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THE TWO
The lady sits at her own front
As straight as a willow
And by come a lusty smith
With his hammer in his
Crying bide bide
For there's a you can hide
For the lusty smith be your love
And he lay your pride.
Why do you sit there fair
All in robes of red
I'll come at this same time
And you in me bed
. . .
Away you coal black smith
you do me this wrong
For to think to have me head
That I have kept so
I'd rather I was dead and
And me laid in the grave
Than a lusty, dusty, black smith
Me maiden head should
. . .
So the lady, she curled up her
And upon the mold
That he'd not have her maiden
For all of a pot of gold.
But the blacksmith he curled up his
And he swore upon the
he would have her maiden head
For the half of that or
. . .
So the lady she turned into a
And up into the air
Ah, but he became an old pigeon
And flew pair and pair
. . .
So the lady she into a mare
As dark as the was black
Ah, but he a golden saddle
And he clumb to her back
. . .
So the she turned into a hare
And ran all over the
Ah, but he a greyhound dog
And ran her down
. . .
So the lady she into a fly
And up into the air
Ah, but he became a big, spider
And dragged her into his
. . .
So the lady she turned a sheep
on yon common
Ah, but he became a big ram
And soon he was her.
. . .
So she turned into a dress ship
And she all over the sea
Ah, but he became a bold
And aboard of her he
. . .
So the she turned into a cloud
Floating in the air
Ah, but he became a lightning
And right into her
. . .
So she turned into a tree
A mulberry tree in the
Ah, but he forth as the morning dew
And sprinkled her she stood.
. . .
So the lady she ran into the
And she changed a bed
Ah, but he became a coverlet
And he gained her head
And once she he took her so
And still he bad her
And the lusty smith her love
For all of her pride.
This is a derivative of Child Ballad 44, with a tune by
A. L. Lloyd. It was recorded by Roberts & Tony Barrand on
Dark in the Forest, Folk Legacy 65 in the key of C.
also by Frankie Armstrong on Bird in the Bush and by
#44
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