Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
fowler (trumpet)
Napoleon murphy brock (tenor saxophone, flute, vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
which is not a very popular anymore,
was at one reputed to be a dance of unbridled passion.
in the old days when it wasn't so easy to get you
Ks off, it was hard to make contact with a member of the
opposite camp and you had to to
like dancing close together and going hey...

Those the days.
well those days are probably gone forever, I know,
unless nixon is to bring them back a little bit later.
but we have this special highly evolved permutated
O.
it's actually a tango.
by the time...
yes, so perverted!
this is the tango,
a special entertainment that includes
choreography a little bit later, so out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now I wanna get
the notes on the tape 'n' this, this
O be the one.
this has to be the one all the right notes on it.
okay, 're you
this is a one to play.
one two four...

The cowbell as a of unbridled passion, ladies and gentlemen.

Now, as you might noticed,
bruce fowler has just completed some of trombone
solo, based on the-ah, of an evolved tango-event.
bruce has prepared for you a demonstration of a
That he hopes will sweep the ocean right after the mud did.
bruce is now warming up the
of the body, in preparation...
in preparation for the real be-bop tango which
E demonstrate.
napoleon assist him.
napoleon just put your down,
relax, put your head back, here comes the drill.
okay, heh heh heh, you know I'm talkin' about?
okay.

is sort of like jazz in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
yeah man, jazz man, you what I mean?
this is be-bop, even you think it doe
Sound that.
be-bop!
now, as you might noticed,
some of you with a education can tell that the notes that
george just sang he went: "this is be-bop, even though you th
T doesn't like that",
is actually a sort of a form of the theme of the tango
itself which will get even more as the number goes on.
will now attempt to dismemb
At melody, play it and sing it at the time while...
tu-dup.
hey, the way!
while we of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at point is get some volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some people never tried it bef
Ore, who've never even thought of it before.
a boy, a girl, preferably who like other,
who would to come up here and
attempt to dance to what sings.
do we have wh
one.

Okay, your name?

Carl.

name is carl?
please carl on to the stage.
to meet you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
what's your

Rick.

Rick,

Jane.

and jane and carl!
alright, how it works:
there's a beat going on like this; a pedestrian beat.
you don't dance to that beat, you dance to what george sings,
the

the quick ones, okay?

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're wonderful but just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go back to seats and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now that's like it.
du-dup-dee-dup...
lana, you're so good we to
up some other people to assist you.
brenda, from edward's air force base, where she...
Es and gentlemen, brenda...
is a professional harlot and she just got finished stripping
for a bunch of guys at air force base,
and she made it down in time for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, brenda has a assistant
named carl, or robert davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I telling you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably in your
chairs, saying to yourselves: I do that.
and of you can!
and now is big chance!
all you h
O do, the step is easy, all you gotta do is stand up.
go ahead, just up.
you go, you are standing up.
yes, of you are not standing up
but you won't have as fun as the
Who are up.
okay, turn on the big so everybody can see what's going on.
yes, many of you are standing up.
okay, your mind with the mind of george duke!
and when...

Du-dup...
it!
when he plays funny fast little notes,
twitch and have a good time
with the be-bop tango, try it!
you wanna do is alright.
you gotta do
Anna do, alright.
yes you got to you came to the right
place, tonight. (give me some of that now).
as you have guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna thank you very for coming.
hope you had a time.
bruce on trombone,
napoleon murphy on tenor sax and
lead vocals, underwood on percussion
Ph humphrey on drums, thompson on drums,
tom fowler on bass and duke on the keyboards.
you very much.
alright, alright...