Luyện nghe bài hát Swordfish (Intro)

You know what the problem Hollywood is?
make shit.
Unbelievable, shit.
Now I'm not some grungy filmmaker
that's for existentialism
a haze of bong smoke or something.
No, it's easy to pick apart bad acting, directing,
and a moronic stringing together of words that many of the studios term as "prose".
No, I'm talking the lack of realism.
Realism; not a pervasive element in today's modern cinematic vision.
Dog Day Afternoon, for example.
Arguably Pacino's best work, short of Scarface and Part 1, of course.
of directing, easily Lumet's best.
The cinematography, the acting, the screenplay, all top-notch.
But... they didn't the envelope.
Now what if in Dog Day, Sonny really wanted to get with it?
What if - now here's the part - what if he started killing hostages right away? No mercy, no quarter.
"Meet our demands or the pretty blonde in the gets it the back of the head." Bam, splat!
What, no bus? Come on! How many innocent victims splattered across a window would it take to have the city reverse its policy on hostage situations? And this is 1976; there's no CNN, there's no CNBC, there's no internet!
Now fast forward to today, present time, situation.
How quickly would the media make a frenzy over this?
In a matter of hours, be biggest story from Boston to Budapest!
Ten hostages die, twenty, bum bum, one after another.
All caught in high-def, computer-enhanced, corrected.
You can practically the brain matter.
All for A bus, a plane?
A couple of dollars that's federally insured?
I don't think so. Just a thought. I mean, it's not the realm of conventional cinema but what if?