Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
simmons (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
Napoleon murphy (tenor saxophone, flute, lead vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
is not a very popular dance anymore,
was at one reputed to be a dance of unbridled passion.
back in the old days when it so easy to get you
Ks off, when it was hard to make contact a member of the
opposite camp and you had to to
things like dancing together and going hey...

were the days.
well those are probably gone forever, I don't know,
unless nixon is to bring them back a little bit later.
but we have this very special highly permutated
O.
actually a perverted tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special entertainment event that
choreography a little bit later, so out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now I wanna get
the right on the tape 'n' this, this
O be the one.
this has to be the one all the right notes on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you have noticed,
fowler has just completed some sort of trombone
solo, on the-ah, idea of an evolved tango-event.
bruce has also for you a demonstration of a
That he hopes will sweep the ocean right the mud shark did.
bruce is now up the important
of the body, in preparation...
in preparation for the real live tango which
E demonstrate.
napoleon will him.
just put your horn down,
just relax, put your back, here comes the drill.
okay, heh heh heh, you know I'm talkin' about?
okay.

This is sort of jazz in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
man, jazz man, you know what I mean?
this is be-bop, even though you it doe
like that.
be-bop!
now, as you might noticed,
some of you with a musical can tell that the notes that
george just sang when he went: "this is be-bop, even you th
T sound like that",
is actually a sort of a form of the theme of the tango
itself which get even more depraved as the number goes on.
george will now to dismemb
At melody, play it and it at the same time while...
tu-dup.
hey, the way!
while we of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at point is get some volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some who've never tried it bef
Ore, who've never thought of trying it before.
a boy, a girl, preferably who each other,
who like to come up here and
attempt to dance to george sings.
do we have wh
one.

Okay, what's name?

Carl.

Your name is
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
what's your

Rick.

Rick,

Jane.

and jane and carl!
alright, how it works:
there's a beat going on like this; that's a beat.
you don't dance to that beat, you dance to what george sings,
the

the little quick ones,

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go back to your seats and bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, you're so good we to
bring up other people to assist you.
brenda, imported from air force base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she just got stripping
for a bunch of guys at air force base,
and she it down here in time for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, brenda has a lovely
named carl, or robert james if you prefer.
cohen, ladies and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I telling you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably sitting in
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the first step is easy, all you gotta do is up.
go ahead, just up.
there you go, you are up.
yes, some of you are not up
but you won't have as fun as the
Who are up.
okay, turn on the big lights so can see what's going on.
yes, many of you are standing up.
okay, link your mind the mind of george duke!
and when...

Du-dup...
it!
when he plays those funny little notes,
around and have a good time
with the tango, let's try it!
you wanna do is alright.
you gotta do
do, it's alright.
yes you got to know you came to the
place, tonight. (give me some of that now).
as you might guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna thank you very for coming.
hope you had a time.
fowler on trombone,
napoleon brock on tenor sax and
lead vocals, underwood on percussion
Ph humphrey on drums, chester on drums,
tom fowler on bass and duke on the keyboards.
thank you much.
alright, alright...