Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
fowler (trumpet)
Napoleon murphy (tenor saxophone, flute, lead vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
which is not a popular dance anymore,
was at one time reputed to be a of unbridled passion.
back in the old when it wasn't so easy to get you
Ks off, when it was hard to make with a member of the
opposite camp and you had to to
things like dancing close together and hey...

Those the days.
well those days are gone forever, I don't know,
unless nixon is going to bring them back a bit later.
but we this very special highly evolved permutated
O.
it's a perverted tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special entertainment event that
a little bit later, so watch out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too now 'cause I wanna get
the notes on the tape 'n' this, this
O be the one.
has to be the one with all the right notes on it.
okay, 're you
this is a one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you might noticed,
bruce fowler has completed some sort of trombone
solo, on the-ah, idea of an evolved tango-event.
has also prepared for you a demonstration of a
That he hopes will the ocean right after the mud shark did.
bruce is now up the important
of the body, in preparation...
in preparation for the live be-bop tango which
E demonstrate.
napoleon assist him.
napoleon put your horn down,
just relax, put your head back, comes the drill.
okay, heh heh heh, you know what I'm talkin'
okay.

This is of like jazz in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
yeah man, man, you know what I mean?
this is be-bop, even though you it doe
Sound that.
be-bop!
now, as you might noticed,
some of you with a musical can tell that the notes that
george just sang he went: "this is be-bop, even though you th
T doesn't sound that",
is actually a sort of a twisted form of the theme of the
itself will get even more depraved as the number goes on.
will now attempt to dismemb
At melody, it and sing it at the same time while...
tu-dup.
hey, the way!
while we sort of to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some who've never tried it bef
Ore, who've never thought of trying it before.
a boy, a girl, who like each other,
who would to come up here and
attempt to dance to what sings.
do we anybody wh
one.

Okay, what's your

Carl.

Your name is
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
your name?

Rick.

Rick,

Jane.

and jane and carl!
alright, how it works:
there's a beat on like this; that's a pedestrian beat.
you don't dance to that beat, you dance to what george sings,
the

the little quick ones,

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're wonderful but just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll you what:
go back to your seats and we'll up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now that's like it.
du-dup-dee-dup...
lana, you're so we have to
up some other people to assist you.
brenda, imported from edward's air force base, she...
Es and gentlemen, brenda...
brenda is a professional harlot and she just got stripping
for a of guys at edward's air force base,
and she made it down in time for the show.
tw
Rs of it off for the boys in the car, really good.
okay.
heh.
brenda, brenda has a assistant
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're too adagio, I keep telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're probably in your
chairs, saying to yourselves: I do that.
and of you can!
and now is big chance!
all you h
O do, the first is easy, all you gotta do is stand up.
go ahead, just up.
there you go, you are up.
yes, some of you are not up
but you have as much fun as the
Who are up.
okay, turn on the big lights so everybody can see what's on.
yes, very of you are standing up.
okay, link your with the mind of george duke!
and when...

Du-dup...
it!
when he those funny fast little notes,
twitch and have a good time
with the be-bop tango, try it!
anything you do is alright.
you gotta do
do, it's alright.
yes you got to know you came to the
place, tonight. (give me some of wine now).
as you have guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna thank you much for coming.
you had a good time.
bruce on trombone,
napoleon murphy on tenor sax and
lead vocals, underwood on percussion
Ph on drums, chester thompson on drums,
tom fowler on and george duke on the keyboards.
thank you much.
alright, alright...