Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
duke (keyboards, synthesizer, vocals)
Tom (bass)
underwood (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
Bruce (trombone)
Walt (trumpet)
Napoleon brock (tenor saxophone, flute, lead vocals)
Ralph (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may know the tango,
is not a very popular dance anymore,
was at one reputed to be a dance of unbridled passion.
back in the old when it wasn't so easy to get you
Ks off, when it was hard to contact with a member of the
camp and you had to resort to
things like dancing close and going hey...

were the days.
well days are probably gone forever, I don't know,
unless is going to bring them back a little bit later.
but we have this very highly evolved permutated
O.
actually a perverted tango.
by the time...
yes, so perverted!
is the be-bop tango,
a special event that includes
choreography a bit later, so watch out fol

You can on the big lights, we may need 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too fast now 'cause I get
the right notes on the 'n' this, this
O be the one.
this has to be the one with all the notes on it.
okay, 're you
this is a one to play.
one two four...

The as a symbol of unbridled passion, ladies and gentlemen.

Now, as you have noticed,
bruce fowler has just completed sort of trombone
solo, based on the-ah, of an evolved tango-event.
has also prepared for you a demonstration of a
That he hopes will sweep the ocean after the mud shark did.
bruce is now warming up the
of the body, in preparation...
in preparation for the real be-bop tango which
E demonstrate.
will assist him.
napoleon put your horn down,
just relax, put your back, here comes the drill.
okay, heh heh heh, you know I'm talkin' about?
okay.

is sort of like jazz in it's own peculiar way.
jazz is not dead, it just funny!
okay, go!
yeah man, man, you know what I mean?
this is be-bop, even though you it doe
like that.
be-bop!
now, as you have noticed,
of you with a musical education can tell that the notes that
george just when he went: "this is be-bop, even though you th
T doesn't sound that",
is actually a of a twisted form of the theme of the tango
itself which will get even more depraved as the number on.
george now attempt to dismemb
At melody, play it and sing it at the same while...
tu-dup.
hey, the way!
while we sort of to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E people who've never tried it bef
Ore, who've even thought of trying it before.
a boy, a girl, preferably who each other,
who would like to up here and
attempt to dance to what sings.
do we have wh
one.

Okay, what's your

Carl.

Your name is
carl step on to the stage.
pleased to you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
your name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, how it works:
a beat going on like this; that's a pedestrian beat.
you dance to that beat, you dance to what george sings, okay?
the

the little quick ones,

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, come on now, up.
listen, them!
it...
ah!
okay!
alright, one time
Ce!

Tu-dup, du-dee-da...
study this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, and jane and carl, you're,
you're wonderful but just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go back to your seats and bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're name is lana,
dance!

Du-dup-dee-dup...
now more like it.
du-dup-dee-dup...
lana, so good we have to
bring up other people to assist you.
brenda, imported from air force base, where she...
Es and gentlemen, brenda...
brenda is a professional and she just got finished stripping
for a bunch of guys at air force base,
and she made it down in time for the show.
tw
Rs of it off for the boys in the car, really good.
okay.
heh.
brenda, has a lovely assistant
named carl, or robert davis if you prefer.
cohen, ladies and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I keep you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably in your
chairs, saying to I could do that.
and of you can!
and now is big chance!
all you h
O do, the step is easy, all you gotta do is stand up.
go ahead, stand up.
there you go, you are up.
yes, of you are not standing up
but you won't have as fun as the
Who are up.
okay, turn on the big lights so can see what's going on.
yes, very many of you are up.
okay, link your mind with the mind of duke!
and when...

Du-dup...
it!
when he plays funny fast little notes,
twitch and have a good time
with the be-bop tango, try it!
you wanna do is alright.
you gotta do
do, it's alright.
yes you got to know you to the right
place, tonight. (give me of that wine now).
as you have guessed,
and gentlemen, this is the end of our concert.
Ike to you ver...
thank you very much for coming.
hope you had a time.
bruce on trombone,
napoleon murphy brock on sax and
vocals, ruth underwood on percussion
Ph on drums, chester thompson on drums,
tom fowler on and george duke on the keyboards.
you very much.
alright, alright...