Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-9-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
Walt (trumpet)
murphy brock (tenor saxophone, flute, lead vocals)
Ralph (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
is not a very popular dance anymore,
was at one time reputed to be a dance of passion.
in the old days when it wasn't so easy to get you
Ks off, when it was hard to make contact a member of the
camp and you had to resort to
things like dancing close together and hey...

Those the days.
well days are probably gone forever, I don't know,
unless nixon is going to bring them a little bit later.
but we have this very special highly evolved
O.
it's a perverted tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special event that includes
a little bit later, so watch out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now I wanna get
the notes on the tape 'n' this, this
O be the one.
this has to be the one all the right notes on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you might noticed,
bruce has just completed some sort of trombone
solo, based on the-ah, idea of an tango-event.
has also prepared for you a demonstration of a
That he will sweep the ocean right after the mud shark did.
bruce is now warming up the
of the body, in preparation...
in preparation for the real be-bop tango which
E demonstrate.
napoleon will him.
napoleon put your horn down,
just relax, put head back, here comes the drill.
okay, heh heh heh, you what I'm talkin' about?
okay.

This is sort of like in it's own peculiar way.
is not dead, it just smells funny!
okay, go!
yeah man, man, you know what I mean?
this is be-bop, even you think it doe
Sound that.
be-bop!
now, as you have noticed,
some of you with a musical education can that the notes that
george just sang he went: "this is be-bop, even though you th
T doesn't like that",
is actually a of a twisted form of the theme of the tango
itself which will get even more depraved as the goes on.
george will now attempt to
At melody, it and sing it at the same time while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some people who've never it bef
Ore, who've never even of trying it before.
a boy, a girl, who like each other,
who would like to up here and
attempt to to what george sings.
do we anybody wh
one.

Okay, your name?

Carl.

Your name is
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is anybody in the, in the back?
where...
oh-oh, hey!
what's your

Rick.

Rick,

Jane.

Rick and and carl!
alright, here's how it
there's a beat going on this; that's a pedestrian beat.
you dance to that beat, you dance to what george sings, okay?
the

the quick ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's study phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're wonderful but you're too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go back to your seats and bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now that's more it.
du-dup-dee-dup...
lana, you're so we have to
bring up some people to assist you.
brenda, from edward's air force base, where she...
Es and gentlemen, brenda...
brenda is a professional and she just got finished stripping
for a bunch of guys at air force base,
and she made it here in time for the show.
tw
Rs of taking it off for the in the car, really good.
okay.
heh.
brenda, brenda has a lovely
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I telling you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably in your
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the step is easy, all you gotta do is stand up.
go ahead, stand up.
you go, you are standing up.
yes, of you are not standing up
but you have as much fun as the
Who are up.
okay, turn on the big lights so can see what's going on.
yes, very of you are standing up.
okay, link your with the mind of george duke!
and when...

Du-dup...
it!
when he plays those funny little notes,
twitch around and have a time
with the be-bop tango, try it!
anything you do is alright.
you do anything
Anna do, alright.
yes you got to know you to the right
place, tonight. (give me some of wine now).
as you have guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna thank you much for coming.
you had a good time.
bruce on trombone,
murphy brock on tenor sax and
lead vocals, ruth underwood on
Ph humphrey on drums, thompson on drums,
tom fowler on bass and george on the keyboards.
you very much.
alright, alright...