Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
Napoleon murphy brock (tenor saxophone, flute, vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

of you may know that the tango,
which is not a popular dance anymore,
was at one time reputed to be a dance of passion.
back in the old days when it wasn't so to get you
Ks off, when it was hard to make contact with a of the
camp and you had to resort to
things dancing close together and going hey...

Those the days.
well days are probably gone forever, I don't know,
unless nixon is going to bring them back a bit later.
but we have this very special highly evolved
O.
actually a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a special entertainment event includes
choreography a little bit later, so out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now I wanna get
the right notes on the tape 'n' this,
O be the one.
this has to be the one with all the right on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a of unbridled passion, ladies and gentlemen.

Now, as you might noticed,
fowler has just completed some sort of trombone
solo, based on the-ah, idea of an tango-event.
bruce has also for you a demonstration of a
That he hopes will sweep the right after the mud shark did.
bruce is now warming up the
of the body, in preparation...
in for the real live be-bop tango which
E demonstrate.
will assist him.
napoleon just put your down,
relax, put your head back, here comes the drill.
okay, heh heh heh, you what I'm talkin' about?
okay.

This is sort of like jazz in own peculiar way.
jazz is not dead, it just funny!
okay, go!
yeah man, jazz man, you what I mean?
this is be-bop, even you think it doe
Sound that.
be-bop!
now, as you might noticed,
some of you with a musical education can tell that the that
george just sang when he "this is be-bop, even though you th
T doesn't sound that",
is a sort of a twisted form of the theme of the tango
itself which will get even more depraved as the goes on.
george will now attempt to
At melody, play it and sing it at the same while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of you did, didn't you...
no, we
E some people who've tried it bef
Ore, who've never even thought of it before.
a boy, a girl, preferably who like other,
who would to come up here and
attempt to to what george sings.
do we anybody wh
one.

Okay, what's your

Carl.

Your name is
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is anybody in the, in the back?
where...
oh-oh, hey!
what's your

Rick.

Rick,

Jane.

Rick and and carl!
alright, here's how it
there's a beat on like this; that's a pedestrian beat.
you dance to that beat, you dance to what george sings, okay?
the

the little ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's study phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go to your seats and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, name is lana, right?
dance!

Du-dup-dee-dup...
now that's like it.
du-dup-dee-dup...
lana, you're so good we to
bring up some other people to you.
brenda, imported from edward's air force base, she...
Es and gentlemen, brenda...
is a professional harlot and she just got finished stripping
for a of guys at edward's air force base,
and she made it down in time for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, has a lovely assistant
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're sitting in your
chairs, saying to yourselves: I do that.
and of you can!
and now is big chance!
all you h
O do, the first is easy, all you gotta do is stand up.
go ahead, stand up.
you go, you are standing up.
yes, some of you are not up
but you have as much fun as the
Who are up.
okay, turn on the big lights so everybody can see going on.
yes, very of you are standing up.
okay, link your mind the mind of george duke!
and when...

Du-dup...
it!
when he those funny fast little notes,
twitch around and have a time
the be-bop tango, let's try it!
anything you do is alright.
you gotta do
do, it's alright.
yes you got to you came to the right
place, tonight. (give me some of wine now).
as you have guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna thank you very for coming.
hope you had a time.
fowler on trombone,
napoleon brock on tenor sax and
lead vocals, ruth underwood on
Ph humphrey on drums, thompson on drums,
tom fowler on and george duke on the keyboards.
you very much.
alright, alright...