Well it was a pretty successful gig But It was Milton's other option would get me moving in the direction I wanted to be going About six months later while we were in the He told me he was planning one of his trips to Which he did or twice a year to record demos of his songs, which he would pitch to recording in Nashville
He had a pretty good record and he had established pretty good contacts in music city as He asked me to along And explained the plan Travis had moved to Nashville a couple of earlier when a job opened up as a full time engineer at Recording Studios
He would be engineering sessions Milton wanted me to do a vocal of one of his called round like a ball When that was finished we would use the left on the session to three of my songs With the ace studio he had hired He told me that the top pedal player at the time, Lloyd Greene was Mobile and a and would be playing on the session
Milton had told him about me coming This would give us a Nashville recorded of demos that he could pitch to record companies I thanked him about 1000 in the minutes after he the plan And with Milton's help, it that a few pieces of the puzzle I saw as my future, seemed to be finally together
I was anxious, and a bit uncertain as I repeating to myself everyday before we the plane, Damn, we're going to And make no mistake about it, was the big time
There certainly weren't any major career happening for me at the Admiral's Corner or the department at Alabhama [?] company So as Mark Twain said, I was to light out into the territory Meanwhile, in Mobile, before we left, the tape player kept on
was another favourite Lightfoot song, called the Gypsey About a that was very popular in our Bourbon days and I had my fortune read a few times in that I will blame that habit on my favourite of that era,, Teller, written by Allen Toussaint and recorded by Spellman
Benny to have gotten a little more of his worth than Gordon did Anyway, Here's one of the last that i recorded in Mobile before I went for my own fortune... Here is the Gypsey