Now I remember when I wrote song. I was imagining being in London though I'd never I don't know if there is a street named Lane in London but it sounded good to me at the In those early of my songwriting I was certainly feeling the of the british invasion was the background music to the mid-60's rise in counter culture had crossed the Atlantic and worked it's way to the mouth of the River
The repetoire of the alliance was filled with songs by the Clark Five. The Kicks, The Stones, Hermits, The Animals and of The Beatles, We all wanted to look, and act British But the closest we really could get to being an group was having a Canadian
Rick Bennett was my in college, the bass player in my band and a life-long He is now of the Toronto film school and has worked in the film and world, since leaving the band and school He also directed the: Who's the blonde video Which we in Key West We've stayed in touch over the and I always visit RB when we play as we did this summer
When we had finished putting together the in storage for this I sent it to to fact check as this stuff happened a long time ago and sure enough he up with a few bits of that I had forgotten about and that's when I thought it be cool to have him read this start Hell he lived a part of it and since then he's a pretty good living as an actor, director, producer and voice-over relying on that husky voice of his So, without further adieu here's Mr. Rick reading Sgt. in the gumbo pot it away Ricky
Hi I'm Rick Bennett, Jimmy's roommate and the bass in our first band, The Upstairs Alliance Buffett, The Beatles and Bourbon Street what a and in the summer of 1967, that was the combination, the were lining up In the Spring of 1967, Jimmy, myself and formed a little band The Upstairs Alliance
And on insistence, we auditioned for and got the gig at a folk club called The Bayou Room on Street in New And I'm thinking, it get any better than that? We played our and pop tunes adding a few new Beatles ballads as they along and played to pretty good crowds, then in June of '67 the music landscape
The Beatles released the Sergeant Pepper's Lonely Club Band That album blew us away, we had to be of that It was to go electric JB traded in his D acoustic for the electric version I traded the stand-up Bass for a Fender Master And Benny, well she kept her old as fate would have it, the bar to the Bayou Room was the Gunga Den, the hottest Rock 'n Roll bar on Street The kinda liked our electric sound and figured our next progression should be his bar
So he offered us a gig, and for money as well It was a no-brainer, we thought we surprise him by opening with Sergeant Now boys didn't always take surprises well on the College campus we made an after hours visit to the costume department and 'borrowed' outrageous Sgt, Pepper style costumes
Now let it be noted that it was always our intent to generous gifts We a drummer and a lead guitar player to add to our eclectic electric band We up nights learning the lyrics and chords to Sgt, Pepper Jimmy carried the load, Bennie and I did the harmonies We were ready to rock the Gunga Den a new audience With the new version of the Upstairs Alliance
On Sunday we played our folk set at the Bayou Room and with a change of wardrobe we into the Gunga Den with strobe lights flailing, energy prevailing, and Peppers Lonely Hearts Band ready to go Top quote the Beatles, it was to be there it certainly was a
The was a hit the bar made money and we were getting some pretty press The alliance became the first Sergeant Peppers cover in New Orleans There was no back Surely we would be discovered here and the to success would start Bourbon Street
But this is the business, fickle at best and are a lot of vultures out there Like Jimmy, New Orleans was one of the great experiences of my We didn't make it, but way back then we was going to make it Because he never entertained a plan b and as would have it is the wino who had something to say