Now I when I wrote that song. I was imagining being in London I'd never been I don't know if there is a street named Rickety in London but it sounded to me at the time In those days of my songwriting I was certainly feeling the of the british invasion Which was the music to the mid-60's rise in culture that had crossed the Atlantic and even worked way to the mouth of the Mississippi
The repetoire of the upstairs alliance was filled with by the Clark Five. The Kicks, The Stones, Hermits, The Animals and of The Beatles, We all to look, sound and act British But the we really ever could get to being an international was having a member
Rick was my roommate in college, the bass in my band and a life-long friend He is now Chair of the Toronto school and has worked in the and commercial world, since leaving the band and school He also directed the: Who's the blonde video we filmed in Key West We've stayed in over the years and I visit RB when we play Toronto as we did this summer
When we had finished putting together the in storage for this I it to Ricky to fact check as this stuff happened a long time ago and sure enough he came up a few bits of treasure I had forgotten about and that's when I thought it would be cool to have him read start Hell he a major part of it and since then he's made a pretty good as an actor, director, producer and specialist relying on that Canadian voice of his So, without further adieu here's Mr. Rick Bennett Sgt. in the gumbo pot it away Ricky
Hi I'm Rick Bennett, colleague roommate and the bass player in our band, The Upstairs Alliance JImmy Buffett, The Beatles and Street what a combination and in the of 1967, was the combination, the stars were lining up In the Spring of 1967, Jimmy, myself and formed a little called The Upstairs Alliance
And on insistence, we auditioned for and got the gig at a club called The Bayou Room on Bourbon Street in New And I'm thinking, does it get any than that? We played our and pop tunes adding a few new ballads as they came along and usually to pretty good crowds, then in June of '67 the landscape changed
The released the album Sergeant Pepper's Hearts Club Band That album blew us away, we had to be part of It was time to go JB traded in his Martin D acoustic for the version I traded the stand-up Bass for a Fender Jazz And Benny, well she her old tambourine as fate would have it, the bar next to the Bayou was the Gunga Den, the hottest Rock 'n Roll bar on Bourbon The owner kinda our electric sound and figured our progression should be with his bar
So he offered us a gig, and for more money as It was a no-brainer, we we might surprise him by opening with Sergeant Now these boys didn't always surprises well Back on the College campus we an after hours to the theatre costume department and 'borrowed' some Sgt, Pepper style costumes
Now let it be that it was always our intent to return generous gifts We recruited a drummer and a guitar player to add to our electric circus band We up nights learning the lyrics and chords to Sgt, Pepper Jimmy the load, while Bennie and I did the harmonies We were getting ready to rock the Den a new audience With the new electric version of the Alliance
On we played our last folk set at the Bayou Room and a change of wardrobe we walked into the Gunga Den with strobe lights flailing, electric prevailing, and Sergeant Peppers Lonely Hearts Band to go Top quote the Beatles, it was wonderful to be it certainly was a
The was a hit the bar made money and we were getting some good press The upstairs alliance became the first Peppers cover band in New There was no back Surely we would be here and the road to success would start down Bourbon
But this is the business, fickle at best and there are a lot of vultures out Jimmy, New Orleans was one of the great experiences of my life We didn't make it, but way back we knew Jimmy was to make it Because he never a plan b and as fate would have it is the wino who had something to say