Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
Napoleon murphy (tenor saxophone, flute, lead vocals)
Ralph (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
is not a very popular dance anymore,
was at one time reputed to be a of unbridled passion.
back in the old days when it so easy to get you
Ks off, when it was to make contact with a member of the
opposite and you had to resort to
things dancing close together and going hey...

Those the days.
well those days are probably gone forever, I know,
unless nixon is going to them back a little bit later.
but we have this very special highly evolved
O.
it's actually a tango.
by the time...
yes, so perverted!
is the be-bop tango,
a entertainment event that includes
a little bit later, so watch out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now I wanna get
the right notes on the 'n' this, this
O be the one.
this has to be the one with all the notes on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you might noticed,
bruce fowler has just completed some of trombone
solo, based on the-ah, idea of an tango-event.
bruce has also for you a demonstration of a
That he hopes will sweep the ocean after the mud shark did.
bruce is now warming up the
of the body, in preparation...
in for the real live be-bop tango which
E demonstrate.
napoleon will him.
napoleon just put your down,
just relax, put head back, here comes the drill.
okay, heh heh heh, you know I'm talkin' about?
okay.

This is sort of like in it's own peculiar way.
is not dead, it just smells funny!
okay, go!
yeah man, jazz man, you know I mean?
is be-bop, even though you think it doe
Sound that.
be-bop!
now, as you might noticed,
of you with a musical education can tell that the notes that
george just sang he went: "this is be-bop, even though you th
T sound like that",
is actually a sort of a form of the theme of the tango
itself which will get even more depraved as the goes on.
george now attempt to dismemb
At melody, play it and sing it at the time while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers from the to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E people who've never tried it bef
Ore, who've never thought of trying it before.
a boy, a girl, who like each other,
who would like to up here and
attempt to to what george sings.
do we have wh
one.

Okay, what's your

Carl.

Your name is
carl step on to the stage.
pleased to you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
what's your

Rick.

Rick,

Jane.

Rick and and carl!
alright, here's how it
there's a going on like this; that's a pedestrian beat.
you don't dance to that beat, you dance to what george sings,
the

the little ones, okay?

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
study this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're wonderful but just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go back to your seats and we'll bring up the batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, name is lana, right?
dance!

Du-dup-dee-dup...
now that's like it.
du-dup-dee-dup...
lana, you're so we have to
bring up some other people to you.
brenda, imported edward's air force base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she just got finished
for a of guys at edward's air force base,
and she made it down in time for the show.
tw
Rs of taking it off for the in the car, really good.
okay.
heh.
brenda, has a lovely assistant
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're sitting in your
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the first is easy, all you gotta do is stand up.
go ahead, stand up.
there you go, you are up.
yes, of you are not standing up
but you won't as much fun as the
Who are up.
okay, turn on the big so everybody can see what's going on.
yes, many of you are standing up.
okay, link mind with the mind of george duke!
and when...

Du-dup...
it!
when he plays those funny little notes,
around and have a good time
with the be-bop tango, try it!
you wanna do is alright.
you do anything
Anna do, alright.
yes you got to you came to the right
place, tonight. (give me some of that now).
as you might guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna thank you very for coming.
hope you had a time.
bruce on trombone,
napoleon murphy on tenor sax and
lead vocals, underwood on percussion
Ph humphrey on drums, chester on drums,
tom on bass and george duke on the keyboards.
thank you much.
alright, alright...