Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
simmons (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
fowler (trumpet)
Napoleon murphy brock (tenor saxophone, flute, vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may know the tango,
which is not a popular dance anymore,
was at one time to be a dance of unbridled passion.
back in the old days it wasn't so easy to get you
Ks off, when it was to make contact with a member of the
opposite and you had to resort to
things like dancing close and going hey...

Those the days.
well those days are probably gone forever, I know,
unless nixon is going to them back a little bit later.
but we this very special highly evolved permutated
O.
it's actually a tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special event that includes
choreography a little bit later, so out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the right notes on the 'n' this, this
O be the one.
this has to be the one all the right notes on it.
okay, 're you
is a hard one to play.
one two four...

The as a symbol of unbridled passion, ladies and gentlemen.

Now, as you have noticed,
fowler has just completed some sort of trombone
solo, on the-ah, idea of an evolved tango-event.
bruce has also prepared for you a of a
That he hopes will sweep the ocean right after the mud did.
bruce is now up the important
of the body, in preparation...
in preparation for the real live tango which
E demonstrate.
will assist him.
napoleon just put your down,
just relax, put your back, here comes the drill.
okay, heh heh heh, you know what I'm about?
okay.

This is sort of jazz in it's own peculiar way.
is not dead, it just smells funny!
okay, go!
yeah man, man, you know what I mean?
is be-bop, even though you think it doe
Sound that.
be-bop!
now, as you might noticed,
some of you with a musical education can tell the notes that
george just sang when he "this is be-bop, even though you th
T doesn't like that",
is actually a sort of a twisted form of the of the tango
which will get even more depraved as the number goes on.
george now attempt to dismemb
At melody, it and sing it at the same time while...
tu-dup.
hey, the way!
while we of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at point is get some volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some who've never tried it bef
Ore, who've never even of trying it before.
a boy, a girl, preferably who each other,
who would like to up here and
attempt to to what george sings.
do we have wh
one.

Okay, your name?

Carl.

name is carl?
please step on to the stage.
to meet you carl.
alright.

let's see-ah, is anybody in the, in the back?
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

and jane and carl!
alright, here's how it
there's a beat going on like this; that's a beat.
you don't dance to that beat, you to what george sings, okay?
the

the quick ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's study phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're wonderful but you're too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll you what:
go back to your and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now that's more it.
du-dup-dee-dup...
lana, you're so good we to
bring up other people to assist you.
brenda, from edward's air force base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she just got stripping
for a bunch of at edward's air force base,
and she it down here in time for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, has a lovely assistant
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're too adagio, I keep telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're sitting in your
chairs, to yourselves: I could do that.
and of you can!
and now is big chance!
all you h
O do, the first is easy, all you gotta do is stand up.
go ahead, stand up.
you go, you are standing up.
yes, of you are not standing up
but you have as much fun as the
Who are up.
okay, on the big lights so everybody can see what's going on.
yes, very many of you are up.
okay, link mind with the mind of george duke!
and when...

Du-dup...
it!
when he plays those fast little notes,
around and have a good time
with the tango, let's try it!
you wanna do is alright.
you gotta do
do, it's alright.
yes you got to you came to the right
place, tonight. (give me some of wine now).
as you have guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna thank you much for coming.
you had a good time.
bruce on trombone,
napoleon murphy on tenor sax and
vocals, ruth underwood on percussion
Ph humphrey on drums, chester on drums,
tom on bass and george duke on the keyboards.
thank you much.
alright, alright...