Luyện nghe bài hát Swordfish (Intro)

You know what the problem with is?
make shit.
Unbelievable, shit.
Now I'm not some grungy wannabe
that's searching for
a haze of bong smoke or something.
No, it's easy to pick bad acting, short-sighted directing,
and a purely moronic stringing together of that many of the studios term as "prose".
No, I'm talking the lack of realism.
Realism; not a pervasive in today's modern American cinematic vision.
Dog Day Afternoon, for example.
Arguably best work, short of Scarface and Godfather Part 1, of course.
Masterpiece of directing, Lumet's best.
The cinematography, the acting, the screenplay, all top-notch.
But... they didn't the envelope.
Now what if in Dog Day, Sonny really wanted to get with it?
What if - now the tricky part - what if he started killing hostages right away? No mercy, no quarter.
"Meet our demands or the pretty in the bellbottoms gets it the back of the head." Bam, splat!
What, still no bus? Come on! How innocent victims splattered across a window would it take to have the city reverse its policy on hostage situations? And this is 1976; there's no CNN, there's no CNBC, there's no internet!
Now fast forward to today, time, same situation.
How quickly would the modern media make a frenzy this?
In a matter of hours, it'd be story from Boston to Budapest!
Ten hostages die, twenty, thirty; bum bum, one another.
All caught in high-def, computer-enhanced, corrected.
You can practically taste the matter.
All for A bus, a plane?
A couple of million dollars that's insured?
I think so. Just a thought. I mean, it's not within the realm of conventional cinema but what if?