Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
Napoleon brock (tenor saxophone, flute, lead vocals)
Ralph (drums)
thompson (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may know the tango,
which is not a popular dance anymore,
was at one reputed to be a dance of unbridled passion.
in the old days when it wasn't so easy to get you
Ks off, it was hard to make contact with a member of the
opposite camp and you had to to
like dancing close together and going hey...

Those the days.
well days are probably gone forever, I don't know,
unless nixon is going to bring them a little bit later.
but we have this very highly evolved permutated
O.
it's actually a tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special entertainment that includes
choreography a little bit later, so out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now I wanna get
the right notes on the tape 'n' this,
O be the one.
this has to be the one with all the notes on it.
okay, 're you
this is a one to play.
one two four...

The as a symbol of unbridled passion, ladies and gentlemen.

Now, as you have noticed,
bruce fowler has just completed some of trombone
solo, based on the-ah, idea of an tango-event.
has also prepared for you a demonstration of a
That he hopes will sweep the ocean right after the mud did.
is now warming up the important
of the body, in preparation...
in for the real live be-bop tango which
E demonstrate.
napoleon assist him.
napoleon just put horn down,
just relax, put your head back, here the drill.
okay, heh heh heh, you what I'm talkin' about?
okay.

This is sort of jazz in it's own peculiar way.
jazz is not dead, it just funny!
okay, go!
man, jazz man, you know what I mean?
this is be-bop, though you think it doe
like that.
be-bop!
now, as you might noticed,
some of you with a musical education can tell that the that
george just sang he went: "this is be-bop, even though you th
T sound like that",
is actually a of a twisted form of the theme of the tango
itself which will get even more depraved as the goes on.
george now attempt to dismemb
At melody, play it and sing it at the time while...
tu-dup.
hey, the way!
while we of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get volunteers from the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some people who've tried it bef
Ore, who've never thought of trying it before.
a boy, a girl, preferably who like other,
who would like to come up and
attempt to dance to george sings.
do we anybody wh
one.

Okay, what's name?

Carl.

Your name is
please step on to the stage.
pleased to you carl.
alright.

let's see-ah, is there in the, in the back?
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

and jane and carl!
alright, here's how it
a beat going on like this; that's a pedestrian beat.
you don't dance to that beat, you dance to george sings, okay?
the

the little ones, okay?

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
let's this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're wonderful but you're too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll you what:
go to your seats and we'll bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now that's like it.
du-dup-dee-dup...
lana, you're so we have to
up some other people to assist you.
brenda, from edward's air force base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she got finished stripping
for a bunch of guys at air force base,
and she made it here in time for the show.
tw
Rs of taking it off for the in the car, really good.
okay.
heh.
brenda, brenda has a assistant
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
turn on the machine!
dup-dee-da, dup-dee-da...
god, is a cheap bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're sitting in your
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the first step is easy, all you gotta do is up.
go ahead, stand up.
you go, you are standing up.
yes, some of you are not up
but you have as much fun as the
Who are up.
okay, turn on the big lights so everybody can see going on.
yes, very of you are standing up.
okay, your mind with the mind of george duke!
and when...

Du-dup...
it!
when he those funny fast little notes,
around and have a good time
with the tango, let's try it!
anything you do is alright.
you gotta do
do, it's alright.
yes you got to know you to the right
place, tonight. (give me some of wine now).
as you might guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
wanna thank you very for coming.
hope you had a time.
fowler on trombone,
napoleon murphy on tenor sax and
vocals, ruth underwood on percussion
Ph humphrey on drums, thompson on drums,
tom fowler on and george duke on the keyboards.
you very much.
alright, alright...