Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
fowler (trumpet)
Napoleon murphy (tenor saxophone, flute, lead vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may know the tango,
is not a very popular dance anymore,
was at one time to be a dance of unbridled passion.
back in the old days when it so easy to get you
Ks off, when it was to make contact with a member of the
camp and you had to resort to
things dancing close together and going hey...

were the days.
well those days are probably forever, I don't know,
unless nixon is going to bring back a little bit later.
but we have this very special evolved permutated
O.
actually a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a special entertainment event that
choreography a little bit later, so out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the right on the tape 'n' this, this
O be the one.
this has to be the one with all the right on it.
okay, 're you
this is a one to play.
one two four...

The cowbell as a symbol of passion, ladies and gentlemen.

Now, as you might noticed,
fowler has just completed some sort of trombone
solo, on the-ah, idea of an evolved tango-event.
bruce has also for you a demonstration of a
That he hopes will sweep the right after the mud shark did.
is now warming up the important
of the body, in preparation...
in preparation for the real live be-bop which
E demonstrate.
napoleon assist him.
napoleon just put horn down,
relax, put your head back, here comes the drill.
okay, heh heh heh, you know what I'm talkin'
okay.

This is sort of like jazz in own peculiar way.
jazz is not dead, it smells funny!
okay, go!
yeah man, jazz man, you know I mean?
this is be-bop, even though you it doe
like that.
be-bop!
now, as you might noticed,
some of you with a musical education can that the notes that
george sang when he went: "this is be-bop, even though you th
T sound like that",
is actually a of a twisted form of the theme of the tango
itself will get even more depraved as the number goes on.
george will now attempt to
At melody, play it and sing it at the same while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of you did, didn't you...
no, we
E some who've never tried it bef
Ore, who've never even of trying it before.
a boy, a girl, preferably who each other,
who would to come up here and
attempt to dance to george sings.
do we anybody wh
one.

Okay, what's your

Carl.

Your name is
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
what's your

Rick.

Rick,

Jane.

and jane and carl!
alright, how it works:
there's a beat going on like that's a pedestrian beat.
you dance to that beat, you dance to what george sings, okay?
the

the little ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go to your seats and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, so good we have to
bring up some other people to you.
brenda, imported from edward's air force base, she...
Es and gentlemen, brenda...
is a professional harlot and she just got finished stripping
for a bunch of guys at air force base,
and she made it down here in for the show.
tw
Rs of it off for the boys in the car, really good.
okay.
heh.
brenda, has a lovely assistant
named carl, or robert james if you prefer.
cohen, ladies and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're sitting in your
chairs, to yourselves: I could do that.
and of you can!
and now is big chance!
all you h
O do, the first step is easy, all you do is stand up.
go ahead, just up.
there you go, you are up.
yes, of you are not standing up
but you won't as much fun as the
Who are up.
okay, turn on the big so everybody can see what's going on.
yes, many of you are standing up.
okay, link your with the mind of george duke!
and when...

Du-dup...
it!
when he plays those fast little notes,
around and have a good time
with the be-bop tango, try it!
anything you do is alright.
you gotta do
do, it's alright.
yes you got to know you came to the
place, tonight. (give me some of that now).
as you have guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna thank you very for coming.
hope you had a time.
fowler on trombone,
napoleon murphy brock on sax and
vocals, ruth underwood on percussion
Ph humphrey on drums, chester on drums,
tom on bass and george duke on the keyboards.
you very much.
alright, alright...