Now I remember when I wrote song. I was imagining being in London I'd never been I don't if there is a street named Rickety Lane in London but it sounded to me at the time In those days of my songwriting I was certainly feeling the of the british invasion was the background music to the mid-60's rise in counter culture that had the Atlantic and worked it's way to the mouth of the Mississippi
The repetoire of the upstairs alliance was with songs by the Clark Five. The Kicks, The Stones, Hermits Hermits, The and of The Beatles, We all wanted to look, and act British But the closest we ever get to being an international group was having a member
Bennett was my roommate in college, the bass player in my band and a life-long He is now Chair of the Toronto film and has in the film and commercial world, ever since leaving the band and He also directed Who's the blonde stranger video Which we in Key West We've stayed in over the years and I visit RB when we play Toronto as we did this summer
When we had putting together the tracks in storage for this I sent it to Ricky to fact as this stuff happened a long time ago and enough he came up with a few bits of that I had forgotten about and that's when I thought it would be cool to have him read this he lived a major part of it and since then he's made a good living as an actor, director, producer and specialist relying on that husky voice of his So, without adieu here's Mr. Rick Bennett reading Sgt. in the gumbo pot Take it Ricky
Hi I'm Rick Bennett, colleague roommate and the bass in our first band, The Upstairs Alliance Buffett, The Beatles and Bourbon Street what a combination and in the of 1967, that was the combination, the stars lining up In the of 1967, Jimmy, myself and Benny formed a little band The Upstairs Alliance
And on Jimmy's insistence, we for and got the gig at a folk called The Bayou Room on Bourbon Street in New And I'm thinking, it get any better than that? We our folk and pop tunes adding a few new Beatles ballads as they along and usually to pretty good crowds, then in June of '67 the music landscape
The released the album Pepper's Lonely Hearts Club Band That album blew us away, we had to be of that It was to go electric JB traded in his Martin D for the electric version I the stand-up Bass for a Fender Jazz Master And Benny, well she kept her old as fate would have it, the bar next to the Bayou was the Gunga Den, the Rock 'n Roll bar on Bourbon Street The owner liked our electric sound and figured our next progression be with his bar
So he offered us a gig, and for money as well It was a no-brainer, we thought we might him by opening with Pepper Now these boys didn't always take well on the College campus we made an after hours visit to the theatre costume and 'borrowed' some outrageous Sgt, Pepper costumes
Now let it be that it was always our intent to return those gifts We a drummer and a lead guitar player to add to our eclectic circus band We stayed up nights the lyrics and chords to Sgt, Pepper Jimmy carried the load, Bennie and I did the harmonies We were getting ready to rock the Gunga Den a new the new electric version of the Upstairs Alliance
On Sunday we played our last folk set at the Bayou and a change of wardrobe we walked into the Gunga Den with lights flailing, electric energy prevailing, and Sergeant Peppers Lonely Hearts ready to go Top the Beatles, it was wonderful to be there it was a thrill
The was a hit the bar made money and we were some pretty good press The upstairs alliance the first Sergeant Peppers band in New Orleans There was no going Surely we would be discovered here and the to success would start down Bourbon
But this is the music business, fickle at and there are a lot of vultures out Like Jimmy, New Orleans was one of the great of my life We didn't make it, but way back then we was going to make it Because he never entertained a plan b and as fate would it is the wino who had something to say