Now I remember when I wrote that song. I was imagining being in though I'd been I don't know if there is a street named Rickety in London but it sounded to me at the time In those early of my songwriting I was feeling the effects of the british invasion Which was the music to the mid-60's rise in counter culture had crossed the and even worked it's way to the mouth of the River
The of the upstairs alliance was filled with songs by the Clark Five. The Kicks, The Stones, Hermits, The Animals and of The Beatles, We all to look, sound and act British But the closest we really could get to being an group was having a Canadian
Rick was my roommate in college, the bass in my band and a life-long friend He is now Chair of the film school and has in the film and commercial world, ever since leaving the band and He directed the: Who's the blonde stranger video we filmed in Key West We've stayed in touch over the and I always RB when we play Toronto as we did this summer
When we had finished putting together the in storage for this I sent it to Ricky to fact check as this stuff happened a long ago and sure enough he up with a few bits of treasure I had forgotten about and that's when I thought it would be cool to have him read start Hell he a major part of it and since then he's made a pretty good as an actor, director, producer and voice-over relying on that husky Canadian of his So, without adieu here's Mr. Rick Bennett reading Sgt. Pepper in the pot it away Ricky
Hi I'm Bennett, Jimmy's colleague roommate and the bass player in our first band, The Alliance JImmy Buffett, The and Bourbon Street what a and in the summer of 1967, that was the combination, the were lining up In the Spring of 1967, Jimmy, myself and formed a little band called The Upstairs
And on insistence, we auditioned for and got the gig at a folk club called The Bayou on Bourbon Street in New And I'm thinking, it get any better than that? We played our folk and pop adding a few new Beatles ballads as they along and usually played to pretty crowds, then in June of '67 the music landscape
The Beatles the album Sergeant Lonely Hearts Club Band That album blew us away, we had to be part of It was time to go JB in his Martin D acoustic for the electric version I the stand-up Bass for a Fender Jazz Master And Benny, well she kept her old as fate would have it, the bar to the Bayou Room was the Gunga Den, the hottest Rock 'n Roll bar on Street The kinda liked our electric sound and figured our next should be with his bar
So he us a gig, and for more money as well It was a no-brainer, we we might surprise him by opening with Sergeant Now boys didn't always take surprises well Back on the campus we made an after hours to the theatre costume department and 'borrowed' some outrageous Sgt, Pepper costumes
Now let it be noted that it was our intent to return those generous We recruited a and a lead guitar player to add to our electric circus band We stayed up nights learning the and chords to Sgt, Pepper carried the load, while Bennie and I did the harmonies We were getting ready to rock the Den a new audience With the new electric version of the Alliance
On Sunday we played our last set at the Bayou Room and with a change of wardrobe we walked into the Den with strobe lights flailing, electric prevailing, and Sergeant Peppers Lonely Hearts Band to go Top the Beatles, it was wonderful to be there it was a thrill
The was a hit the bar made money and we were getting some good press The alliance became the first Sergeant Peppers cover band in New There was no going Surely we would be discovered here and the to success would start Bourbon Street
But this is the music business, fickle at and there are a lot of vultures out Like Jimmy, New Orleans was one of the great experiences of my We didn't make it, but way back we knew was going to make it Because he never entertained a plan b and as fate would it Here is the wino who had to say