Luyện nghe bài hát The Two Magicians

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Bắt đầu làm bài nào

THE TWO
The sits at her own front door
As straight as a willow
And by there come a smith
his hammer in his hand
Crying bide bide
For a nowhere you can hide
For the smith will be your love
And he lay your pride.
Why do you sit there lady
All in robes of red
I'll come tomorrow at same time
And you in me bed
. . .
Away away you black smith
Would you do me this
For to to have me maiden head
That I have kept so
I'd I was dead and cold
And me body in the grave
Than a lusty, dusty, black smith
Me maiden head have
. . .
So the lady, she up her hand
And upon the mold
That he'd not have her maiden
For all of a pot of gold.
But the blacksmith he up his hand
And he swore upon the
That he would her maiden head
For the half of that or
. . .
So the lady she into a dove
And flew up the air
Ah, but he became an old cock
And they flew and pair
. . .
So the she turned into a mare
As as the night was black
Ah, but he became a saddle
And he clumb upon to her
. . .
So the lady she into a hare
And ran all over the
Ah, but he a greyhound dog
And ran her down
. . .
So the lady she into a fly
And up into the air
Ah, but he became a big, spider
And her into his lair
. . .
So the lady she into a sheep
on yon common
Ah, but he a big horny ram
And he was upon her.
. . .
So she turned into a full dress
And she all over the sea
Ah, but he became a bold
And aboard of her he
. . .
So the lady she turned into a
Floating in the air
Ah, but he became a lightning
And right into her
. . .
So she turned a mulberry tree
A mulberry tree in the
Ah, but he came forth as the dew
And sprinkled her she stood.
. . .
So the she ran into the bedroom
And she changed a bed
Ah, but he became a green
And he gained her head
And once she woke he her so
And still he bad her
And the lusty smith became her
For all of her pride.
This song is a derivative of Child 44, with a tune by
A. L. Lloyd. It was recorded by John & Tony Barrand on
Dark Ships in the Forest, Legacy 65 in the key of C.
also by Frankie Armstrong on Bird in the Bush and by
#44
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