Now I when I wrote that song. I was imagining being in London I'd never been I don't know if there is a street named Rickety Lane in but it sounded to me at the time In early days of my songwriting I was certainly feeling the of the british invasion Which was the background to the mid-60's rise in counter that had crossed the Atlantic and even it's way to the mouth of the Mississippi
The repetoire of the upstairs alliance was filled songs by the Dave Five. The Kicks, The Stones, Hermits Hermits, The and of The Beatles, We all wanted to look, and act British But the closest we ever could get to an international group was a Canadian member
Rick was my roommate in college, the player in my band and a life-long friend He is now Chair of the film school and has in the film and commercial world, ever leaving the band and school He directed the: Who's the blonde stranger video Which we filmed in Key stayed in touch over the years and I always visit RB when we play Toronto as we did summer
When we had finished putting together the tracks in for this I sent it to Ricky to fact check as this stuff happened a time ago and enough he came up with a few bits of treasure that I had about and that's when I thought it would be to have him read this start Hell he a major part of it and since then he's made a good living as an actor, director, and voice-over specialist relying on husky Canadian voice of his So, further adieu here's Mr. Rick Bennett reading Sgt. in the gumbo pot Take it away
Hi I'm Rick Bennett, Jimmy's colleague and the player in our first band, The Upstairs Alliance JImmy Buffett, The Beatles and Bourbon a combination and in the summer of 1967, that was the combination, the were lining up In the of 1967, Jimmy, myself and Benny formed a little band called The Upstairs
And on insistence, we auditioned for and got the gig at a folk called The Bayou Room on Bourbon Street in New And I'm thinking, does it get any than that? We played our and pop tunes adding a few new Beatles as they came along and usually played to pretty good crowds, in June of '67 the landscape changed
The Beatles released the Sergeant Pepper's Lonely Club Band That album blew us away, we had to be of that It was time to go JB in his Martin D acoustic for the electric version I traded the stand-up Bass for a Fender Jazz And Benny, she kept her old tambourine as fate would have it, the bar to the Bayou Room was the Gunga Den, the hottest Rock 'n Roll bar on Street The owner kinda our electric sound and figured our next should be with his bar
So he offered us a gig, and for money as well It was a no-brainer, we thought we might him by opening with Pepper Now these didn't always take surprises well Back on the campus we made an after hours visit to the theatre costume and 'borrowed' some Sgt, Pepper style costumes
Now let it be noted that it was our intent to return those generous We recruited a drummer and a lead player to add to our electric circus band We stayed up nights learning the lyrics and chords to Sgt, Jimmy carried the load, while Bennie and I did the We were getting ready to the Gunga Den a new audience With the new electric of the Upstairs Alliance
On we played our last folk set at the Bayou Room and with a change of we walked into the Gunga Den strobe lights flailing, electric energy prevailing, and Sergeant Lonely Hearts Band ready to go Top quote the Beatles, it was to be there it certainly was a
The was a hit the bar made and we were getting some pretty good press The upstairs became the first Sergeant Peppers cover band in New was no going back Surely we would be discovered and the road to success start down Bourbon Street
But this is the music business, at best and there are a lot of vultures out Like Jimmy, New Orleans was one of the great of my life We didn't make it, but way then we knew Jimmy was to make it Because he never a plan b and as fate would have it Here is the who had something to say