Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
Napoleon murphy brock (tenor saxophone, flute, vocals)
Ralph (drums)
thompson (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may know the tango,
which is not a very popular anymore,
was at one time reputed to be a of unbridled passion.
back in the old days it wasn't so easy to get you
Ks off, when it was hard to contact with a member of the
opposite and you had to resort to
things dancing close together and going hey...

Those the days.
well those days are probably gone forever, I know,
unless is going to bring them back a little bit later.
but we have very special highly evolved permutated
O.
actually a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a entertainment event that includes
a little bit later, so watch out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the notes on the tape 'n' this, this
O be the one.
this has to be the one with all the notes on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a of unbridled passion, ladies and gentlemen.

Now, as you have noticed,
fowler has just completed some sort of trombone
solo, based on the-ah, idea of an tango-event.
bruce has also for you a demonstration of a
That he hopes will sweep the ocean right the mud shark did.
is now warming up the important
of the body, in preparation...
in for the real live be-bop tango which
E demonstrate.
napoleon will him.
napoleon just put your down,
relax, put your head back, here comes the drill.
okay, heh heh heh, you know what I'm talkin'
okay.

This is sort of like jazz in it's own way.
jazz is not dead, it smells funny!
okay, go!
yeah man, jazz man, you know I mean?
this is be-bop, even you think it doe
like that.
be-bop!
now, as you might noticed,
some of you with a musical education can tell the notes that
george just sang he went: "this is be-bop, even though you th
T doesn't sound that",
is actually a sort of a twisted form of the of the tango
itself which will get even more as the number goes on.
will now attempt to dismemb
At melody, it and sing it at the same time while...
tu-dup.
hey, the way!
while we sort of to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers from the to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of you did, didn't you...
no, we
E some who've never tried it bef
Ore, who've never even thought of it before.
a boy, a girl, preferably who each other,
who would like to up here and
attempt to dance to what sings.
do we have wh
one.

Okay, what's your

Carl.

Your is carl?
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is anybody in the, in the back?
where...
oh-oh, hey!
your name?

Rick.

Rick,

Jane.

and jane and carl!
alright, how it works:
there's a going on like this; that's a pedestrian beat.
you don't dance to that beat, you to what george sings, okay?
the

the little ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
wonderful but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go to your seats and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, name is lana, right?
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, so good we have to
bring up some other people to you.
brenda, imported from edward's air force base, she...
Es and gentlemen, brenda...
brenda is a professional harlot and she just got finished
for a of guys at edward's air force base,
and she made it down here in for the show.
tw
Rs of it off for the boys in the car, really good.
okay.
heh.
brenda, brenda has a lovely
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're too adagio, I keep telling you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably in your
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the step is easy, all you gotta do is stand up.
go ahead, stand up.
you go, you are standing up.
yes, some of you are not up
but you have as much fun as the
Who are up.
okay, turn on the big lights so everybody can see what's on.
yes, very many of you are up.
okay, link your mind with the of george duke!
and when...

Du-dup...
it!
when he plays those funny fast notes,
twitch around and have a time
the be-bop tango, let's try it!
anything you do is alright.
you gotta do
do, it's alright.
yes you got to know you to the right
place, tonight. (give me some of wine now).
as you have guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna thank you much for coming.
hope you had a time.
fowler on trombone,
napoleon murphy on tenor sax and
vocals, ruth underwood on percussion
Ph humphrey on drums, chester on drums,
tom fowler on bass and duke on the keyboards.
you very much.
alright, alright...