Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
simmons (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
Walt (trumpet)
Napoleon murphy (tenor saxophone, flute, lead vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may know the tango,
which is not a very dance anymore,
was at one time reputed to be a of unbridled passion.
back in the old when it wasn't so easy to get you
Ks off, when it was hard to make contact a member of the
opposite camp and you had to to
things like close together and going hey...

were the days.
well those days are probably gone forever, I know,
unless nixon is going to bring back a little bit later.
but we this very special highly evolved permutated
O.
it's a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a entertainment event that includes
choreography a little bit later, so out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too now 'cause I wanna get
the right on the tape 'n' this, this
O be the one.
has to be the one with all the right notes on it.
okay, 're you
this is a one to play.
one two four...

The cowbell as a symbol of passion, ladies and gentlemen.

Now, as you might noticed,
fowler has just completed some sort of trombone
solo, on the-ah, idea of an evolved tango-event.
has also prepared for you a demonstration of a
That he hopes will sweep the right after the mud shark did.
is now warming up the important
of the body, in preparation...
in preparation for the real live be-bop which
E demonstrate.
will assist him.
napoleon just put your down,
just relax, put your head back, comes the drill.
okay, heh heh heh, you know I'm talkin' about?
okay.

This is of like jazz in it's own peculiar way.
is not dead, it just smells funny!
okay, go!
yeah man, jazz man, you know what I
this is be-bop, even though you it doe
Sound that.
be-bop!
now, as you have noticed,
of you with a musical education can tell that the notes that
george just when he went: "this is be-bop, even though you th
T doesn't sound that",
is actually a sort of a twisted of the theme of the tango
itself which will get even depraved as the number goes on.
george now attempt to dismemb
At melody, play it and sing it at the time while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of you did, didn't you...
no, we
E people who've never tried it bef
Ore, who've never even thought of it before.
a boy, a girl, who like each other,
who would to come up here and
attempt to dance to george sings.
do we anybody wh
one.

Okay, what's name?

Carl.

Your is carl?
please step on to the stage.
to meet you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, here's how it
there's a beat going on like this; that's a beat.
you don't dance to that beat, you dance to george sings, okay?
the

the little ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
wonderful but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go back to your seats and we'll up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, you're so we have to
bring up other people to assist you.
brenda, imported from air force base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she just got stripping
for a bunch of guys at air force base,
and she made it down here in for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, has a lovely assistant
named carl, or robert davis if you prefer.
cohen, ladies and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're probably in your
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the first step is easy, all you do is stand up.
go ahead, just up.
you go, you are standing up.
yes, some of you are not up
but you won't as much fun as the
Who are up.
okay, on the big lights so everybody can see what's going on.
yes, very many of you are up.
okay, link mind with the mind of george duke!
and when...

Du-dup...
it!
when he plays those funny fast notes,
twitch around and have a good
with the tango, let's try it!
you wanna do is alright.
you do anything
Anna do, alright.
yes you got to know you to the right
place, tonight. (give me of that wine now).
as you might guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
thank you very much for coming.
hope you had a time.
bruce on trombone,
napoleon brock on tenor sax and
lead vocals, ruth on percussion
Ph humphrey on drums, chester on drums,
tom fowler on and george duke on the keyboards.
thank you much.
alright, alright...