Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
simmons (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
Napoleon murphy (tenor saxophone, flute, lead vocals)
Ralph (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may that the tango,
which is not a popular dance anymore,
was at one time reputed to be a of unbridled passion.
back in the old days when it so easy to get you
Ks off, when it was hard to contact with a member of the
camp and you had to resort to
things like close together and going hey...

Those the days.
well those days are probably forever, I don't know,
unless nixon is going to them back a little bit later.
but we have this very highly evolved permutated
O.
it's actually a tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special entertainment event that
choreography a little bit later, so out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now I wanna get
the right notes on the tape 'n' this,
O be the one.
this has to be the one with all the right on it.
okay, 're you
this is a one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you might noticed,
bruce fowler has completed some sort of trombone
solo, based on the-ah, of an evolved tango-event.
bruce has prepared for you a demonstration of a
That he hopes will the ocean right after the mud shark did.
is now warming up the important
of the body, in preparation...
in preparation for the real be-bop tango which
E demonstrate.
napoleon will him.
napoleon just put horn down,
just relax, put your head back, here the drill.
okay, heh heh heh, you know I'm talkin' about?
okay.

This is sort of jazz in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
yeah man, jazz man, you know what I
this is be-bop, even though you it doe
like that.
be-bop!
now, as you have noticed,
some of you with a musical education can tell that the notes
george just when he went: "this is be-bop, even though you th
T sound like that",
is actually a sort of a twisted form of the of the tango
itself which will get even more as the number goes on.
george will now to dismemb
At melody, play it and sing it at the same while...
tu-dup.
hey, the way!
while we of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a matter of fact you did, you...
no, we
E some who've never tried it bef
Ore, who've never thought of trying it before.
a boy, a girl, preferably who each other,
who like to come up here and
attempt to dance to george sings.
do we anybody wh
one.

Okay, what's name?

Carl.

name is carl?
please carl on to the stage.
to meet you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, here's how it
there's a going on like this; that's a pedestrian beat.
you don't dance to that beat, you dance to what george sings,
the

the quick ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
study this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're wonderful but just too reserved.
I can...
I you wil
Ybe in a minute.
okay, t-tell you what:
go back to your seats and we'll up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, so good we have to
bring up some other people to you.
brenda, imported from air force base, where she...
Es and gentlemen, brenda...
brenda is a professional and she just got finished stripping
for a bunch of guys at edward's air base,
and she made it down here in for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, brenda has a assistant
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're too adagio, I keep telling you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're sitting in your
chairs, saying to yourselves: I do that.
and of you can!
and now is big chance!
all you h
O do, the step is easy, all you gotta do is stand up.
go ahead, stand up.
there you go, you are up.
yes, of you are not standing up
but you won't as much fun as the
Who are up.
okay, on the big lights so everybody can see what's going on.
yes, very of you are standing up.
okay, your mind with the mind of george duke!
and when...

Du-dup...
it!
when he plays those funny little notes,
twitch around and have a good
the be-bop tango, let's try it!
anything you do is alright.
you gotta do
do, it's alright.
yes you got to know you came to the
place, tonight. (give me of that wine now).
as you have guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna thank you much for coming.
you had a good time.
bruce on trombone,
napoleon murphy brock on sax and
vocals, ruth underwood on percussion
Ph on drums, chester thompson on drums,
tom on bass and george duke on the keyboards.
thank you much.
alright, alright...