Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
Napoleon murphy brock (tenor saxophone, flute, vocals)
Ralph (drums)
thompson (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may know the tango,
which is not a very popular anymore,
was at one reputed to be a dance of unbridled passion.
back in the old when it wasn't so easy to get you
Ks off, it was hard to make contact with a member of the
opposite camp and you had to to
things like dancing close and going hey...

Those the days.
well those days are probably gone forever, I know,
unless nixon is going to them back a little bit later.
but we this very special highly evolved permutated
O.
it's a perverted tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special entertainment event includes
choreography a little bit later, so out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now I wanna get
the right on the tape 'n' this, this
O be the one.
has to be the one with all the right notes on it.
okay, 're you
this is a one to play.
one two four...

The cowbell as a symbol of passion, ladies and gentlemen.

Now, as you have noticed,
bruce fowler has completed some sort of trombone
solo, based on the-ah, idea of an tango-event.
has also prepared for you a demonstration of a
That he hopes will sweep the ocean right the mud shark did.
bruce is now up the important
of the body, in preparation...
in preparation for the real be-bop tango which
E demonstrate.
napoleon assist him.
napoleon put your horn down,
just relax, put your head back, comes the drill.
okay, heh heh heh, you know what I'm talkin'
okay.

This is sort of like jazz in own peculiar way.
is not dead, it just smells funny!
okay, go!
yeah man, jazz man, you know what I
this is be-bop, even you think it doe
Sound that.
be-bop!
now, as you have noticed,
some of you with a education can tell that the notes that
just sang when he went: "this is be-bop, even though you th
T sound like that",
is actually a sort of a form of the theme of the tango
itself which will get even more depraved as the number on.
george will now to dismemb
At melody, play it and sing it at the time while...
tu-dup.
hey, the way!
while we of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this is get some volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of you did, didn't you...
no, we
E some people who've tried it bef
Ore, never even thought of trying it before.
a boy, a girl, preferably who like other,
who would like to up here and
attempt to to what george sings.
do we have wh
one.

Okay, what's name?

Carl.

Your name is
carl step on to the stage.
pleased to you carl.
alright.

let's see-ah, is anybody in the, in the back?
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, how it works:
there's a beat going on like this; that's a beat.
you don't dance to beat, you dance to what george sings, okay?
the

the little ones, okay?

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
study this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go back to your seats and bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now that's like it.
du-dup-dee-dup...
lana, you're so we have to
bring up some other to assist you.
brenda, imported from edward's air base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she got finished stripping
for a bunch of guys at edward's air base,
and she made it here in time for the show.
tw
Rs of taking it off for the in the car, really good.
okay.
heh.
brenda, brenda has a assistant
named carl, or robert davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're too adagio, I keep telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably sitting in
chairs, saying to yourselves: I do that.
and of you can!
and now is big chance!
all you h
O do, the first is easy, all you gotta do is stand up.
go ahead, stand up.
you go, you are standing up.
yes, of you are not standing up
but you have as much fun as the
Who are up.
okay, turn on the big so everybody can see what's going on.
yes, very of you are standing up.
okay, link your mind the mind of george duke!
and when...

Du-dup...
it!
when he plays funny fast little notes,
around and have a good time
with the be-bop tango, try it!
anything you do is alright.
you gotta do
do, it's alright.
yes you got to know you came to the
place, tonight. (give me of that wine now).
as you might guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna you very much for coming.
you had a good time.
bruce on trombone,
murphy brock on tenor sax and
lead vocals, ruth underwood on
Ph humphrey on drums, thompson on drums,
tom fowler on and george duke on the keyboards.
thank you much.
alright, alright...