Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
fowler (trumpet)
Napoleon murphy (tenor saxophone, flute, lead vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

of you may know that the tango,
which is not a very popular anymore,
was at one time reputed to be a of unbridled passion.
back in the old when it wasn't so easy to get you
Ks off, it was hard to make contact with a member of the
opposite and you had to resort to
things like dancing together and going hey...

were the days.
well those days are probably gone forever, I know,
nixon is going to bring them back a little bit later.
but we have this very special highly permutated
O.
it's actually a tango.
by the time...
yes, so perverted!
this is the tango,
a entertainment event that includes
a little bit later, so watch out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the right notes on the 'n' this, this
O be the one.
has to be the one with all the right notes on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a symbol of passion, ladies and gentlemen.

Now, as you have noticed,
bruce fowler has just some sort of trombone
solo, based on the-ah, idea of an tango-event.
bruce has prepared for you a demonstration of a
That he hopes will sweep the right after the mud shark did.
is now warming up the important
of the body, in preparation...
in for the real live be-bop tango which
E demonstrate.
will assist him.
napoleon put your horn down,
just relax, put your head back, comes the drill.
okay, heh heh heh, you know I'm talkin' about?
okay.

This is of like jazz in it's own peculiar way.
jazz is not dead, it just funny!
okay, go!
yeah man, jazz man, you know what I
this is be-bop, though you think it doe
Sound that.
be-bop!
now, as you might noticed,
some of you with a education can tell that the notes that
george just sang when he went: "this is be-bop, though you th
T doesn't sound that",
is actually a sort of a twisted form of the of the tango
itself which get even more depraved as the number goes on.
george will now to dismemb
At melody, it and sing it at the same time while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of fact you did, you...
no, we
E some who've never tried it bef
Ore, who've never thought of trying it before.
a boy, a girl, preferably who each other,
who would like to come up and
to dance to what george sings.
do we have wh
one.

Okay, what's your

Carl.

name is carl?
please carl on to the stage.
pleased to you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
your name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, here's how it
there's a beat going on like that's a pedestrian beat.
you dance to that beat, you dance to what george sings, okay?
the

the little quick ones,

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's study phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go back to your and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now that's more it.
du-dup-dee-dup...
lana, so good we have to
bring up some other people to you.
brenda, imported from air force base, where she...
Es and gentlemen, brenda...
is a professional harlot and she just got finished stripping
for a bunch of guys at edward's air base,
and she made it here in time for the show.
tw
Rs of it off for the boys in the car, really good.
okay.
heh.
brenda, brenda has a assistant
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably sitting in
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the first is easy, all you gotta do is stand up.
go ahead, stand up.
you go, you are standing up.
yes, of you are not standing up
but you won't as much fun as the
Who are up.
okay, turn on the big so everybody can see what's going on.
yes, very many of you are up.
okay, link your mind the mind of george duke!
and when...

Du-dup...
it!
when he plays those fast little notes,
twitch and have a good time
the be-bop tango, let's try it!
anything you do is alright.
you gotta do
do, it's alright.
yes you got to know you to the right
place, tonight. (give me some of wine now).
as you have guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna you very much for coming.
hope you had a time.
bruce on trombone,
napoleon brock on tenor sax and
lead vocals, ruth underwood on
Ph humphrey on drums, chester on drums,
tom fowler on and george duke on the keyboards.
thank you much.
alright, alright...