Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
fowler (trumpet)
Napoleon murphy (tenor saxophone, flute, lead vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

of you may know that the tango,
which is not a very dance anymore,
was at one time to be a dance of unbridled passion.
back in the old days it wasn't so easy to get you
Ks off, when it was to make contact with a member of the
opposite camp and you had to to
things like close together and going hey...

were the days.
well those are probably gone forever, I don't know,
unless nixon is going to bring back a little bit later.
but we have this special highly evolved permutated
O.
actually a perverted tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special entertainment event that
choreography a bit later, so watch out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too now 'cause I wanna get
the right notes on the 'n' this, this
O be the one.
this has to be the one with all the right on it.
okay, 're you
this is a one to play.
one two four...

The cowbell as a symbol of passion, ladies and gentlemen.

Now, as you have noticed,
bruce fowler has just some sort of trombone
solo, based on the-ah, of an evolved tango-event.
bruce has also for you a demonstration of a
That he hopes will sweep the ocean right after the mud did.
bruce is now up the important
of the body, in preparation...
in preparation for the live be-bop tango which
E demonstrate.
napoleon assist him.
napoleon just put horn down,
just relax, put your head back, here the drill.
okay, heh heh heh, you know what I'm about?
okay.

This is sort of like jazz in own peculiar way.
jazz is not dead, it just funny!
okay, go!
yeah man, jazz man, you know what I
this is be-bop, even though you it doe
Sound that.
be-bop!
now, as you might noticed,
some of you with a musical education can that the notes that
george just when he went: "this is be-bop, even though you th
T doesn't like that",
is actually a sort of a twisted of the theme of the tango
itself which will get even more depraved as the goes on.
will now attempt to dismemb
At melody, it and sing it at the same time while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of fact you did, you...
no, we
E some people who've never it bef
Ore, who've never even of trying it before.
a boy, a girl, who like each other,
who would to come up here and
attempt to dance to what sings.
do we have wh
one.

Okay, what's name?

Carl.

Your is carl?
please carl on to the stage.
pleased to you carl.
alright.

let's see-ah, is anybody in the, in the back?
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

and jane and carl!
alright, here's how it
there's a beat on like this; that's a pedestrian beat.
you don't dance to that beat, you dance to george sings, okay?
the

the little ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
wonderful but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go back to your seats and we'll up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, name is lana, right?
dance!

Du-dup-dee-dup...
now that's more it.
du-dup-dee-dup...
lana, so good we have to
bring up some people to assist you.
brenda, imported from edward's air force base, she...
Es and gentlemen, brenda...
brenda is a professional and she just got finished stripping
for a bunch of guys at edward's air base,
and she made it down here in for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, brenda has a lovely
named carl, or robert james if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're too adagio, I keep telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're probably sitting in
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the first is easy, all you gotta do is stand up.
go ahead, just up.
there you go, you are up.
yes, of you are not standing up
but you won't have as fun as the
Who are up.
okay, turn on the big lights so everybody can see what's on.
yes, many of you are standing up.
okay, link your mind with the mind of duke!
and when...

Du-dup...
it!
when he plays those fast little notes,
twitch and have a good time
with the be-bop tango, try it!
you wanna do is alright.
you do anything
do, it's alright.
yes you got to you came to the right
place, tonight. (give me some of wine now).
as you might guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
thank you very much for coming.
hope you had a time.
fowler on trombone,
napoleon murphy on tenor sax and
lead vocals, underwood on percussion
Ph humphrey on drums, chester on drums,
tom fowler on bass and george on the keyboards.
thank you much.
alright, alright...