Luyện nghe bài hát Swordfish (Intro)

You know the problem with Hollywood is?
make shit.
Unbelievable, shit.
Now I'm not some grungy wannabe
that's searching for
through a of bong smoke or something.
No, it's easy to apart bad acting, short-sighted directing,
and a purely moronic stringing together of words that many of the term as "prose".
No, I'm about the lack of realism.
Realism; not a pervasive element in today's modern American vision.
Dog Day Afternoon, for example.
Arguably Pacino's work, short of Scarface and Godfather Part 1, of course.
of directing, easily Lumet's best.
The cinematography, the acting, the screenplay, all top-notch.
But... didn't push the envelope.
Now what if in Dog Day, Sonny really wanted to get away it?
What if - now here's the tricky part - what if he started killing hostages away? No mercy, no quarter.
"Meet our demands or the pretty blonde in the gets it the back of the head." Bam, splat!
What, still no bus? Come on! How many innocent victims splattered across a window would it take to have the city reverse its policy on hostage situations? And this is 1976; there's no CNN, there's no CNBC, no internet!
Now fast forward to today, present time, situation.
How quickly would the media make a frenzy over this?
In a matter of hours, be biggest story from Boston to Budapest!
Ten hostages die, twenty, thirty; bum bum, one another.
All in high-def, computer-enhanced, color corrected.
You can practically taste the matter.
All for what? A bus, a
A couple of million dollars that's insured?
I don't think so. Just a thought. I mean, not within the realm of conventional cinema but what if?