And you're the Circle Line girl so hard not to let on you know I'm looking at the way your toes poke out through your at angles to your feet and how you know it me on
Or maybe you're the girl with your hair as you wait for your friend in that wild octagon of mirrors the Tate a coffee shop And I can smell that hair from and I can see eight different angles the way your nipples look through that thin cotton top reflected to And oh God, places like that and purple-tipped prose like this going to hemorrhage me, girl
Ooo, it's Girl, I'm only doing it to be to you
Or you're the bay window girl in Wandsworth Town, in ripped and open Venetians painting the difficult corner of an empty white a naked bulb across the bar at the top of your stepladder at the moment I'm passing on the steep street at the bottom of your garden in the night voyeur's
Ooo, it's Girl, I'm only doing it to be to you
Or you're the foundation painter at the Central School, looking so I could carry you home in your portfolio laced up so you won't cry out on the bus and give the away tied up lightly, girl how could I injure someone with your perfect lips and wrists, your exquisite Oh, little acrylic painter, I can kiss eggshells, I can be all the critics say I'm such a singer
Ooo, it's Girl, I'm doing it to be closer to you
And maybe listening to my voice now on your Walkman or bedsit Dansette letting my songs slip into you on this quiet in with your pads of doodles and fingers full of pencils and low tar And the music's and pleasant so you hardly notice I'm singing about in "Paper Wraps Rock" And "Murderers, the of Women," my voice is just a sound pleases you that enters you and leaves you just the and how I want it to stay, because, you know
Ooo, true: Girl, I'm doing it to be closer to you
But some of were bitter records records which accuse women, like you of using your wantonly and willfully to trap and to men who wanted you and never have you men who felt the perverse urge to trash the they desired the most men who imagined they all those immaculate visions what adolescent crap, what kind of idiot would sing Oh, not me because, you
Ooo, true: Girl, I'm doing it to be closer to you
But I think that every man who writes every man who paints or composes, deep soul or it makes no difference, all men are only making do with substitutes: Solomon, Confucius, Kafka never have done it if they'd been as beautiful as you sitting cross-legged there with music lapping around a promise, there where thighs meet of fertility a million couldn't compete with
Ooo, true: Girl, I'm doing it to be closer to you
And all the I see you there in the eye of my mind, and all that macho stuff about de Sade and misogyny vanishes into air and I'm moved to tears just like any sucker who's been bruised by all the things that to be and yet who's ready to fall on his knees in front of a woman, and "Whatever you may do, you may be to me the times we disagree, your ridiculous ambitions your inhibitions I want you to know that I you I you and I want you to accept me I want to you, kiss your stockinged knee accept the uniquely soft on the undersides of hips,"
Ooo, true: Girl, I'm only it to be closer to you
And when won you when I've down in front of you, and said: "Damn Franz Kafka, the Thin White Duke (damn the Thin Duke) it's you and you alone I'm this for," When I'm with heroes and pastiche (throwing darts in eyes) when you've let me make to you the slowest, way that I know how (when you do for me, baby) and it feels so (bear with me) that's when I'll of Paul Klee's epitaph: "Here lies the Paul Klee closer than usual to the heart of creation but far from enough,"
And girl, I lie far from enough to you...