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THE TWO
The lady sits at her own front
As straight as a wand
And by there a lusty smith
With his hammer in his
Crying lady bide
For there's a nowhere you can
For the lusty smith will be your
And he will lay pride.
Why do you sit lady fair
All in your of red
I'll tomorrow at this same time
And you in me bed
. . .
Away away you coal black
Would you do me this
For to to have me maiden head
I have kept so long
I'd rather I was and cold
And me body in the grave
Than a lusty, dusty, coal smith
Me maiden head should
. . .
So the lady, she curled up her
And swore upon the
That not have her maiden head
For all of a pot of gold.
But the blacksmith he curled up his
And he upon the mast
That he would have her head
For the of that or less
. . .
So the she turned into a dove
And up into the air
Ah, but he an old cock pigeon
And flew pair and pair
. . .
So the lady she turned a mare
As dark as the night was
Ah, but he became a saddle
And he clumb upon to her
. . .
So the she turned into a hare
And ran all the plane
Ah, but he a greyhound dog
And ran her down
. . .
So the lady she into a fly
And up into the air
Ah, but he became a big, hairy
And dragged her into his
. . .
So the lady she turned a sheep
Grazing on yon
Ah, but he became a big ram
And he was upon her.
. . .
So she turned into a full ship
And she all over the sea
Ah, but he a bold captain
And aboard of her he
. . .
So the she turned into a cloud
Floating in the air
Ah, but he became a flash
And zipped right her
. . .
So she into a mulberry tree
A mulberry tree in the
Ah, but he came forth as the dew
And her where she stood.
. . .
So the lady she ran the bedroom
And she changed a bed
Ah, but he became a coverlet
And he her maiden head
And she woke he took her so
And still he bad her
And the smith became her love
For all of her pride.
This song is a derivative of Child Ballad 44, with a by
A. L. Lloyd. It was recorded by John Roberts & Barrand on
Dark Ships in the Forest, Legacy 65 in the key of C.
also by Frankie Armstrong on Bird in the Bush and by
#44
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