Now I remember when I wrote song. I was imagining being in London though I'd been I don't know if there is a street named Rickety in London but it sounded to me at the time In those days of my songwriting I was feeling the effects of the british invasion Which was the music to the mid-60's rise in counter culture had crossed the Atlantic and worked it's way to the mouth of the Mississippi
The repetoire of the alliance was filled with songs by the Clark Five. The Kicks, The Stones, Hermits, The Animals and of The Beatles, We all to look, sound and act British But the closest we really could get to being an international was a Canadian member
Rick Bennett was my in college, the bass in my band and a life-long friend He is now Chair of the Toronto film and has in the film and commercial world, ever since leaving the band and He also directed the: Who's the blonde video Which we filmed in Key We've in touch over the years and I always visit RB we play Toronto as we did this summer
we had finished putting together the tracks in storage for collection I sent it to Ricky to check as this stuff happened a long time ago and sure enough he came up a few bits of treasure that I had about and that's when I thought it would be cool to have him this start Hell he lived a major part of it and since he's made a pretty living as an actor, director, producer and voice-over relying on that husky voice of his So, further adieu here's Mr. Rick Bennett reading Sgt. in the gumbo pot Take it Ricky
Hi I'm Rick Bennett, Jimmy's colleague and the bass player in our band, The Upstairs Alliance JImmy Buffett, The Beatles and Street what a and in the summer of 1967, was the combination, the stars were lining up In the Spring of 1967, Jimmy, and Benny formed a little band called The Upstairs
And on Jimmy's insistence, we for and got the gig at a folk club called The Bayou Room on Bourbon in New And I'm thinking, does it get any than that? We played our and pop tunes adding a few new Beatles as they came along and usually played to good crowds, then in June of '67 the music changed
The Beatles the album Sergeant Pepper's Lonely Hearts Band That blew us away, we had to be part of that It was to go electric JB traded in his Martin D acoustic for the version I traded the stand-up Bass for a Fender Jazz And Benny, well she her old tambourine as fate would have it, the bar next to the Bayou was the Gunga Den, the hottest Rock 'n Roll bar on Street The owner kinda liked our sound and our next progression should be with his bar
So he offered us a gig, and for more money as It was a no-brainer, we we might surprise him by opening with Pepper Now these didn't always take surprises well Back on the College campus we an after hours visit to the theatre costume and 'borrowed' some outrageous Sgt, Pepper costumes
Now let it be noted that it was always our intent to generous gifts We recruited a and a lead guitar player to add to our eclectic circus band We stayed up learning the lyrics and chords to Sgt, Pepper Jimmy carried the load, while Bennie and I did the We were ready to rock the Gunga Den a new audience With the new version of the Upstairs Alliance
On Sunday we played our last set at the Bayou Room and with a change of wardrobe we into the Gunga Den with lights flailing, electric energy prevailing, and Sergeant Peppers Lonely Hearts ready to go Top quote the Beatles, it was wonderful to be it certainly was a
The was a hit the bar made money and we were getting pretty good press The upstairs alliance became the first Sergeant cover in New Orleans There was no back Surely we would be discovered and the road to success would start Bourbon Street
But this is the business, fickle at best and there are a lot of vultures out Jimmy, New Orleans was one of the great experiences of my life We didn't make it, but way back we knew Jimmy was to make it Because he never entertained a plan b and as fate have it Here is the who had something to say