Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
simmons (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
murphy brock (tenor saxophone, flute, lead vocals)
Ralph (drums)
thompson (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
is not a very popular dance anymore,
was at one time to be a dance of unbridled passion.
back in the old days when it so easy to get you
Ks off, when it was to make contact with a member of the
opposite camp and you had to to
like dancing close together and going hey...

Those the days.
well those days are gone forever, I don't know,
unless nixon is going to bring them a little bit later.
but we have this very highly evolved permutated
O.
it's a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a special event that includes
a little bit later, so watch out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too now 'cause I wanna get
the notes on the tape 'n' this, this
O be the one.
has to be the one with all the right notes on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a symbol of passion, ladies and gentlemen.

Now, as you might noticed,
bruce fowler has just some sort of trombone
solo, based on the-ah, of an evolved tango-event.
bruce has also for you a demonstration of a
That he will sweep the ocean right after the mud shark did.
is now warming up the important
of the body, in preparation...
in preparation for the real live tango which
E demonstrate.
napoleon will him.
napoleon just put your down,
just relax, put your back, here comes the drill.
okay, heh heh heh, you know I'm talkin' about?
okay.

This is of like jazz in it's own peculiar way.
jazz is not dead, it just funny!
okay, go!
yeah man, man, you know what I mean?
this is be-bop, even though you it doe
Sound that.
be-bop!
now, as you have noticed,
some of you with a musical education can that the notes that
george just sang he went: "this is be-bop, even though you th
T sound like that",
is actually a of a twisted form of the theme of the tango
which will get even more depraved as the number goes on.
george will now to dismemb
At melody, play it and sing it at the time while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of you did, didn't you...
no, we
E some people who've never it bef
Ore, who've never even thought of it before.
a boy, a girl, preferably who each other,
who would to come up here and
attempt to to what george sings.
do we anybody wh
one.

Okay, what's name?

Carl.

Your name is
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is anybody in the, in the back?
where...
oh-oh, hey!
what's your

Rick.

Rick,

Jane.

and jane and carl!
alright, here's how it
a beat going on like this; that's a pedestrian beat.
you don't dance to that beat, you dance to george sings, okay?
the

the little ones, okay?

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's study phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're wonderful but just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll you what:
go back to seats and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, so good we have to
bring up some other people to you.
brenda, imported edward's air force base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she just got finished
for a bunch of guys at air force base,
and she made it down in time for the show.
tw
Rs of taking it off for the in the car, really good.
okay.
heh.
brenda, brenda has a assistant
named carl, or james davis if you prefer.
cohen, ladies and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're probably in your
chairs, to yourselves: I could do that.
and of you can!
and now is big chance!
all you h
O do, the step is easy, all you gotta do is stand up.
go ahead, stand up.
there you go, you are up.
yes, some of you are not up
but you have as much fun as the
Who are up.
okay, turn on the big lights so everybody can see going on.
yes, very many of you are up.
okay, link your mind with the mind of duke!
and when...

Du-dup...
it!
when he plays funny fast little notes,
around and have a good time
with the be-bop tango, try it!
anything you do is alright.
you do anything
Anna do, alright.
yes you got to know you came to the
place, tonight. (give me of that wine now).
as you might guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna thank you much for coming.
you had a good time.
bruce on trombone,
napoleon murphy on tenor sax and
lead vocals, underwood on percussion
Ph on drums, chester thompson on drums,
tom on bass and george duke on the keyboards.
you very much.
alright, alright...