Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
Napoleon murphy brock (tenor saxophone, flute, vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may know the tango,
is not a very popular dance anymore,
was at one time reputed to be a of unbridled passion.
back in the old days when it so easy to get you
Ks off, when it was hard to contact with a member of the
camp and you had to resort to
things like dancing close and going hey...

were the days.
well those days are gone forever, I don't know,
unless nixon is going to them back a little bit later.
but we have this very highly evolved permutated
O.
actually a perverted tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special entertainment event that
a little bit later, so watch out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the notes on the tape 'n' this, this
O be the one.
this has to be the one all the right notes on it.
okay, 're you
is a hard one to play.
one two four...

The cowbell as a symbol of passion, ladies and gentlemen.

Now, as you might noticed,
bruce fowler has just completed some of trombone
solo, based on the-ah, of an evolved tango-event.
bruce has also for you a demonstration of a
That he hopes will sweep the ocean right after the mud did.
is now warming up the important
of the body, in preparation...
in preparation for the real be-bop tango which
E demonstrate.
napoleon will him.
just put your horn down,
just relax, put your head back, comes the drill.
okay, heh heh heh, you know what I'm about?
okay.

is sort of like jazz in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
yeah man, man, you know what I mean?
this is be-bop, even though you it doe
Sound that.
be-bop!
now, as you have noticed,
some of you a musical education can tell that the notes that
george just when he went: "this is be-bop, even though you th
T doesn't sound that",
is actually a sort of a form of the theme of the tango
itself which will get more depraved as the number goes on.
george will now attempt to
At melody, play it and it at the same time while...
tu-dup.
hey, the way!
while we sort of to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers from the to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of fact you did, you...
no, we
E some people never tried it bef
Ore, never even thought of trying it before.
a boy, a girl, who like each other,
who would like to come up and
attempt to to what george sings.
do we have wh
one.

Okay, what's your

Carl.

name is carl?
please carl on to the stage.
to meet you carl.
alright.

let's see-ah, is there in the, in the back?
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, how it works:
there's a beat going on this; that's a pedestrian beat.
you don't dance to that beat, you dance to george sings, okay?
the

the little quick ones,

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
study this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're wonderful but just too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go back to seats and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, you're so we have to
bring up some people to assist you.
brenda, from edward's air force base, where she...
Es and gentlemen, brenda...
brenda is a professional and she just got finished stripping
for a of guys at edward's air force base,
and she it down here in time for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, has a lovely assistant
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably sitting in
chairs, saying to yourselves: I do that.
and of you can!
and now is big chance!
all you h
O do, the first is easy, all you gotta do is stand up.
go ahead, stand up.
there you go, you are up.
yes, of you are not standing up
but you won't have as fun as the
Who are up.
okay, turn on the big lights so everybody can see going on.
yes, very many of you are up.
okay, link your mind with the mind of duke!
and when...

Du-dup...
it!
when he plays funny fast little notes,
around and have a good time
with the be-bop tango, try it!
you wanna do is alright.
you gotta do
do, it's alright.
yes you got to know you to the right
place, tonight. (give me of that wine now).
as you might guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna you very much for coming.
hope you had a time.
bruce on trombone,
napoleon murphy on tenor sax and
vocals, ruth underwood on percussion
Ph humphrey on drums, thompson on drums,
tom on bass and george duke on the keyboards.
you very much.
alright, alright...