Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
Walt (trumpet)
Napoleon murphy brock (tenor saxophone, flute, vocals)
Ralph (drums)
thompson (drums)
(background vocals)
(background vocals)
Robert (background vocals)

of you may know that the tango,
which is not a very dance anymore,
was at one reputed to be a dance of unbridled passion.
back in the old when it wasn't so easy to get you
Ks off, when it was hard to make contact a member of the
opposite and you had to resort to
things like dancing close and going hey...

Those the days.
well days are probably gone forever, I don't know,
unless nixon is going to bring them back a bit later.
but we have very special highly evolved permutated
O.
it's a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a special event that includes
a little bit later, so watch out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too now 'cause I wanna get
the right notes on the tape 'n' this,
O be the one.
this has to be the one all the right notes on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a symbol of passion, ladies and gentlemen.

Now, as you have noticed,
bruce fowler has just some sort of trombone
solo, based on the-ah, idea of an tango-event.
has also prepared for you a demonstration of a
That he hopes will the ocean right after the mud shark did.
is now warming up the important
of the body, in preparation...
in preparation for the real live be-bop tango
E demonstrate.
napoleon assist him.
just put your horn down,
just relax, put your head back, here the drill.
okay, heh heh heh, you know I'm talkin' about?
okay.

is sort of like jazz in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
yeah man, jazz man, you know what I
this is be-bop, even you think it doe
like that.
be-bop!
now, as you might noticed,
some of you a musical education can tell that the notes that
just sang when he went: "this is be-bop, even though you th
T doesn't sound that",
is actually a of a twisted form of the theme of the tango
which will get even more depraved as the number goes on.
george will now to dismemb
At melody, play it and sing it at the same while...
tu-dup.
hey, the way!
while we of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of fact you did, you...
no, we
E some who've never tried it bef
Ore, who've never even thought of it before.
a boy, a girl, preferably who each other,
who would like to up here and
attempt to dance to what sings.
do we have wh
one.

Okay, what's name?

Carl.

Your is carl?
please carl on to the stage.
pleased to you carl.
alright.

let's see-ah, is there in the, in the back?
where...
oh-oh, hey!
your name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, here's how it
there's a beat going on like that's a pedestrian beat.
you dance to that beat, you dance to what george sings, okay?
the

the little ones, okay?

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
wonderful but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go back to seats and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now that's like it.
du-dup-dee-dup...
lana, you're so good we to
bring up other people to assist you.
brenda, imported from edward's air base, where she...
Es and gentlemen, brenda...
is a professional harlot and she just got finished stripping
for a bunch of guys at edward's air base,
and she it down here in time for the show.
tw
Rs of taking it off for the in the car, really good.
okay.
heh.
brenda, has a lovely assistant
named carl, or robert davis if you prefer.
cohen, ladies and gentlemen!

Ce!

Du-du-dip...
you're too adagio, I keep telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're probably sitting in
chairs, to yourselves: I could do that.
and of you can!
and now is big chance!
all you h
O do, the first is easy, all you gotta do is stand up.
go ahead, just up.
you go, you are standing up.
yes, some of you are not up
but you have as much fun as the
Who are up.
okay, turn on the big so everybody can see what's going on.
yes, many of you are standing up.
okay, link your mind with the mind of duke!
and when...

Du-dup...
it!
when he plays those funny fast notes,
twitch and have a good time
the be-bop tango, let's try it!
anything you do is alright.
you do anything
do, it's alright.
yes you got to you came to the right
place, tonight. (give me of that wine now).
as you have guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna thank you very for coming.
you had a good time.
bruce on trombone,
napoleon brock on tenor sax and
lead vocals, ruth underwood on
Ph humphrey on drums, thompson on drums,
tom fowler on and george duke on the keyboards.
thank you much.
alright, alright...