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Execreation Test

Song info

"Execreation Test" (2007)

"Execreation Test" Videos

Nile - Execration Text (bass clarinet cover)
Nile - Execration Text (bass clarinet cover)
NILE - Execration Text (Bass Playthrough Cover)
NILE - Execration Text (Bass Playthrough Cover)
Execration Text (Nile Drum Cover) By Mephistopheles
Execration Text (Nile Drum Cover) By Mephistopheles
Nile - execration test(velvet 29-11-09).MP4
Nile - execration test(velvet 29-11-09).MP4
Nile - Sacrifice Unto Sebek Bass
Nile - Sacrifice Unto Sebek Bass
NILE Hollywood, Los Angeles (USA, CA), 17 juillet 2002
NILE Hollywood, Los Angeles (USA, CA), 17 juillet 2002
Nile - Sacrifice Unto Sebek // Bass Cover // Dingwall NG-2
Nile - Sacrifice Unto Sebek // Bass Cover // Dingwall NG-2
Karl Sanders Breaks Down "Kafir" Guitar Solo
Karl Sanders Breaks Down "Kafir" Guitar Solo
Interview Brad Parris of NILE /Greenville SC/ SoundlinkTV
Interview Brad Parris of NILE /Greenville SC/ SoundlinkTV
Nile - Laying Fire Upon Apep - Drumcover by Giulio Galati
Nile - Laying Fire Upon Apep - Drumcover by Giulio Galati
Nile - Sacrifice Unto Sebek Guitar Cover
Nile - Sacrifice Unto Sebek Guitar Cover
Nile - Lashed to The Slave Stick (Collaboration Cover)
Nile - Lashed to The Slave Stick (Collaboration Cover)
Nile - CALL TO DESTRUCTION Track Review
Nile - CALL TO DESTRUCTION Track Review
Nile - The Blessed Dead
Nile - The Blessed Dead
Nile- execration text
Nile- execration text
Nile - Enduring The Eternal Molestation of Flame (guitar cover)
Nile - Enduring The Eternal Molestation of Flame (guitar cover)
Sacrifice Unto Sebek(Nile) Bass cover by -Aabeg Gautam
Sacrifice Unto Sebek(Nile) Bass cover by -Aabeg Gautam
Nile - Permitting the noble dead to descend to the Underworld  - DRUM COVER
Nile - Permitting the noble dead to descend to the Underworld - DRUM COVER
Heavy Metal Television Interviews Nile  2016
Heavy Metal Television Interviews Nile 2016
INTERVIEW : Karl Sanders - NILE - L'entrepot ARLON - 11 Feb 2018 #LTDM
INTERVIEW : Karl Sanders - NILE - L'entrepot ARLON - 11 Feb 2018 #LTDM

Lyrics

Mut The Dangerous Dead
Trouble me No Longer
I Inscribe Thy Name
I Threaten Thee With The Second Death
I Kill Thy Name
And Thus I Kill Thee Again
In The Afterlife

Bau Terror of the Living
Angry Spirits of the Condemned Dead
I Write thy Name
I Burn Thy Name In Flames
I Kill Thy Name
And Thus Thee Are Accursed
Even Unto The Underworld

Mut The Troublesome Dead
Plague Me No Longer
Thou Art Cursed
Thy Name Is Crushed
Thine Clay is Smashed And Broken
Thy Vengeance Against The Living
Shall Come to Naught

[Among the most sinister objects from the ancient world are the figurines in human shape which were used to cast spells on the persons they depicted. Such objects survive to this day usually only when they are buried as a part of a rite, and usually in the vicinity of a tomb or necropolis. Archeologist have found the remains of such rites at the royal cemetaries of Giza, Saqqarra, Lisht, and at several forts in Nubia. Stone, wax, or mud figures, or broken clay tablets or clay pots, are inscribed with lists of the enemies of Egypt. The body of the figure is usually flattened to make room for the text, or sometimes a papyrus is inserted inside the body cavity. On the back, the arms, or the arms and legs, are bound together. The inscriptions found on them are called "execration texts." These texts threaten death to specific people. Often, they include the name, parentage, and title of war. The execration texts were mainly aimed at enemy rulers, hostile nations, and tribes in Nubia, Libya, and Syria-Palestine. Magickal incantations and rites were used to cause death and suffering, and to prevent the angry spirits of the executed from taking vengeance on those who had condemned them. Usually included in these texts are long-standing enemies of those involved in the cursing rites. There is also often a catchball phrase against any man, woman, or eunuch who might be plotting rebellion. Amongst the common people, the execration rituals were carried out after the killing of a personal enemy or the execution of criminals. By killing the enemy's name, which was an integral part of the personality, this rite would extend the punishment into the afterlife. The spirits of defeated enemies or executed traitors were regarded as a continued supernatural threat, which needed to be met with magic. The wording of the texts is similar to that of contemporary spells on papyrus, which promise to protect against the malice of demons and ghosts. Those named in the execration texts are referred to as "mut" - the dangerous dead. It is also the word used to describe the troublesome dead in protective spells for private persons. The stone figures and red clay pots on which the execration texts were written were ritually broken as part of the cursing ceremony in order to smash the enemy's power. A pit near the Egyptian fort of Mirgissa in Nubia contained hundreds of such pot shards, as well as over 350 figures. Deposite of figures have been found outside fortresses, tombs, and funerary temples. The clay figures were burned and then buried with iron spikes driven through them, or nailed to the outer walls, as the bodies of executed traitors and foreign enemies sometimes were. The more eloborate enemy figures were sometimes trussed up like animals about to be sacrificed. Some are shown with their throats cut, the method used to kill sacrificial animals. The dismembered body of a Nubian and a flint sacrificial knife were found nar the Mirgissa pit. Some Egyptologists believe that human sacrifices routinely accompanied execration rituals, while others have argued that the figures were normally a substitute for such sacrifices.]


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