Luyện nghe bài hát The Friends of Mr. Cairo

[movie like
frankie: okay, is the picture. johnny's been hurt. he's been hurt bad.
woman: look, we can't leave him here, we can't. look, he's in a of blood. he's gonna die, i know it.
frankie: gotta leave him here, honey. we gotta. he won't talk, i promise you that! will you johnny?
frankie, i don't care whether he talks or not, i just can't leave him like this.
johnny: listen. me here i... i... i can ... i can ... handle it.
oh, no, johnny, no...

frankie: the cops are outside. in the car. come on, let's get the hell outta this joint.
woman: frankie, when they get here gonna be dead, i know we are! we don't have agun!
frankie: listen. we got three million... listen, [spud]. we got three million in the can, here. we can't look after him, i'll send the bird to his mother. come on, let's just get out of place, we can do it!
oh, no, johnny, no...

frankie: okay now, just lean up that door. when i give the word "go" we just..., we just go through it and blast at the same time.
She came, as in the book, mickey
that saturday night masquerade
had filled his with lead, the same, sweetheart
But then, as happens quite the same
investigation is the
he had to check her story away-he dead
sam his buddy archer first to go he got it
she spelt it out, how they know the 'fatman' got it -he dead
her sister didn't really at all-confusion-he dead
his chase led to the fatman, to face the of mr. cairo
[movie speech:]

woman: hey, there's a really terrific dress shop. can we this raid while i buy a new gown?
frankie: i'll buy you the factory, sweetheart. don't worry.

That night, the double got it right
pretending he was dim
he slipped to sam a gin (mickey finn)
He woke, the had gone, but not his gun
they'd a note to lead him on
the chase to the maltese falcon-you bet-
Early thirties movies
set to population
From chicago to kong
via istanbul the tong
Dirty rats prohibition
money thru gangsterism
out this fantasy
in hollywoods
The best part for the rendition
al capone he to prison
kane came fast and quickly
conquering ol' new york
poking fun at
media became television give me cagney
or jimmy stewart for
Or edward 'g' and all those
who shoot between the eyes
between the
between the
[movie speech:]

kasper: ha, ha, well done mr. cairo, and what do you to say about that, my friend?
spade: allright. so got me in it. what about her?
brigid: don't worry me, i'm okay
kasper: magnanimous, sir, very magnanimous indeed, ha, ha, ha
mr. cairo: you mean..., you won't make us an offer we... we refuse...

Father love do you work, do you for mother
chances could call, and accept that, be no
as it might, disappear correspond with colour
chance is the fruit, will outlive, is now the brother
call for total wealth to distribute like a
in black and white, give it joy, it, let it hit you
Spoil our by extreme gift to population
love do you work, do you work for mother
tell me be the godfather be no other
media kings us now give us total movie
straight right now, give it clear, give us total
now being here, being now, here believing
[movie speeches:]

man: i don't know which words to put in there sweetheart, you know, i can't do it. pretty kind of useless, though, don't you think so

come with me to the far lands of baghdad.
woman: oh, if only i could. that's what i want more than anything in the world, but it never be...
man: of it can...
woman: but my father would find us wherever we went. yes, he has forbidden me to... to speak to you, if he finds me now. i don't know what he'd do...
man: but he know that i'm... i'm a prince. before, i was the thief of baghdad now...
it doesn't matter...
man: then me, darling, follow me now to the ends of the earth

One on one to to you
film stars they get close to you
you've his appeal
he wants you so, he to be beside you
you pass by giving him the other side of you
like the do
so that every he moves, he moves for you
and light can always see
the of true love and she
this silent and i,
i guess a lonely might see
I've seen love on the
i've seen a goddesss and me-oh
how often this, how often, this the of you
and so, i must
i see
i'm meant to be with you
with you you
golden movies, talkies, technicolour, long ago
my ways stand clearer, clearer than my footprints
stardom greats i've followed closely closer than the heartbeat
longer that expected-ther were
oh love oh just to see them
on the silver screen, oh my
clark gable, fairbanks, o'sullivan
fantasy fill my life and i
love so much
did you see in the morning
i really talked, yes i did, to gods early dawning
and i was to be as i am to this day
to be you. to be with you
[movie actor speech:]

mr. cairo: listen. i have arranged this display for... for all of you people to... to come here this evening and i... i know you have been searched, but, you... you don't realize is, is that in the back of the maltese falcon, i have it ...