Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
simmons (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
Napoleon brock (tenor saxophone, flute, lead vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

of you may know that the tango,
which is not a popular dance anymore,
was at one time to be a dance of unbridled passion.
back in the old days it wasn't so easy to get you
Ks off, when it was to make contact with a member of the
opposite camp and you had to to
things like dancing together and going hey...

were the days.
well those days are probably gone forever, I know,
unless nixon is going to bring them back a bit later.
but we have this very highly evolved permutated
O.
actually a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a entertainment event that includes
choreography a little bit later, so out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the right notes on the tape 'n' this,
O be the one.
this has to be the one with all the notes on it.
okay, 're you
is a hard one to play.
one two four...

The as a symbol of unbridled passion, ladies and gentlemen.

Now, as you have noticed,
bruce fowler has just completed sort of trombone
solo, based on the-ah, of an evolved tango-event.
bruce has also prepared for you a of a
he hopes will sweep the ocean right after the mud shark did.
bruce is now warming up the
of the body, in preparation...
in for the real live be-bop tango which
E demonstrate.
napoleon will him.
just put your horn down,
just relax, put your back, here comes the drill.
okay, heh heh heh, you know what I'm about?
okay.

is sort of like jazz in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
yeah man, jazz man, you know I mean?
this is be-bop, though you think it doe
Sound that.
be-bop!
now, as you might noticed,
some of you with a musical can tell that the notes that
george just sang he went: "this is be-bop, even though you th
T doesn't like that",
is actually a sort of a twisted form of the theme of the
itself which will get even more depraved as the number on.
george will now attempt to
At melody, play it and sing it at the same while...
tu-dup.
hey, the way!
while we of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers from the to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of fact you did, you...
no, we
E some people who've never it bef
Ore, never even thought of trying it before.
a boy, a girl, preferably who each other,
who would to come up here and
attempt to to what george sings.
do we anybody wh
one.

Okay, your name?

Carl.

name is carl?
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is anybody in the, in the back?
where...
oh-oh, hey!
your name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, how it works:
there's a going on like this; that's a pedestrian beat.
you don't dance to beat, you dance to what george sings, okay?
the

the quick ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's study phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're wonderful but you're too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go back to your seats and bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now that's more it.
du-dup-dee-dup...
lana, so good we have to
bring up some other to assist you.
brenda, imported from edward's air force base, she...
Es and gentlemen, brenda...
brenda is a harlot and she just got finished stripping
for a of guys at edward's air force base,
and she made it down in time for the show.
tw
Rs of taking it off for the in the car, really good.
okay.
heh.
brenda, brenda has a lovely
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're probably in your
chairs, saying to yourselves: I do that.
and of you can!
and now is big chance!
all you h
O do, the first step is easy, all you gotta do is up.
go ahead, stand up.
you go, you are standing up.
yes, of you are not standing up
but you won't have as fun as the
Who are up.
okay, on the big lights so everybody can see what's going on.
yes, very of you are standing up.
okay, link your mind with the of george duke!
and when...

Du-dup...
it!
when he those funny fast little notes,
twitch around and a good time
with the be-bop tango, try it!
you wanna do is alright.
you gotta do
do, it's alright.
yes you got to know you came to the
place, tonight. (give me of that wine now).
as you have guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna thank you very for coming.
you had a good time.
bruce on trombone,
napoleon murphy brock on sax and
lead vocals, underwood on percussion
Ph humphrey on drums, chester on drums,
tom fowler on and george duke on the keyboards.
thank you much.
alright, alright...