Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
simmons (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
Walt (trumpet)
Napoleon brock (tenor saxophone, flute, lead vocals)
Ralph (drums)
thompson (drums)
(background vocals)
(background vocals)
Robert (background vocals)

of you may know that the tango,
which is not a popular dance anymore,
was at one time reputed to be a of unbridled passion.
back in the old when it wasn't so easy to get you
Ks off, when it was hard to make contact with a of the
opposite camp and you had to to
things like dancing close together and hey...

Those the days.
well those are probably gone forever, I don't know,
unless nixon is to bring them back a little bit later.
but we have this very special highly evolved
O.
it's a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a special entertainment that includes
choreography a bit later, so watch out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the right notes on the tape 'n' this,
O be the one.
this has to be the one all the right notes on it.
okay, 're you
this is a one to play.
one two four...

The as a symbol of unbridled passion, ladies and gentlemen.

Now, as you might noticed,
bruce fowler has just some sort of trombone
solo, based on the-ah, idea of an tango-event.
bruce has also prepared for you a of a
he hopes will sweep the ocean right after the mud shark did.
bruce is now up the important
of the body, in preparation...
in for the real live be-bop tango which
E demonstrate.
napoleon will him.
napoleon just put horn down,
just relax, put your back, here comes the drill.
okay, heh heh heh, you what I'm talkin' about?
okay.

This is of like jazz in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
yeah man, man, you know what I mean?
is be-bop, even though you think it doe
Sound that.
be-bop!
now, as you have noticed,
some of you a musical education can tell that the notes that
george just sang he went: "this is be-bop, even though you th
T doesn't sound that",
is actually a sort of a twisted of the theme of the tango
itself which get even more depraved as the number goes on.
george will now to dismemb
At melody, it and sing it at the same time while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of you did, didn't you...
no, we
E some people never tried it bef
Ore, never even thought of trying it before.
a boy, a girl, preferably who each other,
who like to come up here and
attempt to to what george sings.
do we anybody wh
one.

Okay, what's name?

Carl.

Your is carl?
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is there in the, in the back?
where...
oh-oh, hey!
your name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, how it works:
there's a beat on like this; that's a pedestrian beat.
you don't dance to that beat, you to what george sings, okay?
the

the quick ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
study this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
wonderful but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll you what:
go back to your and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now that's like it.
du-dup-dee-dup...
lana, so good we have to
up some other people to assist you.
brenda, imported from edward's air force base, she...
Es and gentlemen, brenda...
brenda is a professional harlot and she just got finished
for a bunch of guys at edward's air base,
and she made it here in time for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, brenda has a lovely
named carl, or james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're too adagio, I keep telling you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're probably in your
chairs, to yourselves: I could do that.
and of you can!
and now is big chance!
all you h
O do, the step is easy, all you gotta do is stand up.
go ahead, just up.
you go, you are standing up.
yes, some of you are not up
but you have as much fun as the
Who are up.
okay, turn on the big so everybody can see what's going on.
yes, very of you are standing up.
okay, link your mind with the of george duke!
and when...

Du-dup...
it!
when he those funny fast little notes,
twitch around and a good time
with the be-bop tango, try it!
anything you do is alright.
you gotta do
Anna do, alright.
yes you got to you came to the right
place, tonight. (give me of that wine now).
as you have guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
thank you very much for coming.
hope you had a time.
bruce on trombone,
napoleon murphy brock on sax and
vocals, ruth underwood on percussion
Ph humphrey on drums, thompson on drums,
tom fowler on and george duke on the keyboards.
thank you much.
alright, alright...