Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
fowler (trumpet)
Napoleon brock (tenor saxophone, flute, lead vocals)
humphrey (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may know the tango,
which is not a popular dance anymore,
was at one time to be a dance of unbridled passion.
in the old days when it wasn't so easy to get you
Ks off, when it was hard to make with a member of the
opposite camp and you had to to
things like dancing together and going hey...

Those the days.
well those days are gone forever, I don't know,
unless nixon is going to bring them a little bit later.
but we this very special highly evolved permutated
O.
actually a perverted tango.
by the time...
yes, so perverted!
is the be-bop tango,
a entertainment event that includes
a little bit later, so watch out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the right notes on the tape 'n' this,
O be the one.
has to be the one with all the right notes on it.
okay, 're you
this is a one to play.
one two four...

The cowbell as a symbol of unbridled passion, and gentlemen.

Now, as you might noticed,
bruce fowler has just completed some sort of
solo, on the-ah, idea of an evolved tango-event.
bruce has prepared for you a demonstration of a
That he hopes will sweep the right after the mud shark did.
bruce is now warming up the
of the body, in preparation...
in preparation for the real live be-bop which
E demonstrate.
napoleon will him.
just put your horn down,
just relax, put your head back, here the drill.
okay, heh heh heh, you know I'm talkin' about?
okay.

This is sort of like jazz in it's own way.
jazz is not dead, it just funny!
okay, go!
yeah man, jazz man, you know I mean?
this is be-bop, even you think it doe
like that.
be-bop!
now, as you have noticed,
some of you with a musical can tell that the notes that
george just when he went: "this is be-bop, even though you th
T sound like that",
is a sort of a twisted form of the theme of the tango
itself which will get even depraved as the number goes on.
will now attempt to dismemb
At melody, it and sing it at the same time while...
tu-dup.
hey, the way!
while we of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some people who've never it bef
Ore, who've never even thought of it before.
a boy, a girl, preferably who each other,
who like to come up here and
to dance to what george sings.
do we anybody wh
one.

Okay, what's name?

Carl.

Your name is
please carl on to the stage.
to meet you carl.
alright.

let's see-ah, is there in the, in the back?
where...
oh-oh, hey!
what's name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, how it works:
there's a going on like this; that's a pedestrian beat.
you don't to that beat, you dance to what george sings, okay?
the

the little ones, okay?

george, them dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
study this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're wonderful but just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go back to your seats and we'll up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now that's like it.
du-dup-dee-dup...
lana, you're so good we to
up some other people to assist you.
brenda, imported from edward's air force base, she...
Es and gentlemen, brenda...
brenda is a professional and she just got finished stripping
for a bunch of guys at air force base,
and she made it here in time for the show.
tw
Rs of taking it off for the boys in the car, good.
okay.
heh.
brenda, brenda has a lovely
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're too adagio, I keep telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and gentlemen: ex-wife!
and gentlemen,
you're sitting in your
chairs, to yourselves: I could do that.
and of you can!
and now is big chance!
all you h
O do, the first step is easy, all you gotta do is up.
go ahead, stand up.
there you go, you are up.
yes, of you are not standing up
but you won't as much fun as the
Who are up.
okay, turn on the big lights so can see what's going on.
yes, very of you are standing up.
okay, link your mind the mind of george duke!
and when...

Du-dup...
it!
when he plays those funny fast notes,
twitch and have a good time
with the be-bop tango, try it!
anything you do is alright.
you do anything
Anna do, alright.
yes you got to know you to the right
place, tonight. (give me some of wine now).
as you might guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
thank you very much for coming.
hope you had a time.
bruce on trombone,
murphy brock on tenor sax and
lead vocals, underwood on percussion
Ph humphrey on drums, thompson on drums,
tom fowler on bass and duke on the keyboards.
thank you much.
alright, alright...