Now I remember when I wrote song. I was imagining being in London I'd never been I don't know if there is a named Rickety Lane in London but it sounded good to me at the In those early days of my I was certainly feeling the effects of the british Which was the background music to the mid-60's in culture that had crossed the Atlantic and even it's way to the mouth of the River
The repetoire of the upstairs was filled with songs by the Dave Five. The Kicks, The Stones, Hermits Hermits, The and of The Beatles, We all wanted to look, and act British But the closest we ever could get to being an group was having a member
Bennett was my roommate in college, the player in my band and a life-long friend He is now Chair of the film school and has worked in the and commercial world, since leaving the band and school He also directed the: Who's the blonde stranger Which we filmed in Key We've in touch over the years and I always visit RB when we Toronto as we did this summer
we had finished putting together the tracks in storage for this I sent it to Ricky to fact as this stuff happened a long time ago and sure enough he came up a few bits of that I had forgotten about and that's when I thought it would be cool to have him read start he lived a major part of it and since then he's made a pretty living as an actor, director, and voice-over specialist relying on that Canadian voice of his So, without further adieu here's Mr. Bennett reading Sgt. in the gumbo pot Take it Ricky
Hi I'm Bennett, Jimmy's colleague roommate and the bass in our first band, The Upstairs Alliance JImmy Buffett, The Beatles and Street what a combination and in the of 1967, that was the combination, the were lining up In the Spring of 1967, Jimmy, and Benny formed a little called The Upstairs Alliance
And on insistence, we auditioned for and got the gig at a folk club called The Bayou on Bourbon Street in New And I'm thinking, does it get any better that? We played our and pop tunes adding a few new Beatles as they came along and usually played to good crowds, then in June of '67 the landscape changed
The Beatles the album Sergeant Pepper's Hearts Club Band That album blew us away, we had to be of that It was to go electric JB traded in his Martin D acoustic for the version I traded the stand-up Bass for a Fender Master And Benny, she kept her old tambourine as fate would have it, the bar to the Bayou Room was the Den, the hottest Rock 'n Roll bar on Bourbon Street The owner kinda liked our electric and our next progression should be with his bar
So he offered us a gig, and for money as well It was a no-brainer, we thought we surprise him by opening with Pepper Now these boys always take surprises well on the College campus we made an after hours visit to the theatre department and 'borrowed' some outrageous Sgt, Pepper style
Now let it be noted that it was our intent to return those generous We recruited a drummer and a guitar player to add to our eclectic electric circus We stayed up nights learning the and chords to Sgt, Pepper Jimmy carried the load, while and I did the harmonies We were ready to rock the Gunga Den a new audience the new electric version of the Upstairs Alliance
On we played our last folk set at the Bayou Room and with a change of wardrobe we walked the Gunga Den with strobe lights flailing, electric prevailing, and Sergeant Lonely Hearts Band ready to go Top quote the Beatles, it was to be there it was a thrill
The was a hit the bar made money and we were some pretty good press The upstairs alliance the first Sergeant Peppers band in New Orleans There was no going Surely we would be discovered here and the road to would start down Bourbon
But this is the business, fickle at best and are a lot of vultures out there Jimmy, New Orleans was one of the great experiences of my life We didn't make it, but way back we knew Jimmy was going to it Because he never entertained a plan b and as fate would it is the wino who had something to say