Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
Napoleon murphy brock (tenor saxophone, flute, vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may know the tango,
which is not a very popular anymore,
was at one reputed to be a dance of unbridled passion.
back in the old days when it so easy to get you
Ks off, when it was hard to contact with a member of the
camp and you had to resort to
things dancing close together and going hey...

Those the days.
those days are probably gone forever, I don't know,
unless nixon is going to bring them back a bit later.
but we have this very special highly evolved
O.
actually a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a special event that includes
a little bit later, so watch out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too now 'cause I wanna get
the right on the tape 'n' this, this
O be the one.
this has to be the one with all the right on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a symbol of passion, ladies and gentlemen.

Now, as you have noticed,
bruce fowler has just completed some of trombone
solo, on the-ah, idea of an evolved tango-event.
bruce has also prepared for you a of a
That he will sweep the ocean right after the mud shark did.
is now warming up the important
of the body, in preparation...
in preparation for the live be-bop tango which
E demonstrate.
napoleon will him.
napoleon put your horn down,
just relax, put your head back, comes the drill.
okay, heh heh heh, you know what I'm talkin'
okay.

This is sort of like jazz in it's own way.
is not dead, it just smells funny!
okay, go!
yeah man, jazz man, you know I mean?
this is be-bop, even you think it doe
Sound that.
be-bop!
now, as you might noticed,
some of you with a musical education can that the notes that
george just sang he went: "this is be-bop, even though you th
T doesn't like that",
is actually a sort of a twisted form of the theme of the
itself which get even more depraved as the number goes on.
george will now to dismemb
At melody, play it and sing it at the same while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of fact you did, you...
no, we
E some people never tried it bef
Ore, who've never thought of trying it before.
a boy, a girl, preferably who each other,
who would like to up here and
attempt to to what george sings.
do we anybody wh
one.

Okay, what's your

Carl.

Your name is
please step on to the stage.
to meet you carl.
alright.

let's see-ah, is there in the, in the back?
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

and jane and carl!
alright, how it works:
there's a going on like this; that's a pedestrian beat.
you don't to that beat, you dance to what george sings, okay?
the

the little quick ones,

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go back to your seats and we'll up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, name is lana, right?
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, you're so good we to
up some other people to assist you.
brenda, from edward's air force base, where she...
Es and gentlemen, brenda...
brenda is a professional and she just got finished stripping
for a bunch of at edward's air force base,
and she it down here in time for the show.
tw
Rs of it off for the boys in the car, really good.
okay.
heh.
brenda, brenda has a assistant
named carl, or james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably sitting in
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the step is easy, all you gotta do is stand up.
go ahead, just up.
there you go, you are up.
yes, of you are not standing up
but you won't have as fun as the
Who are up.
okay, turn on the big lights so everybody can see going on.
yes, very many of you are up.
okay, link your mind with the mind of duke!
and when...

Du-dup...
it!
when he plays those funny little notes,
twitch around and have a time
the be-bop tango, let's try it!
anything you do is alright.
you gotta do
do, it's alright.
yes you got to you came to the right
place, tonight. (give me some of that now).
as you might guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna thank you very for coming.
hope you had a time.
bruce on trombone,
murphy brock on tenor sax and
lead vocals, ruth on percussion
Ph humphrey on drums, thompson on drums,
tom fowler on bass and george on the keyboards.
thank you much.
alright, alright...