Luyện nghe bài hát Only a Sample

Not that I anything against shoe salesmen,
but let me you something
See, I was born with a in my heart, not a shoe.

Hello, Dead-Dog records. If it ain't a Dead-Dog, it barking.
How can I ya?

are fifty-million blank cassettes a year sold in this country,
and believe me, they're not used for dictation.
They're being used to records. There is no expemption of copyright
for home taping, period, the consent of the owner.

What's on anyways?
What comes out of the machine is
than goes in.

The new tech, the new tech, the new technology.

The most important things about the of tape
is that it changed music from being an in time,
into an event in space.

The relationship between a and an original
...into being an in space.

I think it notions we have about
the relationship between a copy and an

You can edit it, the songs.
And of course then when played back,

You're dealing in the sense
In the same sense you're dealing with any material
And ofcourse, then when played back,
it once again becomes an in time.

But during intrum
(I suppose)
But during that intrum period, where it's a thing,
you can do lots of things it.
Lots of things that you had available
to -, Prior to -, Prior to -,
The of tape.

It took while (seeing) before anybody
seeing the of this
the possibilities of this

What's the power of reproducing
back our own heads?
That the old boundaries between what was my
And what was
Have confused.

a sample

And of making their own sounds
(Anything you can do
I can do
I can do than you)

a sample

Old technologies get confused with new

I find confusing between original and copy,
and all the new technology use digital

A sound...
Allow you to something,
You
And put it into own music
So when you press a key,
You
A sound from else's recording

(No you
Yes we can
No you
Yes we can
No you
Yes we can!
Yes we can!)

And put it in
Or it up
A song... A song... A song...
from else's recording
(Ownership...)
You hear a
And put it your own music.
else's recording.
A sound from else.

is redefined
Destabilizes the older of distribution.

By the way, I don't know how many I've made
the refrence to the U.S. Copyright Law

?'s copyright law was in 1924.
It was partially in 1988.
But the roots of the law back century

to put it in context, it's pre-radio, really,
it's pre-commercial-radio, pre-television,
it's certainly pre-computer, geared, ah...
It's pre-modern records, pre-compact-disk.
It's pre-almost we've come to look at
in modern as communicating information.
One of the criticizems of a legal system stuctured in this way
is that it bring copyright law into disrespect, and it
bring law generally into disrespect. If one has a system makes
common activities wrong in the eyes of the law, and yet
is doing it - then you begin to - is law worthy of respect?

(You something?)
about it is appealing
(You something?)
Everything the traffic allow
(The people who listening)
can you get that happy feeling
(You and daughter)
you are stealing
(You don't need any of this. Just around.
Just ask around. see what they're using tapes for.
you are stealing...
No, I'm not a fan of type of thing.
(The country what's happening. Look, oh)

I still stolen
I still stolen
I still stolen goods are stolen goods,
go on with the stealing...
But I can't really on it,
'cause I keep like,
but... but... but...
As as you accept stolem goods
As long as you accept an art like stolen goods
I suppose,
As long as you accept an art like Collage,
Where you take photographs and newspaper
and them up on a board.

I say.
I say that the out there,
When they know there's another side to this issue,
When they know that like myself,
let me interrupt myself.

How am I going to a living?
I hope you find you are looking for.
On the hand,
In fact, the importance of this is wether
or not can feel free to use work done by artists of
own generation, or preceeding generations
as the basis for the of new work
It's again something that has place in art,
from and memorial, and will continue to happen.
And if the say that a work of art can have no basis
in a prior of art, that would be a very damaging and destructive
in relationship to
the of art.

Oh, don't sue us!