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Preclassical

Follow the
Where the Friarmonk learned
How to
The untouchable of Man
are unsharp
Of blind men them
armed
In the of delivery

Let show you
How to the Prudence
In the mood
Let them you
How the marks
Reveal the though

Disposition to
The time-dimension
in God
And the man the rest
his own universality
That might to
try to be

Categorising the
Is the key
To
the milk
From angels
to reproduce
The
The of God

the path
Where the Friermonk learned
How to
The of a Virgin
not turning red

Videos

Xzoriath - Preclassical investigation
Xzoriath - Preclassical investigation
Xzoriath - The Laws of the Third Apocalypse
Xzoriath - The Laws of the Third Apocalypse
Xzoriath "The Laws of the Third Apocalypse" 2002
Xzoriath "The Laws of the Third Apocalypse" 2002
Xzoriath - The Laws of the Third Apocalypse: Intro
Xzoriath - The Laws of the Third Apocalypse: Intro
Xzoriath - Rudiments Unwinding
Xzoriath - Rudiments Unwinding
Xzoriath - The growing Eye
Xzoriath - The growing Eye
Harry Partch - Two Studies on Ancient Greek Scales (1946, revised 1950)
Harry Partch - Two Studies on Ancient Greek Scales (1946, revised 1950)
Spira  - Forged In The Fire Of XZVLGHALOTH
Spira - Forged In The Fire Of XZVLGHALOTH
Genetic Investigation
Genetic Investigation
History
History
Two Studies on Ancient Greek Scales: 1) Olympos' Pentatonic 2) Archytas' Enharmonic
Two Studies on Ancient Greek Scales: 1) Olympos' Pentatonic 2) Archytas' Enharmonic
How relevant is ancient history to contemporary readers? | Amanda H. Podany
How relevant is ancient history to contemporary readers? | Amanda H. Podany
163: Richardus Cochlearius (Hexachordal Solmisation, Partimento)
163: Richardus Cochlearius (Hexachordal Solmisation, Partimento)
Classical Mc (Original Mix)
Classical Mc (Original Mix)
HARRY PARTCH: Two Studies on Ancient Greek Scales
HARRY PARTCH: Two Studies on Ancient Greek Scales
Classical Education and the Pursuit of Truth in an Age of Folly
Classical Education and the Pursuit of Truth in an Age of Folly
Generic Compositions No. 3, 4 and 5
Generic Compositions No. 3, 4 and 5
Studies For Orchestra: VIII. Rhapsodia (Molto moderato – Allegro)
Studies For Orchestra: VIII. Rhapsodia (Molto moderato – Allegro)
Felipe Rojas Silva | Cuneiform and Cross: Early Armenian Reuse of Urartian Inscriptions
Felipe Rojas Silva | Cuneiform and Cross: Early Armenian Reuse of Urartian Inscriptions
Deciphering writing systems of the Aegean Bronze Age with Cambridge Academics
Deciphering writing systems of the Aegean Bronze Age with Cambridge Academics