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Well it was a pretty successful gig
But It was Milton's other option that get me
moving in the direction that I to be going
About six months later while we were in the
He told me he was one of his trips to Nashville
Which he did once or a year
to record demos of his songs, he would then pitch
to recording in Nashville

He had a good track record and
he had established good contacts in music city as well
He me to come along
And then the plan
Travis had to Nashville a couple of months earlier
when a job opened up as a full engineer at Spar Recording Studios

He would be engineering sessions
Milton wanted me to do a of one of his contemporary
songs called round a ball
When that was finished we would use the
on the session to record three of my songs
With the ace studio players he had
He told me the top pedal steel player at the time,
Lloyd was from Mobile and a
and would be playing on the session

Milton had told him about me along
This would give us a Nashville recorded of demos
he could then pitch to record companies
I thanked him about times in
the minutes after he the plan
And with Milton's help, it seemed that a few pieces of the
I saw as my future, seemed to be finally fitting

I was anxious, excited and a bit
as I kept to myself everyday
before we the plane,
Damn, we're going to
And make no mistake about it, was the big time

certainly weren't any major career moves happening
for me at the Corner or the electrical department at
[?] Shipbuilding company
So as Mark Twain said, I was ready to light out into the
Meanwhile, in Mobile, before we left,
the player kept on recording

This was another Lightfoot song, called the Gypsey
About a that was
very popular in our Street days
and I had my fortune read a few times in that
I will blame that habit on my favourite of that era,,
Teller,
written by Toussaint and recorded by Benny Spellman

Benny seemed to have a little
more of his worth than Gordon did
Anyway, Here's one of the songs that i recorded in Mobile
before I went for my own fortune... Here is the Gypsey

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