Now I remember when I wrote that song. I was imagining being in I'd never been I don't know if there is a street named Rickety in London but it sounded to me at the time In those days of my songwriting I was certainly feeling the effects of the invasion Which was the background music to the mid-60's in counter culture had crossed the Atlantic and worked it's way to the mouth of the Mississippi
The repetoire of the upstairs alliance was filled songs by the Clark Five. The Kicks, The Stones, Hermits, The Animals and of The Beatles, We all wanted to look, and act British But the we really ever could get to an international group was having a Canadian
Rick was my roommate in college, the bass in my band and a life-long friend He is now Chair of the Toronto school and has in the film and commercial world, ever since leaving the band and He also directed the: Who's the blonde stranger Which we filmed in Key We've stayed in over the years and I visit RB when we play Toronto as we did this summer
we had finished putting together the tracks in storage for collection I sent it to Ricky to fact check as stuff happened a long time ago and sure enough he came up a few bits of treasure that I had forgotten and that's when I thought it would be cool to have him read this Hell he lived a part of it and since then he's made a pretty good as an actor, director, producer and specialist relying on that husky Canadian of his So, without further adieu here's Mr. Rick Bennett Sgt. Pepper in the pot Take it away
Hi I'm Rick Bennett, colleague roommate and the bass player in our first band, The Alliance Buffett, The Beatles and Bourbon Street what a and in the summer of 1967, that was the combination, the were lining up In the Spring of 1967, Jimmy, myself and formed a little band called The Alliance
And on Jimmy's insistence, we for and got the gig at a folk club called The Bayou Room on Street in New And I'm thinking, does it get any than that? We played our and pop tunes a few new Beatles ballads as they came along and usually to pretty good crowds, then in June of '67 the landscape changed
The released the album Sergeant Pepper's Lonely Club Band That blew us away, we had to be part of that It was to go electric JB traded in his D acoustic for the electric version I traded the stand-up Bass for a Fender Jazz And Benny, well she her old tambourine as would have it, the bar next to the Bayou Room was the Gunga Den, the Rock 'n Roll bar on Bourbon Street The owner kinda our electric sound and our next progression should be with his bar
So he us a gig, and for more money as well It was a no-brainer, we thought we might him by opening with Sergeant Now these boys didn't always take well Back on the College campus we an after hours to the theatre costume department and 'borrowed' outrageous Sgt, Pepper style costumes
Now let it be that it was always our intent to return those gifts We recruited a drummer and a lead player to add to our eclectic circus band We up nights learning the lyrics and chords to Sgt, Pepper Jimmy the load, while Bennie and I did the harmonies We were getting ready to rock the Gunga Den a new With the new electric version of the Upstairs
On Sunday we played our folk set at the Bayou Room and with a change of wardrobe we into the Gunga Den with strobe lights flailing, electric prevailing, and Sergeant Lonely Hearts Band ready to go Top quote the Beatles, it was to be there it certainly was a
The was a hit the bar made money and we were getting some pretty press The upstairs alliance the first Sergeant Peppers band in New Orleans There was no going Surely we would be discovered and the road to success would start down Bourbon
But this is the business, fickle at best and there are a lot of vultures out Like Jimmy, New Orleans was one of the great of my life We didn't make it, but way then we knew Jimmy was going to it Because he never entertained a b and as fate would have it Here is the wino who had to say