Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
simmons (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
Walt (trumpet)
murphy brock (tenor saxophone, flute, lead vocals)
Ralph (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
which is not a very dance anymore,
was at one time reputed to be a of unbridled passion.
back in the old days it wasn't so easy to get you
Ks off, when it was hard to make with a member of the
opposite and you had to resort to
things dancing close together and going hey...

were the days.
well days are probably gone forever, I don't know,
unless nixon is going to bring them a little bit later.
but we have this very special highly evolved
O.
actually a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a entertainment event that includes
choreography a little bit later, so out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the right notes on the tape 'n' this,
O be the one.
has to be the one with all the right notes on it.
okay, 're you
this is a one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you have noticed,
bruce fowler has just completed sort of trombone
solo, based on the-ah, of an evolved tango-event.
has also prepared for you a demonstration of a
That he hopes will sweep the right after the mud shark did.
is now warming up the important
of the body, in preparation...
in preparation for the real be-bop tango which
E demonstrate.
napoleon assist him.
just put your horn down,
just relax, put your back, here comes the drill.
okay, heh heh heh, you know I'm talkin' about?
okay.

This is sort of like in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
yeah man, jazz man, you what I mean?
is be-bop, even though you think it doe
Sound that.
be-bop!
now, as you might noticed,
some of you with a education can tell that the notes that
george just sang when he "this is be-bop, even though you th
T doesn't like that",
is actually a sort of a twisted form of the theme of the
which will get even more depraved as the number goes on.
george will now to dismemb
At melody, it and sing it at the same time while...
tu-dup.
hey, the way!
while we of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers from the to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some who've never tried it bef
Ore, who've never even of trying it before.
a boy, a girl, preferably who like other,
who would to come up here and
to dance to what george sings.
do we anybody wh
one.

Okay, what's your

Carl.

Your name is
carl step on to the stage.
pleased to you carl.
alright.

let's see-ah, is anybody in the, in the back?
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

and jane and carl!
alright, how it works:
there's a beat going on like this; a pedestrian beat.
you don't dance to that beat, you dance to george sings, okay?
the

the little ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go back to your seats and bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, name is lana, right?
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, so good we have to
up some other people to assist you.
brenda, from edward's air force base, where she...
Es and gentlemen, brenda...
brenda is a harlot and she just got finished stripping
for a bunch of guys at air force base,
and she made it here in time for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, brenda has a lovely
named carl, or robert james if you prefer.
cohen, ladies and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably sitting in
chairs, saying to yourselves: I do that.
and of you can!
and now is big chance!
all you h
O do, the first step is easy, all you do is stand up.
go ahead, just up.
there you go, you are up.
yes, of you are not standing up
but you have as much fun as the
Who are up.
okay, turn on the big lights so everybody can see what's on.
yes, very of you are standing up.
okay, link your mind with the mind of duke!
and when...

Du-dup...
it!
when he plays those funny little notes,
twitch around and a good time
with the be-bop tango, try it!
you wanna do is alright.
you gotta do
Anna do, alright.
yes you got to know you came to the
place, tonight. (give me some of wine now).
as you have guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna you very much for coming.
you had a good time.
bruce on trombone,
napoleon brock on tenor sax and
lead vocals, ruth on percussion
Ph on drums, chester thompson on drums,
tom on bass and george duke on the keyboards.
you very much.
alright, alright...