Gather 'round cats and I'll you a story 'bout how to an all-American Boy. Just buy you a and put it in tune and be a rockin and a rollin soon. Impressin the girls, hot licks, and all that jazz. I bought me a guitar a year ago and I Learned how to it in a day or so. And all town it was well understood that I was knocking 'em out like B. Goode. Hot licks, off, ah, number one. I practiced all day and up into the night, My papa's was a gettin kinda white. He didn't dig that,ah, and roll. He said, "You can boy, but that's gotta go." He's a square; just dig me at all. So I my guitar, picks and all, and I said farewll to my poor old pa. I for Memphis where they say 'you all' And them cats are a havin a ball. Yeah, love me down there, guitar picks and all. I was rocking and and getting all the breaks, And the girls all that I had what it takes, up steps a man with a big cigar. He said. "Come here, kid. I'm gonna you a star." Put you on "Bandstand', buy you a cadillac. here, kid." So I signed my and became a star, having a ball with my guitar. Driving a big, long cadillac. And fighting the girls my back. But they keep a comin, screaming, they love it. So I picked my with a great big grin And the money just kept on in. And then one day my Sam said (thump, thump, thump) "here I am! Uncle Sam needs you, boy. Gimme that guitar. this rifle. Yeahhhh - gonna cut your hair off... .
A letter from Don
Most of your lyrics are on the money - I merely cleared up a few you apparently couldn't distinguish from the record. I backed Bobby with guitar on the original cut for All American Boy. I was playing in R&R band in Dayton, Ohio when one night Bobby and his manager showed up. They had a few beers, introduced themselves on a break and asked if we would be interested in backing Bobby on a novelty song Elvis being drafted into the army. We practiced the song the next day, a Sunday, drove to Cincinatti on Monday, and cut the record in King Studios there. The third try was a take and became the song which became a hit. The band was given the option of taking a percentage of record sales, assuming it could be marketed and did well; or we could receive 'session fee', which was about $35.00/person. without exception the band members (all five of us) took the $35.00. You can imagine our surprise (and delight) to hear the song being played on the radio all over Ohio and the whole midwest.
The reason for the confusion re Bobby's name not appearing on the Fraternity label, who bought pressing and distribution rights, was that two weeks to the recording, Bobby, ironically, had been drafted and knew that he would not be able to promote the song by touring or personal appearances. His best friend, Bill Parsons, was allowed to assume Bobby's role, and Bill actually did record the flip side of AAB with a jazzed up version of Rubber Dolly. When the record hit, Bobby was in boot camp in the army, and I and the band (now called the "All American Boys") went on tour of the midwest with Bill Parsons, playing at small to medium venues in clubs and auditoriums from Detroit to St. Louis. But it could not be pulled off. Bill Parsons was no Bobby Bare and the we soon faded back into obscurity, playing at neighborhood bars in Dayton, Ohio. Bobby was a true-born, gifted singer and songwriter with the magic ability to be at one with an audience. He was truly one of a kind.
Don (919) 280-6878 e-mail [email protected] I will be happy to share any experiences and anecdotes re Bobby with you you desire. DGP