
bruce has also prepared for you a of a
That he hopes will sweep the ocean right after the mud did.
bruce is now warming up the
of the body, in preparation...
in preparation for the live be-bop tango which
E demonstrate.
will assist him.
napoleon put your horn down,
just relax, put your head back, here the drill.
okay, heh heh heh, you know what I'm talkin'
okay.

is sort of like jazz in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
yeah man, jazz man, you what I mean?
this is be-bop, though you think it doe
Sound that.
be-bop!
now, as you might noticed,
some of you with a musical education can tell the notes that
george just when he went: "this is be-bop, even though you th
T sound like that",
is actually a sort of a twisted form of the theme of the
itself which will get even more depraved as the number on.
george will now to dismemb
At melody, play it and sing it at the time while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at point is get some volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some people who've tried it bef
Ore, who've never even of trying it before.
a boy, a girl, preferably who each other,
who like to come up here and
to dance to what george sings.
do we have wh
one.

Okay, what's your

Carl.

Your is carl?
please carl on to the stage.
pleased to you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
your name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, here's how it
there's a beat going on like this; a pedestrian beat.
you don't dance to beat, you dance to what george sings, okay?
the

the little ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's study phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go back to your seats and bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, so good we have to
bring up some other to assist you.
brenda, imported from edward's air base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she got finished stripping
for a bunch of guys at air force base,
and she made it here in time for the show.
tw
Rs of it off for the boys in the car, really good.
okay.
heh.
brenda, has a lovely assistant
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're probably in your
chairs, to yourselves: I could do that.
and of you can!
and now is big chance!
all you h
O do, the step is easy, all you gotta do is stand up.
go ahead, just up.
you go, you are standing up.
yes, of you are not standing up
but you have as much fun as the
Who are up.
okay, turn on the big lights so everybody can see going on.
yes, very of you are standing up.
okay, link your mind the mind of george duke!
and when...

Du-dup...
it!
when he plays those fast little notes,
around and have a good time
with the tango, let's try it!
anything you do is alright.
you do anything
Anna do, alright.
yes you got to know you to the right
place, tonight. (give me some of wine now).
as you have guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna thank you very for coming.
you had a good time.
bruce on trombone,
murphy brock on tenor sax and
lead vocals, ruth underwood on
Ph humphrey on drums, chester on drums,
tom on bass and george duke on the keyboards.
you very much.
alright, alright...