Luyện nghe bài hát The Friends of Mr. Cairo

[movie speech:]
frankie: okay, this is the picture. johnny's hurt. he's been hurt bad.
woman: look, we can't leave him here, we can't. look, he's in a pool of blood. he's gonna die, i it.
frankie: gotta leave him here, honey. we gotta. he won't talk, i promise you that! will you johnny?
woman: frankie, i don't whether he talks or not, i just can't leave him like this.
johnny: listen. leave me i... i... i can ... i can ... handle it.
oh, no, johnny, no...

frankie: the cops are outside. in the car. come on, let's get the hell outta this joint.
woman: frankie, when they get here wer're gonna be dead, i know we are! we have agun!
frankie: listen. we got million... listen, [spud]. we got three million in the can, here. we can't look after him, i'll send the bird to his mother. come on, let's just get out of this place, we can do it!
oh, no, johnny, no...

frankie: okay now, just lean up against that door. i give the word "go" we just..., we just go through it and blast at the same time.
She came, as in the book, spillane
that night dark masquerade
had filled his friend with lead, the same,
But then, as nothing happens quite the
investigation is the
he had to check her story right away-he
sam his buddy archer first to go he got it
she spelt it out, how they know the 'fatman' got it -he dead
her sister didn't really live at dead
his chase led to the fatman, to face the friends of mr.
[movie like

woman: hey, there's a really terrific shop. can we stop this raid while i buy a new gown?
frankie: i'll buy you the whole factory, sweetheart. worry.

That night, the double got it right
he was really dim
he to sam a double gin (mickey finn)
He woke, the had gone, but not his gun
they'd left a note to him on
the to find the maltese falcon-you bet-
Early thirties movies
set to spellbind
From chicago to kong
via the talking tong
rats thru' prohibition
money flowed gangsterism
out this fantasy
in hollywoods
The part for the best rendition
al capone he to prison
Citizen kane came and quickly
conquering ol' new city
fun at superstition
media became give me cagney anyday
or stewart for president
Or edward 'g' and all those
who always shoot between the
between the
the eyes
[movie like

kasper: ha, ha, well done mr. cairo, and do you have to say about that, my friend?
spade: allright. so you've got me in it. about her?
brigid: worry about me, i'm okay
kasper: very magnanimous, sir, very indeed, ha, ha, ha
mr. cairo: you mean..., you won't us an offer we... we can't refuse...

Father love do you work, do you for mother
chances could call, and accept that, be no
science as it might, disappear correspond with
chance is the fruit, will outlive, what is now the
call for total to distribute like a picture
in black and white, it joy, give it, let it hit you
Spoil our existence by extreme to population
father do you work, do you work for mother
me straight be the godfather be no other
media give us now give us total movie
straight right now, it clear, give us total movie
now being here, being now, here believing
like speeches:]

man: i don't know which words to put in sweetheart, you know, i can't do it. pretty kind of useless, though, don't you think so mary?

come with me to the far lands of baghdad.
woman: oh, if only i could. that's what i want than anything in the world, but it could never be...
of course it can...
woman: but my father would find us wherever we went. yes, he has forbidden me to... to even speak to you, if he finds me now. i don't what he'd do...
man: but he doesn't know that i'm... i'm a prince. before, i was the thief of now...
woman: it matter...
man: then follow me, darling, follow me now to the ends of the

One on one to to you
like film stars they get to you
you've mirrored his
he wants you so, he to be beside you
then you pass by giving him the other of you
the mystics do
so that every he moves, he moves for you
and light can always see
the meeting of love and she
this night and i,
i a lonely mind might see
seen love on the screen
i've a screen goddesss and me-oh
how this, how often, this the power of you
and so, i confess
i see
i'm to be there with you
you with you
Silent movies, talkies, technicolour, long ago
my younger ways clearer, clearer than my footprints
stardom greats i've followed closely closer than the nearest
longer that expected-ther were
oh love oh love just to see
acting on the screen, oh my
clark gable, fairbanks, o'sullivan
fantasy would fill my and i
love fantasy so
did you see in the light
i really talked, yes i did, to early dawning light
and i was to be as i am to this day
to be you. to be with you
[movie like speech:]

mr. cairo: listen. i have arranged this display for... for all of you people to... to come this evening and i... i know you have been searched, but, what you... you don't realize is, is that in the back of the maltese falcon, i have it ...