Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
fowler (trumpet)
Napoleon brock (tenor saxophone, flute, lead vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
which is not a very popular anymore,
was at one time reputed to be a dance of passion.
back in the old days when it so easy to get you
Ks off, when it was hard to make with a member of the
camp and you had to resort to
things dancing close together and going hey...

were the days.
well those days are probably forever, I don't know,
nixon is going to bring them back a little bit later.
but we have this very special evolved permutated
O.
actually a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a entertainment event that includes
choreography a little bit later, so out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the right on the tape 'n' this, this
O be the one.
this has to be the one all the right notes on it.
okay, 're you
is a hard one to play.
one two four...

The as a symbol of unbridled passion, ladies and gentlemen.

Now, as you have noticed,
bruce fowler has completed some sort of trombone
solo, based on the-ah, of an evolved tango-event.
has also prepared for you a demonstration of a
That he hopes will sweep the ocean after the mud shark did.
bruce is now warming up the
of the body, in preparation...
in preparation for the live be-bop tango which
E demonstrate.
napoleon will him.
just put your horn down,
just relax, put your head back, comes the drill.
okay, heh heh heh, you what I'm talkin' about?
okay.

This is of like jazz in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
man, jazz man, you know what I mean?
this is be-bop, even you think it doe
like that.
be-bop!
now, as you have noticed,
some of you with a musical education can tell that the notes
george just when he went: "this is be-bop, even though you th
T doesn't like that",
is actually a sort of a twisted form of the of the tango
itself which will get more depraved as the number goes on.
george now attempt to dismemb
At melody, play it and sing it at the time while...
tu-dup.
hey, the way!
while we of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of fact you did, you...
no, we
E some who've never tried it bef
Ore, who've never even of trying it before.
a boy, a girl, who like each other,
who would to come up here and
attempt to dance to george sings.
do we anybody wh
one.

Okay, what's your

Carl.

name is carl?
please carl on to the stage.
to meet you carl.
alright.

let's see-ah, is there in the, in the back?
where...
oh-oh, hey!
what's your

Rick.

Rick,

Jane.

Rick and and carl!
alright, here's how it
there's a beat going on like this; that's a beat.
you dance to that beat, you dance to what george sings, okay?
the

the little ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's study phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're wonderful but just too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go back to seats and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now that's more it.
du-dup-dee-dup...
lana, you're so good we to
bring up some other people to you.
brenda, from edward's air force base, where she...
Es and gentlemen, brenda...
is a professional harlot and she just got finished stripping
for a of guys at edward's air force base,
and she it down here in time for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, brenda has a lovely
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're probably sitting in
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the first step is easy, all you gotta do is up.
go ahead, just up.
there you go, you are up.
yes, of you are not standing up
but you won't have as fun as the
Who are up.
okay, on the big lights so everybody can see what's going on.
yes, very many of you are up.
okay, your mind with the mind of george duke!
and when...

Du-dup...
it!
when he those funny fast little notes,
twitch around and have a time
the be-bop tango, let's try it!
anything you do is alright.
you gotta do
do, it's alright.
yes you got to know you came to the
place, tonight. (give me of that wine now).
as you might guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna thank you much for coming.
hope you had a time.
fowler on trombone,
napoleon brock on tenor sax and
lead vocals, ruth underwood on
Ph humphrey on drums, thompson on drums,
tom fowler on bass and duke on the keyboards.
you very much.
alright, alright...