Now I remember when I wrote that song. I was imagining in London I'd never been I don't know if there is a street named Rickety Lane in but it sounded to me at the time In early days of my songwriting I was certainly feeling the of the british invasion Which was the background music to the rise in counter culture had crossed the Atlantic and even it's way to the mouth of the River
The repetoire of the upstairs was filled with songs by the Dave Five. The Kicks, The Stones, Hermits Hermits, The and of The Beatles, We all to look, sound and act British But the closest we ever could get to being an international was having a Canadian
Bennett was my roommate in college, the bass player in my and a life-long friend He is now Chair of the Toronto school and has in the film and commercial world, ever since leaving the and school He also directed Who's the blonde stranger video we filmed in Key West We've stayed in over the years and I always visit RB when we play Toronto as we did summer
When we had putting together the tracks in storage for collection I sent it to Ricky to fact as this stuff happened a long time ago and sure he came up with a few bits of treasure that I had forgotten and that's I thought it would be cool to have him read this start Hell he lived a major of it and since then he's made a good living as an actor, director, producer and voice-over relying on that husky Canadian of his So, without further adieu here's Mr. Rick reading Sgt. Pepper in the pot Take it Ricky
Hi I'm Rick Bennett, Jimmy's colleague and the bass player in our first band, The Upstairs Buffett, The Beatles and Bourbon Street what a combination and in the of 1967, was the combination, the stars were lining up In the of 1967, Jimmy, myself and Benny formed a little band called The Alliance
And on insistence, we auditioned for and got the gig at a club called The Bayou Room on Bourbon Street in New And I'm thinking, does it get any than that? We played our and pop tunes a few new Beatles ballads as they came along and usually to pretty good crowds, then in June of '67 the music landscape
The Beatles the album Sergeant Lonely Hearts Club Band That album blew us away, we had to be of that It was time to go JB in his Martin D acoustic for the electric version I the stand-up Bass for a Fender Jazz Master And Benny, well she kept her old as fate have it, the bar next to the Bayou Room was the Gunga Den, the Rock 'n Roll bar on Bourbon Street The owner kinda liked our electric and figured our progression should be with his bar
So he us a gig, and for more money as well It was a no-brainer, we thought we surprise him by with Sergeant Pepper Now these boys didn't always take surprises Back on the campus we made an hours visit to the theatre costume department and some outrageous Sgt, Pepper style costumes
Now let it be noted it was always our intent to return those gifts We recruited a drummer and a lead guitar to add to our electric circus band We stayed up nights the lyrics and chords to Sgt, Pepper Jimmy carried the load, Bennie and I did the harmonies We were getting ready to rock the Gunga Den a new With the new electric of the Upstairs Alliance
On Sunday we played our last folk set at the Bayou and with a of wardrobe we walked into the Gunga Den with lights flailing, electric energy prevailing, and Sergeant Peppers Lonely Hearts ready to go Top quote the Beatles, it was wonderful to be it certainly was a
The was a hit the bar made money and we were getting some good press The upstairs alliance the first Sergeant Peppers band in New Orleans There was no going Surely we would be here and the road to success would start down Street
But this is the music business, at best and there are a lot of out there Like Jimmy, New Orleans was one of the great of my life We didn't it, but way back then we knew Jimmy was going to it Because he never entertained a plan b and as would have it Here is the who had something to say