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Well it was a pretty breakfast gig
But It was other option that would get me
moving in the direction I wanted to be going
six months later while we were in the studio
He told me he was planning one of his trips to
he did once or twice a year
to record demos of his songs, which he would pitch
to recording in Nashville

He had a pretty good record and
he had established good contacts in music city as well
He asked me to along
And then the plan
Travis had moved to Nashville a of months earlier
a job opened up as a full time engineer at Spar Recording Studios

He would be engineering Milton's
wanted me to do a vocal of one of his contemporary
songs called round a ball
When that was we would use the time
left on the to record three of my songs
the ace studio players he had hired
He told me the top pedal steel player at the time,
Lloyd was from Mobile and a
friend and be playing on the session

Milton had told him me coming along
This would us a Nashville recorded session of demos
that he could then pitch to record
I him about 1000 times in
the after he explained the plan
And with Milton's help, it seemed that a few of the puzzle
I saw as my future, seemed to be finally together

I was anxious, and a bit uncertain
as I kept repeating to myself
before we the plane,
Damn, we're going to
And make no mistake about it, was the big time

There certainly any major career moves happening
for me at the Admiral's or the electrical department at
[?] Shipbuilding company
So as Mark Twain said, I was ready to light out into the
Meanwhile, back in Mobile, we left,
the tape player on recording

This was another favourite Lightfoot song, called the
About a that was
very in our Bourbon Street days
and I had my read a few times in that town
I will blame habit on my favourite record of that era,,
Teller,
written by Allen Toussaint and recorded by Spellman

Benny seemed to gotten a little
more of his money's worth than did
Anyway, Here's one of the last songs i recorded in Mobile
I went looking for my own fortune... Here is the Gypsey

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