Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
simmons (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
Walt (trumpet)
murphy brock (tenor saxophone, flute, lead vocals)
Ralph (drums)
thompson (drums)
(background vocals)
(background vocals)
Robert (background vocals)

of you may know that the tango,
which is not a very dance anymore,
was at one time reputed to be a of unbridled passion.
in the old days when it wasn't so easy to get you
Ks off, when it was hard to contact with a member of the
camp and you had to resort to
things like close together and going hey...

Those the days.
well those days are probably forever, I don't know,
unless nixon is to bring them back a little bit later.
but we have very special highly evolved permutated
O.
actually a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a special entertainment that includes
choreography a bit later, so watch out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the notes on the tape 'n' this, this
O be the one.
this has to be the one all the right notes on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you have noticed,
fowler has just completed some sort of trombone
solo, based on the-ah, of an evolved tango-event.
bruce has also prepared for you a of a
That he will sweep the ocean right after the mud shark did.
bruce is now warming up the
of the body, in preparation...
in preparation for the real live be-bop which
E demonstrate.
napoleon assist him.
napoleon just put your down,
just relax, put head back, here comes the drill.
okay, heh heh heh, you know what I'm about?
okay.

This is of like jazz in it's own peculiar way.
jazz is not dead, it just funny!
okay, go!
man, jazz man, you know what I mean?
this is be-bop, though you think it doe
Sound that.
be-bop!
now, as you might noticed,
some of you with a musical can tell that the notes that
just sang when he went: "this is be-bop, even though you th
T doesn't sound that",
is a sort of a twisted form of the theme of the tango
itself will get even more depraved as the number goes on.
will now attempt to dismemb
At melody, it and sing it at the same time while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this is get some volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some who've never tried it bef
Ore, who've never even thought of it before.
a boy, a girl, preferably who like other,
who like to come up here and
attempt to dance to george sings.
do we have wh
one.

Okay, what's name?

Carl.

name is carl?
please carl on to the stage.
pleased to you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
what's your

Rick.

Rick,

Jane.

and jane and carl!
alright, how it works:
a beat going on like this; that's a pedestrian beat.
you don't dance to that beat, you dance to what sings, okay?
the

the little ones, okay?

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go to your seats and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, you're so good we to
up some other people to assist you.
brenda, imported from edward's air force base, she...
Es and gentlemen, brenda...
brenda is a professional harlot and she got finished stripping
for a bunch of guys at air force base,
and she made it down in time for the show.
tw
Rs of taking it off for the in the car, really good.
okay.
heh.
brenda, brenda has a lovely
named carl, or robert james if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably sitting in
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the first step is easy, all you do is stand up.
go ahead, just up.
you go, you are standing up.
yes, of you are not standing up
but you won't as much fun as the
Who are up.
okay, turn on the big lights so everybody can see what's on.
yes, many of you are standing up.
okay, link your mind with the mind of duke!
and when...

Du-dup...
it!
when he plays those funny fast notes,
twitch around and a good time
with the tango, let's try it!
you wanna do is alright.
you gotta do
do, it's alright.
yes you got to you came to the right
place, tonight. (give me of that wine now).
as you have guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna you very much for coming.
you had a good time.
bruce on trombone,
napoleon murphy brock on sax and
lead vocals, ruth on percussion
Ph humphrey on drums, chester on drums,
tom on bass and george duke on the keyboards.
you very much.
alright, alright...