Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
simmons (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
fowler (trumpet)
Napoleon brock (tenor saxophone, flute, lead vocals)
Ralph (drums)
thompson (drums)
(background vocals)
(background vocals)
Robert (background vocals)

of you may know that the tango,
which is not a popular dance anymore,
was at one time reputed to be a dance of passion.
back in the old days when it wasn't so to get you
Ks off, when it was hard to contact with a member of the
opposite and you had to resort to
like dancing close together and going hey...

Those the days.
well those are probably gone forever, I don't know,
unless nixon is going to bring them back a bit later.
but we have this very special highly evolved
O.
actually a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a special entertainment event includes
choreography a bit later, so watch out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the right notes on the tape 'n' this,
O be the one.
has to be the one with all the right notes on it.
okay, 're you
this is a one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you might noticed,
bruce fowler has just completed sort of trombone
solo, based on the-ah, of an evolved tango-event.
bruce has also for you a demonstration of a
That he hopes sweep the ocean right after the mud shark did.
bruce is now up the important
of the body, in preparation...
in preparation for the real live be-bop tango
E demonstrate.
napoleon assist him.
napoleon put your horn down,
just relax, put your head back, here the drill.
okay, heh heh heh, you know I'm talkin' about?
okay.

This is sort of like jazz in it's own way.
is not dead, it just smells funny!
okay, go!
yeah man, jazz man, you what I mean?
this is be-bop, even you think it doe
Sound that.
be-bop!
now, as you have noticed,
some of you with a musical can tell that the notes that
george just sang when he "this is be-bop, even though you th
T doesn't like that",
is actually a sort of a twisted form of the of the tango
which will get even more depraved as the number goes on.
george now attempt to dismemb
At melody, it and sing it at the same time while...
tu-dup.
hey, the way!
while we sort of to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this is get some volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of fact you did, you...
no, we
E some who've never tried it bef
Ore, who've never thought of trying it before.
a boy, a girl, preferably who each other,
who would like to come up and
attempt to dance to george sings.
do we have wh
one.

Okay, what's name?

Carl.

Your is carl?
please step on to the stage.
to meet you carl.
alright.

let's see-ah, is there in the, in the back?
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

and jane and carl!
alright, how it works:
there's a beat going on like this; a pedestrian beat.
you don't dance to that beat, you dance to george sings, okay?
the

the little ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
wonderful but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll you what:
go back to seats and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, name is lana, right?
dance!

Du-dup-dee-dup...
now that's like it.
du-dup-dee-dup...
lana, so good we have to
bring up some other people to you.
brenda, imported from edward's air base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she got finished stripping
for a bunch of guys at air force base,
and she made it down here in for the show.
tw
Rs of taking it off for the in the car, really good.
okay.
heh.
brenda, brenda has a assistant
named carl, or james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're too adagio, I keep telling you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're probably in your
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the first is easy, all you gotta do is stand up.
go ahead, just up.
there you go, you are up.
yes, of you are not standing up
but you have as much fun as the
Who are up.
okay, turn on the big lights so everybody can see going on.
yes, many of you are standing up.
okay, link your mind with the of george duke!
and when...

Du-dup...
it!
when he plays funny fast little notes,
twitch around and have a time
with the be-bop tango, try it!
anything you do is alright.
you gotta do
Anna do, alright.
yes you got to you came to the right
place, tonight. (give me some of wine now).
as you might guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
thank you very much for coming.
hope you had a time.
bruce on trombone,
murphy brock on tenor sax and
lead vocals, ruth on percussion
Ph humphrey on drums, thompson on drums,
tom fowler on bass and george on the keyboards.
thank you much.
alright, alright...