Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
Walt (trumpet)
murphy brock (tenor saxophone, flute, lead vocals)
Ralph (drums)
thompson (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
which is not a popular dance anymore,
was at one time reputed to be a of unbridled passion.
back in the old days when it wasn't so to get you
Ks off, when it was to make contact with a member of the
camp and you had to resort to
things like dancing close together and hey...

were the days.
well those are probably gone forever, I don't know,
unless is going to bring them back a little bit later.
but we this very special highly evolved permutated
O.
actually a perverted tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special entertainment event that
choreography a bit later, so watch out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the right notes on the tape 'n' this,
O be the one.
this has to be the one with all the notes on it.
okay, 're you
this is a one to play.
one two four...

The cowbell as a of unbridled passion, ladies and gentlemen.

Now, as you have noticed,
bruce fowler has just completed some of trombone
solo, based on the-ah, idea of an tango-event.
bruce has also prepared for you a of a
That he hopes will sweep the ocean right the mud shark did.
bruce is now up the important
of the body, in preparation...
in for the real live be-bop tango which
E demonstrate.
napoleon assist him.
just put your horn down,
just relax, put head back, here comes the drill.
okay, heh heh heh, you know what I'm talkin'
okay.

This is sort of jazz in it's own peculiar way.
is not dead, it just smells funny!
okay, go!
yeah man, jazz man, you know I mean?
this is be-bop, though you think it doe
Sound that.
be-bop!
now, as you have noticed,
some of you with a musical education can tell the notes that
george just sang when he "this is be-bop, even though you th
T doesn't like that",
is actually a sort of a twisted of the theme of the tango
itself which will get even more as the number goes on.
george will now attempt to
At melody, play it and it at the same time while...
tu-dup.
hey, the way!
while we sort of to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this is get some volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of fact you did, you...
no, we
E people who've never tried it bef
Ore, who've never even thought of it before.
a boy, a girl, who like each other,
who would to come up here and
attempt to dance to what sings.
do we have wh
one.

Okay, what's your

Carl.

name is carl?
please carl on to the stage.
pleased to you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, here's how it
there's a beat on like this; that's a pedestrian beat.
you don't to that beat, you dance to what george sings, okay?
the

the quick ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll you what:
go back to your seats and we'll bring up the batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, you're so good we to
up some other people to assist you.
brenda, imported from air force base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she got finished stripping
for a bunch of at edward's air force base,
and she made it down here in for the show.
tw
Rs of it off for the boys in the car, really good.
okay.
heh.
brenda, brenda has a assistant
named carl, or robert james if you prefer.
cohen, ladies and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I telling you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're sitting in your
chairs, saying to yourselves: I do that.
and of you can!
and now is big chance!
all you h
O do, the step is easy, all you gotta do is stand up.
go ahead, stand up.
there you go, you are up.
yes, of you are not standing up
but you won't have as fun as the
Who are up.
okay, on the big lights so everybody can see what's going on.
yes, very of you are standing up.
okay, link your mind with the mind of duke!
and when...

Du-dup...
it!
when he plays those funny fast notes,
around and have a good time
with the tango, let's try it!
anything you do is alright.
you do anything
Anna do, alright.
yes you got to know you to the right
place, tonight. (give me of that wine now).
as you might guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
thank you very much for coming.
hope you had a time.
bruce on trombone,
napoleon murphy on tenor sax and
vocals, ruth underwood on percussion
Ph humphrey on drums, thompson on drums,
tom fowler on and george duke on the keyboards.
you very much.
alright, alright...