Luyện nghe bài hát Swordfish (Intro)

You what the problem with Hollywood is?
make shit.
Unbelievable, shit.
Now I'm not grungy wannabe filmmaker
that's searching for
through a of bong smoke or something.
No, it's to pick apart bad acting, short-sighted directing,
and a purely moronic stringing together of that many of the studios term as "prose".
No, I'm talking about the of realism.
Realism; not a pervasive element in today's modern cinematic vision.
Dog Day Afternoon, for example.
Arguably Pacino's best work, of Scarface and Godfather Part 1, of course.
Masterpiece of directing, easily best.
The cinematography, the acting, the screenplay, all top-notch.
But... they didn't the envelope.
Now what if in Dog Day, really wanted to get away with it?
What if - now here's the tricky part - what if he started killing hostages right No mercy, no quarter.
"Meet our demands or the pretty in the bellbottoms gets it the back of the head." Bam, splat!
What, still no bus? Come on! How many innocent victims splattered across a window would it take to have the city reverse its policy on hostage And this is 1976; there's no CNN, there's no CNBC, there's no internet!
Now fast to today, present time, same situation.
How would the modern media make a frenzy over this?
In a matter of hours, it'd be biggest story from to Budapest!
Ten hostages die, twenty, bum bum, one after another.
All in high-def, computer-enhanced, color corrected.
You can taste the brain matter.
All for what? A bus, a
A of million dollars that's federally insured?
I don't think so. Just a thought. I mean, it's not within the realm of cinema but what if?