Luyện nghe bài hát The Two Magicians

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Bắt đầu làm bài nào

THE TWO
The sits at her own front door
As as a willow wand
And by there come a smith
his hammer in his hand
Crying bide lady
For there's a nowhere you can
For the smith will be your love
And he will lay pride.
Why do you sit lady fair
All in robes of red
I'll tomorrow at this same time
And you in me bed
. . .
Away away you black smith
Would you do me wrong
For to think to me maiden head
I have kept so long
I'd rather I was dead and
And me body laid in the
Than a lusty, dusty, black smith
Me maiden head have
. . .
So the lady, she up her hand
And upon the mold
That he'd not have her maiden
For all of a pot of gold.
But the blacksmith he up his hand
And he swore upon the
he would have her maiden head
For the half of or less
. . .
So the lady she turned into a
And flew up the air
Ah, but he became an old cock
And they flew pair and
. . .
So the lady she turned into a
As as the night was black
Ah, but he became a golden
And he clumb upon to her
. . .
So the lady she into a hare
And ran all the plane
Ah, but he a greyhound dog
And ran her again
. . .
So the lady she into a fly
And fluttered up the air
Ah, but he a big, hairy spider
And dragged her his lair
. . .
So the lady she into a sheep
Grazing on yon
Ah, but he became a big ram
And he was upon her.
. . .
So she turned a full dress ship
And she sailed all the sea
Ah, but he became a bold
And aboard of her he
. . .
So the lady she turned a cloud
away in the air
Ah, but he a lightning flash
And right into her
. . .
So she turned into a mulberry
A mulberry tree in the
Ah, but he came as the morning dew
And her where she stood.
. . .
So the lady she ran the bedroom
And she into a bed
Ah, but he became a coverlet
And he gained her maiden
And she woke he took her so
And he bad her bide
And the lusty smith her love
For all of her pride.
This song is a derivative of Child Ballad 44, with a by
A. L. Lloyd. It was recorded by John & Tony Barrand on
Ships in the Forest, Folk Legacy 65 in the key of C.
also by Frankie Armstrong on Bird in the Bush and by
#44
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