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Luyện nghe bài hát Clementine

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Bắt đầu làm bài nào

I should like to consider the folk song, and expand briefly on a theory I have held for some time, to the effect that the reason most songs are so atrocious is that they were written by the
Le. if professional songwriters had written them instead, things might have turned out considerably differently. for example, consider the old favorite, with which, I'm sure, you're all
Ot;clementine", you

In a cavern, in a canyon,
dadadada...
A song with no recognizable whatsoever, and imagine what might have happened if, for example, cole porter had tried writing this song. the first verse might have come out like this:

In a cavern, in a canyon,
for a mine,
Far away from the of the city
She was so pretty, a pity, clementine.

Oh clementine, can't you tell from the of me
This love of mine to you from the bowels of me.
Are you discerning the
Of this churning, burning, for you-oo-oo... ah-ah...
Well, supposing at this point that mozart (or one of that crowd) had tried writing a verse, the next one might have come out as a baritone aria from an italian opera, somewhat along lines:

Era legera e come un
E suo numero nine,
bo-ho-ho-hoxes senza to-ho-ho-hopses,
Sandalae per si, per clementina si,
Per sandalae, per clementina sandalae, per clementine.
Clehementina, clehementina, clehe-he-mentina...

boxes senza topses sandalae per clementina,
Herring boxes topses sandalae per clementina,
Che sciagura clementina, che sciagura clementina, cara clementina,
Clementina-na-na-na-na-na-na-na!
Supposing at this rather dramatic juncture in the narrative, one of our modern "cool school" of composers had writing a verse, the next one might have come out like this:

Drove those ducklings to the
Yeah brach! doo doo uh ah!
Ev'ry morning 9am
Ooh pah! de do de do do do, da!
Got hung up on a splinter, got a-hung up on a
ge mop! huh huh!
Do de do de do do do
Fell the foamy brine, dig that crazy clementine, man!
To end on a happy note, one can always count on and sullivan for a rousing finale, full of words and music and signifying nothing.

That I her depressed her young sister named esther,
This mister to she tried.
Now her pestering a festering blister,
best to resist her, say i.

The mister resisted, the persisted,
I her, all loyalty slipped.
When she said I could have her, her sister's
surely have turned in it's crypt.
Yes, yes, yes, yes!

But I she and she loves me.
are the both of we.
Yes I love she and she i
And through all eternity!

See what I

Videos

Tom Lehrer: Clementine (concert live) (1959)
Tom Lehrer: Clementine (concert live) (1959)
Tom Lehrer - Clementine
Tom Lehrer - Clementine
Tom Lehrer: Clementine (studio solo) (1959)
Tom Lehrer: Clementine (studio solo) (1959)
Tom Lehrer Clementine
Tom Lehrer Clementine
Tom Lehrer - The Vatican Rag - fabulous version - LIVE FILM From Copenhagen in 1967
Tom Lehrer - The Vatican Rag - fabulous version - LIVE FILM From Copenhagen in 1967
Clementine (Live)
Clementine (Live)
Tom Lehrer Full Copenhagen Performance
Tom Lehrer Full Copenhagen Performance
Clementine
Clementine
Tom Lehrer - The Irish Ballad - LIVE FILM From Copenhagen in 1967
Tom Lehrer - The Irish Ballad - LIVE FILM From Copenhagen in 1967
Tom Lehrer: Be Prepared (studio solo) (1953)
Tom Lehrer: Be Prepared (studio solo) (1953)
Clementine
Clementine
Clementine
Clementine
Tom Lehrer - It Makes a Fellow Proud to Be a soldier
Tom Lehrer - It Makes a Fellow Proud to Be a soldier
Tom Lehrer - Clementine
Tom Lehrer - Clementine
Tom Lehrer - "More of Tom Lehrer" 1959 FULL STEREO ALBUM
Tom Lehrer - "More of Tom Lehrer" 1959 FULL STEREO ALBUM
Tom Lehrer - Clementine
Tom Lehrer - Clementine
Tom Lehrer - Pollution - with intro
Tom Lehrer - Pollution - with intro
All of Tom Lehrer PLAYLIST
All of Tom Lehrer PLAYLIST
Tom Lehrer: She's My Girl (studio solo) (1959)
Tom Lehrer: She's My Girl (studio solo) (1959)
Tom Lehrer: The Vatican Rag (concert live) (1965)
Tom Lehrer: The Vatican Rag (concert live) (1965)