Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
Walt (trumpet)
Napoleon murphy brock (tenor saxophone, flute, vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

of you may know that the tango,
which is not a very popular anymore,
was at one time reputed to be a of unbridled passion.
back in the old days it wasn't so easy to get you
Ks off, when it was hard to make contact a member of the
opposite and you had to resort to
things like dancing together and going hey...

Those the days.
well days are probably gone forever, I don't know,
unless is going to bring them back a little bit later.
but we have this very special highly permutated
O.
it's a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a special entertainment that includes
choreography a bit later, so watch out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too now 'cause I wanna get
the right on the tape 'n' this, this
O be the one.
has to be the one with all the right notes on it.
okay, 're you
this is a one to play.
one two four...

The as a symbol of unbridled passion, ladies and gentlemen.

Now, as you might noticed,
bruce fowler has just completed sort of trombone
solo, based on the-ah, idea of an tango-event.
has also prepared for you a demonstration of a
That he hopes will sweep the ocean right the mud shark did.
bruce is now up the important
of the body, in preparation...
in preparation for the real be-bop tango which
E demonstrate.
napoleon assist him.
napoleon put your horn down,
just relax, put your head back, here the drill.
okay, heh heh heh, you know I'm talkin' about?
okay.

This is sort of like in it's own peculiar way.
is not dead, it just smells funny!
okay, go!
yeah man, man, you know what I mean?
this is be-bop, even you think it doe
like that.
be-bop!
now, as you might noticed,
some of you with a musical education can tell that the that
george just sang when he went: "this is be-bop, even you th
T sound like that",
is actually a sort of a twisted form of the theme of the
itself which will get even depraved as the number goes on.
george will now attempt to
At melody, play it and sing it at the time while...
tu-dup.
hey, the way!
while we sort of to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this is get some volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some people who've never it bef
Ore, never even thought of trying it before.
a boy, a girl, who like each other,
who would like to come up and
attempt to to what george sings.
do we anybody wh
one.

Okay, what's your

Carl.

name is carl?
please carl on to the stage.
pleased to you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

and jane and carl!
alright, how it works:
there's a beat going on like that's a pedestrian beat.
you don't dance to that beat, you dance to george sings, okay?
the

the little ones, okay?

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
wonderful but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go back to your and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, name is lana, right?
dance!

Du-dup-dee-dup...
now that's more it.
du-dup-dee-dup...
lana, you're so we have to
up some other people to assist you.
brenda, imported edward's air force base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she got finished stripping
for a bunch of guys at edward's air base,
and she made it down here in for the show.
tw
Rs of it off for the boys in the car, really good.
okay.
heh.
brenda, brenda has a assistant
named carl, or james davis if you prefer.
cohen, ladies and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're probably in your
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the first step is easy, all you do is stand up.
go ahead, just up.
you go, you are standing up.
yes, of you are not standing up
but you won't have as fun as the
Who are up.
okay, on the big lights so everybody can see what's going on.
yes, very of you are standing up.
okay, your mind with the mind of george duke!
and when...

Du-dup...
it!
when he plays those fast little notes,
twitch and have a good time
with the tango, let's try it!
you wanna do is alright.
you do anything
Anna do, alright.
yes you got to know you to the right
place, tonight. (give me some of wine now).
as you have guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
thank you very much for coming.
hope you had a time.
fowler on trombone,
napoleon murphy on tenor sax and
lead vocals, ruth on percussion
Ph on drums, chester thompson on drums,
tom fowler on bass and duke on the keyboards.
you very much.
alright, alright...