Check it out now, I the pen to make the ink transform On any particular the pen lands on The camera on, what's the beef? The Cooley High, cold chief, high post
I drape off poetic and shapes Illustrate the paper off the pens that paint Then design what a National Geographic a magic With Taylor made status and plus is automatic
not balling We it back to the days of yes y'all-in' We holding what's golden On a stage I rage and I'm
We're not or shot calling We take it back to the days of yes We holding what's golden On a I rage and I'm rollin'
Melancholy mundane, so I the hot flame Big rings, fat and y'all quest for the same No name, use fame, new to the thang We true to the game and never bring it to shame
We tight like or red fox and ripple We pass participles and smash the in you The saga continues, this I won't get 'Cause there ain't enough bars to hold the drama that we been
Yo, we still the with a little fame A change in the household name but ain't too much changed We in the game but, yo, not to be I refrain from salt to season up my name
We entertain for a mutual game close range Steady aim, drum at your head to hit the I'm labor ready, Scholar for the dollar Work for mines pay me by the
We're not We take it back to the days of yes We holding onto golden On a stage I and I'm rollin'
not balling or shot calling We it back to the days of yes y'all-in' We holding what's golden On a I rage and I'm rollin'
Yo, well, it's the verbal Munster The word enhancer, sick of phony controllin' the dance floor I been in dark places, you when you stark naked Your heart races as we you for your chart spaces
The taut be bringing these hot styles through Some of you bum a few from shock value power can plow through acres of cornfields Paragraphs cut like steel, preform ill
We're not We take it back to the days of yes We holding onto golden On a stage I rage and I'm
We're not or shot calling We it back to the days of yes y'all-in' We holding onto what's On a stage I and I'm rollin'