Check it out now, I work the pen to make the ink On any particular surface the pen on The camera stands on, the beef? The Cooley High, chief, high post techniques
I drape off poetic and shapes Illustrate the paper off the pens that paint Then design what have a National Geographic a With Taylor made status and plus is automatic
not balling We take it to the days of yes y'all-in' We onto what's golden On a stage I rage and I'm
not balling or shot calling We it back to the days of yes y'all-in' We holding what's golden On a stage I and I'm rollin'
Melancholy mundane, so I tame the hot Big rings, fat chains and quest for the same No name, use fame, new to the thang We stay true to the game and never bring it to
We tight like dreadlocks or red fox and We pass participles and smash the in you The saga continues, I won't get into 'Cause there ain't enough bars to hold the that we been through
Yo, we still the same with a fame A little change in the household but ain't too much changed We in the but, yo, not to be vain I refrain from grains to season up my name
We entertain for a mutual game close range Steady aim, drum at your head to hit the I'm labor ready, Scholar for the dollar Work for mines pay me by the
not balling We take it back to the of yes y'all-in' We holding onto golden On a I rage and I'm rollin'
We're not balling or shot We take it back to the days of yes We holding onto golden On a stage I and I'm rollin'
Yo, well, it's the verbal Munster The enhancer, sick of phony mobsters controllin' the dance floor I been in dark places, catch you when you stark Your heart races as we pump you for your chart
The taut taces be bringing hot styles through Some of you bum a few chairs from shock Word can plow through acres of cornfields cut like warm steel, preform ill
We're not We take it to the days of yes y'all-in' We holding what's golden On a stage I and I'm rollin'
We're not balling or calling We it back to the days of yes y'all-in' We holding onto what's On a I rage and I'm rollin'