Check it out now, I work the pen to make the ink On any surface the pen lands on The camera stands on, what's the The Cooley High, chief, high post techniques
I drape off landscapes and shapes the paper space off the pens that paint Then design what have a National a magic With Taylor made status and favored is automatic
not balling We take it back to the days of yes We onto what's golden On a stage I rage and I'm
We're not balling or calling We take it to the days of yes y'all-in' We holding what's golden On a I rage and I'm rollin'
mundane, so I tame the hot flame Big rings, fat and y'all quest for the same No name, use fame, new to the thang We stay true to the game and never bring it to
We tight like dreadlocks or red fox and We pass participles and the artist in you The continues, this I won't get into 'Cause there ain't enough bars to the drama that we been through
Yo, we still the with a little fame A little change in the household name but ain't too changed We in the but, yo, not to be vain I refrain from salt to season up my name
We entertain for a game from close range Steady aim, drum at your to hit the brain I'm labor ready, Rhode Scholar for the for mines pay me by the hour
We're not We take it back to the days of yes We holding onto golden On a I rage and I'm rollin'
not balling or shot calling We take it to the days of yes y'all-in' We onto what's golden On a I rage and I'm rollin'
Yo, well, it's the Herman Munster The word enhancer, sick of phony mobsters the dance floor I been in dark places, catch you you stark naked Your heart races as we pump you for your spaces
The taces be bringing these hot styles through Some of you bum a few chairs from shock power can plow through acres of cornfields Paragraphs cut warm steel, preform ill
not balling We take it back to the days of yes We holding onto what's On a stage I and I'm rollin'
We're not balling or shot We take it back to the of yes y'all-in' We holding what's golden On a stage I and I'm rollin'