Now I remember when I wrote that song. I was imagining in London though I'd been I don't if there is a street named Rickety Lane in London but it sounded good to me at the In those early of my songwriting I was feeling the effects of the british invasion Which was the background to the mid-60's rise in culture that had crossed the Atlantic and worked it's way to the of the Mississippi River
The repetoire of the upstairs alliance was with songs by the Clark Five. The Kicks, The Stones, Hermits, The Animals and of The Beatles, We all to look, sound and act British But the closest we ever could get to being an group was a Canadian member
Rick Bennett was my in college, the bass player in my band and a life-long He is now Chair of the film school and has worked in the film and world, ever since leaving the band and He also directed Who's the blonde stranger video we filmed in Key West We've stayed in touch the years and I always visit RB when we play as we did this summer
we had finished putting together the tracks in storage for collection I sent it to to fact check as this stuff happened a long time ago and sure enough he came up a few bits of treasure I had forgotten about and that's I thought it would be cool to have him read this start Hell he lived a major of it and since then he's made a pretty living as an actor, director, producer and voice-over relying on that Canadian voice of his So, without further adieu Mr. Rick Bennett reading Sgt. Pepper in the pot it away Ricky
Hi I'm Bennett, Jimmy's colleague roommate and the bass in our first band, The Upstairs Alliance Buffett, The Beatles and Bourbon Street what a combination and in the of 1967, that was the combination, the stars were up In the Spring of 1967, Jimmy, and Benny formed a band called The Upstairs Alliance
And on Jimmy's insistence, we for and got the gig at a club called The Bayou Room on Bourbon Street in New And I'm thinking, does it get any better than We played our and pop tunes adding a few new Beatles ballads as came along and usually played to pretty crowds, then in June of '67 the landscape changed
The released the album Sergeant Pepper's Lonely Hearts Club That blew us away, we had to be part of that It was to go electric JB traded in his D acoustic for the electric version I traded the stand-up Bass for a Jazz Master And Benny, well she kept her old as would have it, the bar next to the Bayou Room was the Gunga Den, the hottest Rock 'n Roll bar on Street The owner liked our electric sound and our next progression should be with his bar
So he offered us a gig, and for money as well It was a no-brainer, we thought we might him by opening with Sergeant Now these boys didn't always surprises well Back on the College we made an after hours visit to the costume department and 'borrowed' outrageous Sgt, Pepper style costumes
Now let it be that it was always our intent to return those generous We recruited a drummer and a lead player to add to our eclectic electric band We stayed up nights learning the lyrics and chords to Sgt, Jimmy carried the load, while and I did the harmonies We were getting to rock the Gunga Den a new audience With the new version of the Upstairs Alliance
On Sunday we our last folk set at the Bayou Room and with a change of wardrobe we walked into the Den with lights flailing, electric energy prevailing, and Sergeant Peppers Lonely Hearts Band to go Top quote the Beatles, it was to be there it certainly was a
The was a hit the bar made money and we were getting some pretty good The upstairs became the first Sergeant Peppers cover in New Orleans There was no back we would be discovered here and the road to success would start down Bourbon
But this is the music business, at best and there are a lot of vultures out Like Jimmy, New was one of the great experiences of my life We didn't make it, but way then we knew Jimmy was to make it Because he never a plan b and as fate would have it Here is the who had something to say