Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
fowler (trumpet)
Napoleon murphy (tenor saxophone, flute, lead vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

of you may know that the tango,
which is not a very dance anymore,
was at one reputed to be a dance of unbridled passion.
back in the old days it wasn't so easy to get you
Ks off, when it was hard to make contact a member of the
camp and you had to resort to
things like dancing close together and hey...

Those the days.
well those days are probably forever, I don't know,
unless nixon is going to bring them back a bit later.
but we have this very highly evolved permutated
O.
actually a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a special entertainment event that
choreography a bit later, so watch out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the right notes on the tape 'n' this,
O be the one.
this has to be the one with all the notes on it.
okay, 're you
is a hard one to play.
one two four...

The as a symbol of unbridled passion, ladies and gentlemen.

Now, as you might noticed,
bruce fowler has completed some sort of trombone
solo, based on the-ah, of an evolved tango-event.
bruce has prepared for you a demonstration of a
That he hopes will sweep the ocean right after the mud did.
is now warming up the important
of the body, in preparation...
in preparation for the live be-bop tango which
E demonstrate.
napoleon will him.
just put your horn down,
just relax, put your back, here comes the drill.
okay, heh heh heh, you know what I'm about?
okay.

This is sort of like jazz in own peculiar way.
is not dead, it just smells funny!
okay, go!
yeah man, jazz man, you know what I
this is be-bop, though you think it doe
like that.
be-bop!
now, as you have noticed,
some of you a musical education can tell that the notes that
just sang when he went: "this is be-bop, even though you th
T doesn't like that",
is actually a sort of a form of the theme of the tango
itself will get even more depraved as the number goes on.
george now attempt to dismemb
At melody, play it and it at the same time while...
tu-dup.
hey, the way!
while we sort of to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of fact you did, you...
no, we
E some people never tried it bef
Ore, who've even thought of trying it before.
a boy, a girl, who like each other,
who would like to come up and
attempt to dance to george sings.
do we anybody wh
one.

Okay, what's name?

Carl.

Your is carl?
carl step on to the stage.
pleased to you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
what's your

Rick.

Rick,

Jane.

and jane and carl!
alright, here's how it
there's a beat going on like that's a pedestrian beat.
you don't dance to that beat, you dance to what george sings,
the

the quick ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
study this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're wonderful but you're too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll you what:
go back to your seats and we'll bring up the batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now that's more it.
du-dup-dee-dup...
lana, you're so we have to
bring up some other to assist you.
brenda, imported from air force base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she got finished stripping
for a bunch of guys at edward's air base,
and she made it down in time for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, has a lovely assistant
named carl, or robert james if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're too adagio, I keep telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're probably sitting in
chairs, to yourselves: I could do that.
and of you can!
and now is big chance!
all you h
O do, the first is easy, all you gotta do is stand up.
go ahead, just up.
you go, you are standing up.
yes, some of you are not up
but you won't as much fun as the
Who are up.
okay, on the big lights so everybody can see what's going on.
yes, very of you are standing up.
okay, link your mind with the of george duke!
and when...

Du-dup...
it!
when he those funny fast little notes,
twitch and have a good time
with the tango, let's try it!
anything you do is alright.
you do anything
Anna do, alright.
yes you got to know you to the right
place, tonight. (give me some of that now).
as you might guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna you very much for coming.
you had a good time.
bruce on trombone,
murphy brock on tenor sax and
lead vocals, ruth on percussion
Ph humphrey on drums, thompson on drums,
tom fowler on and george duke on the keyboards.
you very much.
alright, alright...