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Bắt đầu làm bài nào

(The thing is spoken)

(GIRY is hurrying across. RAOUL and calls after her)

Giry, wait. . .

Please, Monsieur - I know no more
else.

not true.

(uneasily)

Please, Monsieur, don't ask, there have too many accidents . . .

(ironical)

Accidents?! (She off again. He stops her) (desperately) Please, Madame Giry, for all our sakes . . .

GIRY (She has nervously about her and suddenly deciding to trust him, cuts in)

Very well. It was years ago. was a traveling
fair in the city. The gypsies. I was very young, studying to be a ballerina. One of many living in the dormitories of the house.
(There is a of when Madame Giry is still very young and at the traveling fair)

(The circus)

(Young Giry's school is taking a fieldtrip to a traveling circus)

Scary woman: See the wonder the East!

Cruel man. Come. Come. inside. Come and see The Devil's Child.

(They all see Young Erik with a sack over his head, chained in a cage of straw. He is making a stuffed monkey playing the cymbals the one on the musical box)

(All the children except for Young Madame Giry laugh at Erik)

Cruel man. (Beats Erik a stick) You damn demon! (Beats) Villain! (Beats) Ne'er do-well! (Beats) Libertine! (Beats) Dangerous! (Beats) Hideous! (Beats) Monstrous! (Beats) BEAST! (Beats very hard)
(Young Erik groans in pain on the straw. Young Giry looks sadly at Young Erik)
Cruel Man. Behold, Mesdames and messieurs, the Devil's Child! (He takes the off Young Erik's head, pulls the hair)

(All the kids Young Madame Giry laugh at him)

(Erik slowly puts the sack back on. When all the children break free, the cruel man begins to count his coins)

(Young Erik suddenly breaks free, grabs a rope and the chains he was too and strangles the cruel man)

(Erik his stuff monkey and takes Young Madame Giry's hand and they run out of the traveling circus)

Murder!

Policeman: way?!
Man: way! That way!
Policeman: getting away!

(Young Madame Giry and Young Erik run all the way to a of the Opera House)

(Young Madame Giry Erik in the window)

(The House)
(Narrating the story) I hid him from the world, and its cruelties.
(Young Madame Giry enters from part of the room, Young Erik runs to her and she hides him)

Young Giry. If you in here, you are safe.

Erik. Thank you so much, young lady.

(It back to the real times)

GIRY: He has known nothing else of since then except this opera house. I called him Erik. It was his playground and now his artistic domain, he's a genius. He's an architect and designer, he'scomposer and amagician. A genius, Monsieur!

But clearly, Madame Giry, genius has turned to madness.

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