Not that I have anything against salesmen, but let me you something See, I was born with a in my heart, not a shoe.
Hello, Dead-Dog records. If it ain't a Dead-Dog, it barking. How can I ya?
There are fifty-million blank cassettes a sold in this country, and me, they're not being used for dictation. They're being to copy records. There is no expemption of copyright for home taping, period, the consent of the owner.
going on anyways? What comes out of the is different than goes in.
The new tech, the new tech, the new technology.
The important things about the invention of tape is that it changed music being an event in time, into an event in space.
The relationship between a and an original ...into being an in space.
I think it challanges we have about the relationship a copy and an original
You can edit it, the songs. And of course when it's played back, You're dealing in the sense In the same you're dealing with any plastic material And ofcourse, when it's played back, it once again becomes an in time.
But that intrum (I suppose) But during that intrum period, where it's a thing, you can do of things with it. Lots of that you never had available Prior to -, to -, Prior to -, The of tape.
It took while (seeing) before started seeing the possibilities of seeing the of this
What's the power of reproducing back into our own the old boundaries between what was my information And what was Have confused.
Only a
And instead of making their own (Anything you can do I can do I can do anything you)
Only a
Old technologies get confused with new
I this confusing between original and copy, and all the new technology use information
A sound... Allow you to something, You And put it into own music So when you a certain key, You A sound from else's recording
(No you Yes we can No you Yes we can No you Yes we can! Yes we can!)
And put it in Or it up A song... A song... A song... from somebody else's (Ownership...) You a song And put it your own music. Somebody recording. A sound somebody else.
Ownership is the older system of distribution.
By the way, I don't know how many I've made the refrence to the U.S. Copyright Law
?'s law was written in 1924. It was ammended in 1988. But the roots of the law back century
Just to put it in context, pre-radio, really, it's pre-commercial-radio, pre-television, certainly pre-computer, it's geared, ah... It's records, it's pre-compact-disk. It's pre-almost everything come to look at in life as communicating information. One of the major criticizems of a legal stuctured in this way is that it does copyright law into disrespect, and it law generally into disrespect. If one has a system which makes common activities wrong in the eyes of the law, and yet is doing it - then you begin to wonder - is law worthy of
(You something?) Everything it is appealing (You something?) the traffic will allow (The who were listening) No-way can you get happy feeling (You and daughter) you are stealing (You don't any of this. Just look around. Just ask around. Just see what they're tapes for. you are stealing... No, I'm not a fan of that of thing. (The country knows happening. Look, oh)
I still feel I still feel I still feel stolen are stolen goods, go on with the stealing... But I really comment on it, I keep feeling like, but... but... but... As as you accept stolem goods As as you accept an art form like stolen goods I suppose, As long as you an art form like Collage, Where you take and newspaper clippings and them up on a board.
I say. I say that the out there, When know that there's another side to this issue, When know that people like myself, let me interrupt myself.
How am I going to make a I hope you find what you are for. On the hand, In fact, the of this case is wether or not artists can feel to use work done by artists of own generation, or preceeding generations as the for the creation of new work again something that has taken place in art, from time and memorial, and continue to happen. And if the courts say that a of art can have no basis in a prior work of art, would be a very damaging and destructive statement in to the of art.
Oh, don't sue us!