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Well it was a pretty successful gig
But It was Milton's option that would get me
moving in the direction that I to be going
About six months later we were in the studio
He told me he was planning one of his trips to
Which he did once or twice a
to record demos of his songs, which he would then
to recording in Nashville

He had a pretty track record and
he had established pretty good contacts in music as well
He me to come along
And then explained the
Travis had moved to Nashville a of months earlier
when a job opened up as a full time engineer at Spar Studios

He would be Milton's sessions
Milton wanted me to do a of one of his contemporary
called round like a ball
When that was we would use the time
left on the to record three of my songs
With the ace studio he had hired
He told me that the top pedal steel at the time,
Lloyd Greene was from and a
friend and would be on the session

had told him about me coming along
This give us a Nashville recorded session of demos
that he could then pitch to record
I thanked him 1000 times in
the minutes after he the plan
And with Milton's help, it seemed a few pieces of the puzzle
I saw as my future, seemed to be fitting together

I was anxious, and a bit uncertain
as I kept repeating to everyday
we boarded the plane,
Damn, we're to Nashville
And make no about it, Nashville was the big time

There certainly weren't any major career moves
for me at the Admiral's Corner or the department at
Alabhama [?] company
So as Twain said, I was ready to light out into the territory
Meanwhile, back in Mobile, we left,
the player kept on recording

This was another favourite Lightfoot song, the Gypsey
About a that was
very popular in our Bourbon Street
and I had my read a few times in that town
I will that habit on my favourite record of that era,,
Teller,
written by Allen Toussaint and recorded by Spellman

Benny seemed to gotten a little
more of his worth than Gordon did
Anyway, one of the last songs that i recorded in Mobile
before I looking for my own fortune... Here is the Gypsey

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