Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
Walt (trumpet)
Napoleon brock (tenor saxophone, flute, lead vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
which is not a very dance anymore,
was at one reputed to be a dance of unbridled passion.
back in the old days when it wasn't so to get you
Ks off, when it was hard to make with a member of the
camp and you had to resort to
things like close together and going hey...

were the days.
well those days are probably gone forever, I know,
unless nixon is going to bring back a little bit later.
but we have this very special evolved permutated
O.
actually a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a special entertainment that includes
choreography a bit later, so watch out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now I wanna get
the right on the tape 'n' this, this
O be the one.
this has to be the one all the right notes on it.
okay, 're you
this is a one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you might noticed,
bruce fowler has just completed some sort of
solo, based on the-ah, of an evolved tango-event.
bruce has prepared for you a demonstration of a
That he hopes will sweep the ocean right after the mud did.
bruce is now up the important
of the body, in preparation...
in preparation for the real live tango which
E demonstrate.
napoleon will him.
just put your horn down,
just relax, put your back, here comes the drill.
okay, heh heh heh, you what I'm talkin' about?
okay.

This is of like jazz in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
yeah man, jazz man, you what I mean?
this is be-bop, even though you it doe
Sound that.
be-bop!
now, as you might noticed,
of you with a musical education can tell that the notes that
george sang when he went: "this is be-bop, even though you th
T doesn't like that",
is actually a sort of a twisted of the theme of the tango
itself which will get even depraved as the number goes on.
will now attempt to dismemb
At melody, it and sing it at the same time while...
tu-dup.
hey, the way!
while we sort of to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of you did, didn't you...
no, we
E some people who've tried it bef
Ore, who've never even thought of it before.
a boy, a girl, who like each other,
who like to come up here and
attempt to dance to george sings.
do we anybody wh
one.

Okay, what's your

Carl.

Your is carl?
carl step on to the stage.
pleased to you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
what's your

Rick.

Rick,

Jane.

Rick and and carl!
alright, how it works:
there's a going on like this; that's a pedestrian beat.
you don't dance to that beat, you dance to what sings, okay?
the

the quick ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
study this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're wonderful but you're too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go back to seats and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now that's like it.
du-dup-dee-dup...
lana, so good we have to
bring up some people to assist you.
brenda, from edward's air force base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she just got finished
for a bunch of guys at air force base,
and she it down here in time for the show.
tw
Rs of taking it off for the in the car, really good.
okay.
heh.
brenda, brenda has a assistant
named carl, or james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably in your
chairs, to yourselves: I could do that.
and of you can!
and now is big chance!
all you h
O do, the first step is easy, all you do is stand up.
go ahead, just up.
you go, you are standing up.
yes, some of you are not up
but you have as much fun as the
Who are up.
okay, turn on the big lights so everybody can see going on.
yes, very of you are standing up.
okay, link your with the mind of george duke!
and when...

Du-dup...
it!
when he plays those funny fast notes,
twitch around and have a time
the be-bop tango, let's try it!
anything you do is alright.
you do anything
Anna do, alright.
yes you got to know you came to the
place, tonight. (give me some of wine now).
as you might guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna thank you very for coming.
you had a good time.
bruce on trombone,
murphy brock on tenor sax and
lead vocals, ruth underwood on
Ph humphrey on drums, thompson on drums,
tom fowler on bass and duke on the keyboards.
you very much.
alright, alright...