Luyện nghe bài hát Be-Bop Tango (Of The Old Jazzmen's Church) (Live / 12-10-73 / Show 2)

Frank (lead guitar, vocals)
George (keyboards, synthesizer, vocals)
Tom (bass)
Ruth (percussion)
Jeff (rhythm guitar, vocals)
Don (synthesizer)
fowler (trombone)
Walt (trumpet)
murphy brock (tenor saxophone, flute, lead vocals)
Ralph (drums)
Chester (drums)
(background vocals)
(background vocals)
Robert (background vocals)

Some of you may know the tango,
which is not a very dance anymore,
was at one reputed to be a dance of unbridled passion.
in the old days when it wasn't so easy to get you
Ks off, when it was hard to make contact a member of the
opposite and you had to resort to
things like dancing close and going hey...

were the days.
well days are probably gone forever, I don't know,
nixon is going to bring them back a little bit later.
but we have this very special evolved permutated
O.
it's a perverted tango.
by the time...
yes, so perverted!
this is the tango,
a special event that includes
choreography a little bit later, so out fol

You can turn on the big lights, we may 'em.
you know, the in the audience.
heh heh.
okay, 're you
not too now 'cause I wanna get
the right notes on the tape 'n' this,
O be the one.
this has to be the one with all the notes on it.
okay, 're you
this is a one to play.
one two four...

The as a symbol of unbridled passion, ladies and gentlemen.

Now, as you might noticed,
fowler has just completed some sort of trombone
solo, based on the-ah, of an evolved tango-event.
bruce has also prepared for you a of a
That he hopes will the ocean right after the mud shark did.
bruce is now warming up the
of the body, in preparation...
in preparation for the real be-bop tango which
E demonstrate.
napoleon will him.
napoleon just put horn down,
relax, put your head back, here comes the drill.
okay, heh heh heh, you know what I'm talkin'
okay.

This is of like jazz in it's own peculiar way.
jazz is not dead, it smells funny!
okay, go!
yeah man, man, you know what I mean?
this is be-bop, even you think it doe
like that.
be-bop!
now, as you might noticed,
some of you a musical education can tell that the notes that
george just sang when he went: "this is be-bop, even you th
T doesn't like that",
is actually a sort of a twisted form of the of the tango
itself which will get even more depraved as the goes on.
george now attempt to dismemb
At melody, play it and sing it at the time while...
tu-dup.
hey, the way!
we sort of dance to it.
okay, try it george.
tu-dup, tu-dee...
oh yeah!
as I was saying.
now, we'
E to do at this point is get some volunteers the audience to...
I you will, oh God you will...
we some...
heh heh heh...
now, as a of fact you did, didn't you...
no, we
E some who've never tried it bef
Ore, who've never even of trying it before.
a boy, a girl, who like each other,
who like to come up here and
attempt to to what george sings.
do we anybody wh
one.

Okay, what's your

Carl.

Your name is
please carl on to the stage.
pleased to you carl.
alright.

let's see-ah, is there anybody in the, in the
where...
oh-oh, hey!
your name?

Rick.

Rick,

Jane.

Rick and and carl!
alright, how it works:
there's a beat going on this; that's a pedestrian beat.
you don't dance to that beat, you dance to what george sings,
the

the quick ones, okay?

george, make dance!

Dup.
no no rick, too reserved.

it to 'em george!
tu-dup, pu-dee-da...
no no, on now, loosen up.
listen, them!
it...
ah!
okay!
alright, one more
Ce!

Tu-dup, du-dee-da...
study this phenomenon.
tu-duppy-dup-pu-dee-da...
now look, rick and and carl, you're,
you're but you're just too reserved.
I can...
I you wil
Ybe in a minute.
okay, I'll t-tell you
go back to your seats and bring up the next batch.

carl, and jane!
alright, you try...?

you say frank!

Oh my god!
alright, you're is lana, right?
dance!

Du-dup-dee-dup...
now that's like it.
du-dup-dee-dup...
lana, so good we have to
up some other people to assist you.
brenda, imported from air force base, where she...
Es and gentlemen, brenda...
brenda is a professional harlot and she just got finished
for a bunch of guys at air force base,
and she it down here in time for the show.
tw
Rs of it off for the boys in the car, really good.
okay.
heh.
brenda, brenda has a assistant
carl, or robert james davis if you prefer.
herb cohen, and gentlemen!

Ce!

Du-du-dip...
you're still too adagio, I telling you!
du-dup-du-dee-da...
on the bubble machine!
dup-dee-da, dup-dee-da...
god, is that a bubble-machine!
bow, du-du-du-du-du-da...
Es and don's ex-wife!
and gentlemen,
you're probably sitting in
chairs, saying to yourselves: I do that.
and of you can!
and now is big chance!
all you h
O do, the first step is easy, all you gotta do is up.
go ahead, just up.
you go, you are standing up.
yes, of you are not standing up
but you won't as much fun as the
Who are up.
okay, turn on the big so everybody can see what's going on.
yes, many of you are standing up.
okay, link your mind with the mind of duke!
and when...

Du-dup...
it!
when he plays those fast little notes,
around and have a good time
with the tango, let's try it!
you wanna do is alright.
you gotta do
Anna do, alright.
yes you got to know you to the right
place, tonight. (give me some of wine now).
as you might guessed,
ladies and gentlemen, is the end of our concert.
Ike to you ver...
wanna thank you very for coming.
you had a good time.
bruce on trombone,
napoleon murphy brock on sax and
lead vocals, ruth on percussion
Ph humphrey on drums, thompson on drums,
tom on bass and george duke on the keyboards.
you very much.
alright, alright...